NOTE IMDb
5,4/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueA couple grieving the loss of their own daughter set out to rescue young girls sold into the sex slave trade.A couple grieving the loss of their own daughter set out to rescue young girls sold into the sex slave trade.A couple grieving the loss of their own daughter set out to rescue young girls sold into the sex slave trade.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 4 nominations au total
Jonathan Isgar
- Stan
- (as Jonathan James Isgar)
Budsara Ekwarakunakorn
- Be
- (as Xanny Disjad)
Jirantanin Pitakporntrakul
- Lie-U
- (as Guzjung Pitakporntrakul)
Avis à la une
I won't slam this film for being a poorly disguised Christian-value morality pusher. I won't knock it for it's 3rd-grade script and monotone actors. I'm not even going to examine the scores of plot-holes and racist inaccuracies present in an obviously NGO-funded and bible- thumper backed waste of space in my BitTorrent stream.
Instead I'd like to point out that this film, supposedly made about Cambodia and "based on real events" has:
a) Not a single Cambodian actor in the entire film
b) Not a single line of dialog that sounds Khmer
c) Not a single actual shot of Cambodia, Siem Reap, or Angkor Wat
d) Not a single shred of present-day reality
This movie will only shock & surprise those whom are easily fooled. The flimsy story-line and cheesy dialog, "I trained my whole life for this!", are enough to make milk curdle. Yeah, we know child trafficking sucks, we know people are working to stop it, but we're not dull enough to believe that it's as black & white as it's poorly portrayed here.
The thing that really gets me is that I saw the three actors, the only white guys in the movie, out together in Soi Cowboy during the making of the film. Really? You're gonna make a movie about how terrible the sex trade is and then go get a 16-year-old lap dance and boom boom when you've punched off the clock?
Scratch what I said above. There was one thing right about this movie, the pedophile go away in the end. That's what happens in 99.999% of the cases, they go back home from their holiday without hassle (incidentally, 19 out of 20 sex trade customers come from the same continent).
I wish filmmakers could stop themselves from making films about a country that they know nothing about and can't even bring themselves to hire someone from that country to help make the movie. It's insulting, demeaning, and racist. But hey, what do I know, Thais, Cambodians, Vietnamese -- heck, even Chinese -- they all look the same and a stupid Western audience won't be able to see or hear the difference, right?
Instead I'd like to point out that this film, supposedly made about Cambodia and "based on real events" has:
a) Not a single Cambodian actor in the entire film
b) Not a single line of dialog that sounds Khmer
c) Not a single actual shot of Cambodia, Siem Reap, or Angkor Wat
d) Not a single shred of present-day reality
This movie will only shock & surprise those whom are easily fooled. The flimsy story-line and cheesy dialog, "I trained my whole life for this!", are enough to make milk curdle. Yeah, we know child trafficking sucks, we know people are working to stop it, but we're not dull enough to believe that it's as black & white as it's poorly portrayed here.
The thing that really gets me is that I saw the three actors, the only white guys in the movie, out together in Soi Cowboy during the making of the film. Really? You're gonna make a movie about how terrible the sex trade is and then go get a 16-year-old lap dance and boom boom when you've punched off the clock?
Scratch what I said above. There was one thing right about this movie, the pedophile go away in the end. That's what happens in 99.999% of the cases, they go back home from their holiday without hassle (incidentally, 19 out of 20 sex trade customers come from the same continent).
I wish filmmakers could stop themselves from making films about a country that they know nothing about and can't even bring themselves to hire someone from that country to help make the movie. It's insulting, demeaning, and racist. But hey, what do I know, Thais, Cambodians, Vietnamese -- heck, even Chinese -- they all look the same and a stupid Western audience won't be able to see or hear the difference, right?
It simply amazes me how films like this, ones that show the contrast between depravity and compassion, are hated. I cannot understand how stories such as this get buried under misguided judgment. I hear and read reviews that entirely miss the heart of the story and interested only in pointing out ill-perceived shortcomings. How many critics have actually stopped and fully considered the intent of the writer and what he was trying to accomplish? How many have placed themselves in the story and asked "what if this happened to me" or "what would've I done"? How many reviewers have been to places such as Cambodia and seen the horrors that this director has? Instead of pushing aside bias and taken in the film for what it was meant to be, they've done a great disservice by asserting their opinion based upon ill-perceived notions and toxic world view.
"For evil to prevail, all it takes is enough good men to do nothing..." Christopher Bessette made a stand and a hard-hitting statement with this film. It has personally inspired me to keep giving my own money to support brave men such as those in an organization called "Underground Railroad" who put themselves at risk rescuing children from sex trafficking all around the world. I believe Mr. Bessette has done humanity a great service by awakening the hearts of those who'll listen to his stories. He's done his part and I can only hope he and others like him, will continue to make films of this magnitude to enflame the rest of us to do something.
"For evil to prevail, all it takes is enough good men to do nothing..." Christopher Bessette made a stand and a hard-hitting statement with this film. It has personally inspired me to keep giving my own money to support brave men such as those in an organization called "Underground Railroad" who put themselves at risk rescuing children from sex trafficking all around the world. I believe Mr. Bessette has done humanity a great service by awakening the hearts of those who'll listen to his stories. He's done his part and I can only hope he and others like him, will continue to make films of this magnitude to enflame the rest of us to do something.
So glad to see a film exposing the reality of child trafficking. Much more relaxing and comfortable(?) to go and watch the Desolation of Smaug but this is about the desolation of children and you need to see it. Thought Mira Sorvino did a great job as the mother trying to cope with the overwhelming horror of seeing children being destroyed by greed, both sexual and monetary, this was well portrayed. However I had a problem with the role that Dermot Mulroney played (not his acting - he's good) in that he came across as the arrogant American. I really wish the scriptwriter had gone for a different approach here as the movie has been given world-wide release and people are rather over the "I know better than you do, I'm American" type of persona. I would have gone and worked with someone else if I'd been the Aussie! I just wish that someone now would do a film about closing down the market from a different angle. This was about stopping the "product" being available but what about a film wiping out the revolting "purchasers"? No buyers, no market. Great acting by Trieu Tran, John Billingsley and the children.
I really want to like this movie and rate higher as an honest living person for its contents alone, but as a movie freak it was easy to say the screenplay was a letdown. Not based on the actual incident, but the film depicts how and where these things take place. In fact inspired by the director and producers of this film's own experience during a visit to the Cambodia. This was a movie about human trafficking, in the line of movies like 'Trade' and 'Eden'.
An American couple who recently lost their child on a mission in a Southeast Asian city to fight the crime. What they encounter is the crux of the story. Don't anticipate breathtaking stunts and wide human traffic network like the movie 'Taken'. As I expected in this low budget movie, everything was too short including the cast with a simple story. But there is a powerful message, that's the most important and everything else is just a formality for a movie to have a basic thing. Watch it or not its up to you, because in one way worth give a try and in another, it is not.
6/10
An American couple who recently lost their child on a mission in a Southeast Asian city to fight the crime. What they encounter is the crux of the story. Don't anticipate breathtaking stunts and wide human traffic network like the movie 'Taken'. As I expected in this low budget movie, everything was too short including the cast with a simple story. But there is a powerful message, that's the most important and everything else is just a formality for a movie to have a basic thing. Watch it or not its up to you, because in one way worth give a try and in another, it is not.
6/10
What a great film; poignant story, beautifully crafted, and a powerful message. Christopher Bessette and Philip Hurn make a dynamic team. This is a powerful treatment of a sensitive topic. Christopher's keen insight gave him the ability to thoroughly uncover a complicated topic. His recognition from the Breckenridge Festival of Film and The Canadian International Faith and Family Film Festival (CIFF) as best director testify to Christopher's consummate skills. He is able to draw out the subtle nuances of the characters that can speak louder than words. The veracity in the treatment of character, scenes, and all aspect of the story is impeccable. Don't let the ability of this film to express the delicate shadings of meaning, feelings, and value escape you if you are used to some films that are more superficial. Congratulations to Christopher and Mira Sorvino on the most recent of a growing list of awards garnered by The Trade of Innocents. I highly recommend this film.
Le saviez-vous
- AnecdotesMira Sorvino also starred in the mini series Human Trafficking (2005) about the same subject but as a law enforcement officer.
- Crédits fousBefore the end credits, dozens of actual rescued children are listed such as: "Yana, age 6, rescued 2003, Phnom Penh" each below a card with a photograph of a flower.
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- How long is Trade of Innocents?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oskyldiga offer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 15 091 $US
- Week-end de sortie aux États-Unis et au Canada
- 588 $US
- 7 oct. 2012
- Montant brut mondial
- 15 091 $US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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