Phas Gaye Re Obama

After a long long time, I was overjoyed after watching some movie. Wonderfully written script and at the top of that marvelous execution on the screen. A commendable screen play it was in the movie. With the theme of recession and its side effects on different classes of society, movie progresses. First few scenes give you a gut feeling that its not a routine come and go movie and after some 20 minutes, movie changes its gear. After interval you find yourself so engrossed in the movie that you starts guessing What's next... and end of the movie gifts you a great satisfaction and admiration on your lips for this master piece by Subhash Kapoor.

There is nobody in the cast, who did not do justice with their role. Rajat Kapoor played his trademark NRI role mercurially. It was an effortless, flawless, natural act from Rajat. Sanjay Mishra alias Bhai Sahab is also brilliant as always. Sarcasm in his super seriously delivered jokes forces you to an inevitable smile. Oye Lucky Lucky Oye famed Bangali, Manu Rishi has also displayed perfect timing with his role. His strong desire to go to US, his English classes and watching US based news with his glittering eyes and supportive dialogs in various frames ensured that his character is strongly written like every other character of the movie. Amol Gupte as NetaJi and Neha Dhupia as Munni gangster are also very promising.

The best part of the movie is, you never loose your smile. At the same time, you guess about the next action from either Rajat Kapoor or Manu Rishi or some Gangster. The light, humorous and a little sarcastic way of presenting some of the very sensitive truths of our society is really commendable. I am overwhelmed by watching this movie and hope, it would be liked and appreciated more than those clungy, crampy, non-sense movies, which are over flowing in the bollywood these days.

Satires in their relatively rare existence have proved to be difficult to work upon in our film industry. For every 'Jaane bhi do yaaron', we also have a 'Peepli'. Director Subhash Kapoor sets his talented cast in the aftermath of the global recession with an outrageous mockery of the President's Yes We Can slogan. From its harshness about recession in America to the hilarious slump time for the local underworld, Phas Gaye Re Obama works in all aspects.

The once millionaire, now in-debt Om Shastri (Rajat Kapoor) is on the verge of bankruptcy with his home on the brink of foreclosure in a month's time. Unless he finds means to pay off the bank, the recession threatens to bring his family on the street. In a desperate attempt to salvage a family fortune, Om travels to his homeland only to find that the recession has hit the hinterland as well and it will be impossible to sell the ancestral Haveli. However, the news of a millionaire NRI reaches the ears of Bhai Saab (Sanjay Mishra), a dejected yet ambitious small time gangster who kidnaps Shastri in broad daylight. Now, not only does Shastri have to salvage his home, but he also has to escape from the clutches of the tiered underworld of rural India involving Bhai Saab, Ali Bhai, Munni and an aspiring minister who secretly runs a very well organized kidnapping business.

While the film gradually gathers pace in the first half after introducing its characters, the audience is entertained through hilarious scenes and dialogues that suggest nothing loud and ridiculous but are wacky and genuinely funny. The second half of the film is where the director shows his adroitness in dealing with suspense, drama and comedy in a satire while making it all sensible. As the screenplay draws your attention through a narrower tunnel, the focal point becomes Shastri's ingenious suggestion of his 'idea' to the goons, leading you to rejoice, applaud or grab another handful of popcorn till the next part unravels. Phas gaye re Obama is witty and without being nonsensical, it tries well to elaborate the plight of an opportunist in adverse circumstances that often tend to be seriously funny. The film's strengths lie in the director's ability to engage the actors into their characters leading to their laudable performances, the crisp screenplay that leaves no room for fillers, the witty dialogues however silly and a smooth blend of comedy stirred into serious circumstances. Often times, the film looks very serious but the characters have been introduced so well, that one cannot control the smirk even in a serious scene. While its comedy may not be a constant throughout, the lack of excessive has led to this film being worthy of a watch.

Rajat Kapoor is a versatile actor and here, he leads his co-actors while showcasing a fine understanding of Om Shastri's circumstances. Sanjay Mishra was always capable of being more than a sidekick to someone and here, he proves that he is dependable in all comic avatars. Manu Rishi plays the pro-American Anni who works for the gangsters but deep within, is a friend-in-deed of Om Shastri. Neha Dhupia, in a shorter role, does better than her attempts at anything else in her glamorous career and Amole Gupte as the sly politician is convincingly brilliant. The sequence with 'Tyagi English Coaching classs' is sure the bring the house down while many dialogues and scenes involving Sanjay Mishra, Amole Gupte and Manu Rishi hold the comic bits together.

Phas Gaye Re Obama is new age non-formulaic cinema that is funny unlike the attempted comedy of errors that we are subjected to so often. This is an effective satire with the recession's repercussions experienced by likable characters who are enriched by the director's adept writing and screenplay. If you enjoyed 'Tere Bin Laden', then you have no reason not to embrace this tribute to Obama.

8.110 on a scale of 1-10.

One line review of the movie – Simply add the name Subhash Kapoor to the group of new extremely talented directors who are capable of teaching new lessons of cinema to all the big names relying entirely on Big Stars and their glossy film- making styles to save their reputed names in the Industry. PHAS GAYE RE OBAMA is a loud and tight slap to all those starry directors and it clearly reminds them the first lesson of cinema which says that Film-making solely depends on writing, writing and writing alone.

A worth watching experience, not to be missed, PGRO is a big relief after the dull period of watching all those mediocre films coming from the big production houses. In short, this is one of those few movies released this year whose script should be used in all the film making institutes operating in the country to teach the art of script writing and even editing. Not dependent upon any saleable star or hit item song, PGRO is a delightful film to watch which is very intelligently neither made as a complete comedy (like Golmaal series), nor it has been especially designed as a deliberate satire (like Peepli Live).

Brilliantly and thoughtfully written around the subject of WORLD RECESSION, it's a film which smartly touches many important issues prevalent in our country dealing with crime and politicians. Revolving around the plot of a visiting NRI in a remote area, it mainly deals with his kidnapping being planned by all the DONS operating in the region. How he manages to make fool of each one of them and successfully flies back to America with more money on his side then expected, is what the story is all about. Amusingly written around this thought of an NRI dealing with all the criminals, the writer showcases several major drawbacks of our society in a comical manner.

Starting with the scene of groom-kidnapping, it talks about the still existing charm of going to America for earning dollars, the kind of English being taught in the remote areas by self proclaimed teachers, the influence of OBAMA and his slogan "Yes We Can" on the whole world, the kidnapping racket run with the aid of gangsters and politicians and the power of media to change the course of things in just a few hours.

In the next few days you are sure going to hear praises for the movie from all your friends and critiques. But regarding that I would like to state that don't take PGRO as an out and out comedy in any case. The movie is not anything like GOLMAAL series but is more like a OYE LUCKY LUCKY OYE kind of project where you will enjoy each & every development on the screen with a big smile on your face along with few laughs at regular intervals. Here the director neither uses any silly comic sequence to make you laugh nor does he uses extensive abusive language in his dialogues to make some deliberate ripples in the theater (as done in Peepli Live). But still he manages to impress you hugely with his skillful writing and perfect characterization of his few characters in the script and literally excels in that.

Based on a purely novel thought incorporating the subject of RECESSION in the world of GANGSTERS and UNDERWORLD, it is indeed a first in the world of cinema. The lead hero of PGRO is its well written script which both starts and ends on equally shining notes and leaves a long lasting impact on the viewer. In fact this is a kind of movie which will largely satisfy the cinematic urge of ever true movie lover and student of cinema world-wide. For instance, just carefully look at the costumes, dialogues, gestures and expressions on the face of every actor on the screen, which clearly explains the contribution made by its director in adapting the taut script for the celluloid in such a splendid way.

Performance wise there are several small gems scattered throughout the film, delivered by some familiar names. With no one interfering or overlapping each other in the acting department it is a rare balanced show put up by all the actors. Rajat Kapoor as the NRI is as usual fine in his calm and cool approach. Sanjay Mishra as the disheartened gangster is excellent. Manu Rishi as the "Security" in each deal is simply wonderful. And Amol Gupte in the second half as the corrupt criminal minister is outstanding. He should really do more such films for the sake of good cinema and its hungry viewers. In the female lead, I really loved the look and feel of Lady Gabbar Singh played by Neha Dhupia magnificently. In fact I found her looking more sexy and beautiful in the get up of a lady gangster (with eyes filled with surma) than her usual glamorous looks we normally get to see. With class acts delivered by the entire star cast, PGRO, a songless film, unarguably is one of the surprise packages of the year which once again proves that Hindi Films does not only mean love, song, dance and big stars without any so called script.

In nutshell, it's a highly recommended flick which at last provides us the much needed break from all the silly romantic projects seen in the last few months. So, do yourself a favour by watching PHAS GAYE RE OBAMA at the earliest and encourage directors like Subhash Kapoor to keep on giving us more such projects in the near future. And thanks to Warner Brothers for supporting such a non-starry product, which solely depends on its merit of exceptional writing.

Outstanding! The fact that the critics haven't given this an even higher rating just proves to me that the critics have mush for brains. Watching a string of substandard Hindi movies does that, I guess. For too long, we have had formula movies parroting the same old junk. The current wave of realism in Hindi cinema brings to mind the "middle path" in Malayalam cinema, 1980s cinema which struck a happy balance between realism and entertainment.

All performances are outstanding. The thing is, it could all really happen......the BIMARU belt comes to mind.....and that is the sad part of it all, and yet the fact that a filmmaker could find a way to mock those who live like this in modern day India is heartening!

After all, someone must proclaim that the emperor has no clothes!

Nothing about this movie should attract you if you are a selector when it comes to watching a Bollywood movie, but Subhash Kapoor has made a mighty big impression with this incredible story if you have or happen to be watching the ending credits. If there is something called as sensible humor, then this movie draws upon a real world theme and blends it with a tactfully written plot which only gets increasingly entertaining and curious before the perfect finish.

The movie draws the audience with true to happen, yet hard to believe state of affairs in village gangs and Anni is a character that sticks like glue right away. While the pristine performances of all not so popular actors are brilliant, the true hero here is the script. Backed by authentic, crackling, and situational dialog's, the movie paces comfortably and makes every scene enjoyable. And if that is not impressive, a few scenes like the YES WE CAN chant and the English class turn this into truly memorable movie watching. Rajat Kapoor is very himself in the role while Neha Dhupia and Amol Gupte are very good. The page turner and the star of the show is Manu Rishi (Anni) and his brilliant performance. His portrayal of aspiration, honesty and comic timing will make you watch this movie again. Sanjay Mishra is over the top again with the character of Bhaisaab.

Not plaguing this story with item numbers, unneeded songs or illogical twists makes this a "Diamond" in the golden Bollywood ring!