Danny Collins

This is one of those films when the title tells you nothing so, unless you see a trailer or have a recommendation, you could miss out on a real pleasure. It must have been tempting to use a title like "How A Lost Letter From John Lennon Enabled Danny Collins to Find Himself" but perhaps that would have said too much. Certainly the storyline is very loosely inspired by the true incident of English folk singer Steve Tilston's discovery that Lennon had written to him in 1971.

On the other hand, maybe knowing that the lead role is taken by Al Pacino would be enough for some people to view the movie, since this is an actor who consistently gives brilliant performances. Except that the character of Danny is much tenderer than most of Pacino's roles (think "The Godfather" movies all the way to "Righteous Kill") and the portrayal is much less histrionic than many of his earlier roles (think "Scarface" or "The Devil's Advocate"). Blow me, Pacino even sings in this film.

One of the many delights of "Danny Collins" though is that Pacino (now in his mid 70s) is not the only star. There are excellent performances from Christopher Plummer (even older in his mid 80s) as his agent, Bobby Cannavale as his son, Jennifer Garner as his daughter-in-law, and Annette Bening as a hotel manager. Writer and director Dan Fogelman has given good lines and meaningful roles to his ensemble cast and it pays off a treat. And we get to hear some Lennon classics.

Al Pacino puts on yet another good performance as an aging rock star who finds out that he received a letter from John Lennon and decides to make some changes in his life by getting to know his son's family. The soundtrack consisting of Lennon songs is really what helps the movie. It's not the most profound story, but who doesn't love hearing a Lennon song (whether with the Beatles or on his own)? Aside from Pacino, Annette Bening puts on the other really good performance. Her hotel clerk comes across as someone who needs as much of a change in her life as Danny needs in his. They both need a second chance, and Danny's quest for redemption just might be the opportunity.

That this is based on a true story makes it all the more interesting. A letter from John Lennon would be worth more than I can imagine. I hope that Steve Tilston appreciates what's in his possession, and I hope that he appreciates Al Pacino's performance.

This movie is about aging and about finding a reason to live. An aging rock star, Danny Collins, who is still popular, receives a letter from a famous rock star, forty years after the letter was written. The letter contains advice that if followed, may have changed Danny's life for the better. Basically, the letter's message was that you don't have to let material things erode your creativity. The problem for Danny is that after forty years of performing, he now finds himself wallowing in that creative and spiritual rut that the letter warned him about. He hasn't written a new song in thirty years and the material he does perform over and over again is stale to the point of being toxic. None of his props - his huge house, expensive car, young fiancé, the alcohol, the drugs - help inspire him. He feels an emptiness that is nagging him. After reading the letter, Danny decides to retire. He does this in order to try to revive his creativity and prove to himself that he can still produce. The rest of the movie reveals more about Danny's character, showing that under all the the boozing and drugging there exists a decent person. To find out whether Danny finds happiness and fulfillment, watch the movie. Al Pacino gives a strong, yet appropriately nuanced performance as an aging man who is searching for meaning in his life. After decades of using music as much as an escape as well as a source of income, he finally begins to confront the truth about himself. What he discovers makes this movie worth watching.

Because this film is intellectually and emotionally stimulating in a subtle way, I had to drive 65 miles, from Lafayette to Baton Rouge, where it was in was in one compartment of a multiplex. That the compartment was Number Nine was a nice touch. But New Orleans had it in three theaters. My review: I enjoyed it. Been a fan of Pacino since Dog Day Afternoon, Plummer since Sound of Music, Lennon since fall, 1963. And I've never seen a movie with Annette Bening that I didn't' like. The script was good; I didn't see anything not to like. So why didn't the movie come to me rather than vice versa? Apparently, the theater owners where I live won't bet on a movie without car chases, guns, shooting, war, all sorts of violence, or juvenile, senseless humor, or mainstream sports. Perhaps a little thriller/horror/sci-fi/blockbuster (Titanic, JFK) might seep through. The sad thing is they may be right. A movie devoid of the aforementioned criteria might lose money here.

I was in two minds as to whether I'd even bother with another Pacino film. He's been involved in a quite a few mediocre movies recently and I'd made a mental note to try and avoid them. However, I found plot summary of this movie quite intriguing and thought I'd give it a go. Incredibly this is one of his best films and I really enjoyed it from the start to the credits. Danny Collins has lived a hedonistic, excessive lifestyle for decades, but a surprising event causes him to look at his life and he makes substantial efforts to change and even to mend relationships. His quest may not be easy or faultless but it is still very satisfying. I cannot recommend this highly enough.