Ajouter une intrigue dans votre langueA look at the New York City punk-rock scene and the venerable nightclub, CBGB.A look at the New York City punk-rock scene and the venerable nightclub, CBGB.A look at the New York City punk-rock scene and the venerable nightclub, CBGB.
- Réalisation
- Scénario
- Casting principal
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More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.
The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?
However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.
For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.
And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)
7/10
Secondly there are some liberties taken with the actual music. It didn't matter to me as it was all great music, but if your picky on such things that may irritate you. An example of this is that the Ramones don't actually play any Ramones tracks, instead they player a Joey Ramone solo track that was released later. I don't really understand why they made those choices, but that is the way it is. Some people may feel the "live" sound isn't gritty enough. Again, I had no problem here, I wanted to hear good music and I did.
Perhaps those that get the most out of this films are those that like the music but aren't huge fans of anyone in specific. This is where I fell and I have to say I thoroughly enjoyed it. I laughed and I cried and when it finished I was happy. Alan Rickman is the centrepiece of this film and that I think will make this enjoyable to the majority of viewers (as the IMDb average suggests) as he is as solid as ever. The rest of the cast is reasonable but no one stands out. The sets look very accurate (from what I can tell at least) and the whole thing is quite believable.
Taken out of the historical context this is basically a light hearted comedy about a growing music scene and a guy with passion, kindness and absolutely no business acumen. It feels like a "British Comedy" which for many will be fine, but given the topic is a New York club some may feel it inappropriate. If you read this review and still want to see the film then you will no doubt enjoy it as much as I have (or more).
Le saviez-vous
- AnecdotesLou Reed is featured; he died of liver disease sixteen days after the release of this film.
- GaffesSeveral shots show the corner of Bleecker Street and the Bowery. The street signs have white letters on a green background. In the 1970s, Manhattan street signs had black letters on a yellow background.
- Citations
Hilly Kristal: [Being introduced to the Ramones] What do you guys have for me?
Joey Ramone: We got four songs. "I Don't Wanna Walk Around With You," "I Don't Wanna Be Learned," "I Don't Wanna Be Tamed," and "I Don't Wanna Go Down to the Basement."
Hilly Kristal: Lot of things you don't wanna do.
Joey Ramone: Yeah.
Hilly Kristal: Anything you wanna do?
Joey Ramone: We're workin' on something now.
Hilly Kristal: Something positive?
Joey Ramone: Yeah. It's - it's called, "I Wanna Sniff Some Glue."
Hilly Kristal: Good to have a point of view.
- Crédits fous"This film is dedicated to... Hilly Kristal and all those who worked at and lived at CBGB. MAY THEY ROCK ON FOREVER! No animals were harmed during the making of this film... The cockroach guts were Fig Newtons. And we know that Iggy Pop never played at CBGB... Just deal with it."
- ConnexionsFeatured in WatchMojo: Top 10 Movie Biopics That Got It Wrong (2020)
- Bandes originalesKick Out the Jams
Written by Michael Davis, Rob Tyner (as Robert Derminer), Wayne Kramer, Fred 'Sonic' Smith (as Frederick Smith), Dennis Thompson (as Dennis Tomich)
Performed by MC5
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Music Group Film & TV Licensing
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- How long is CBGB?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Клуб CBGB
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 40 400 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 909 $US
- 6 oct. 2013
- Montant brut mondial
- 40 400 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1