The Hour

Fast moving, very well written show about spies and TV Broadcasting in 50's Britain. The cast is uniformly superlative both as individuals and collectively (sorry about the 'socialist' term - but it is 50's Britain)... sorry, 'Ensemble' is the word. All great down to the smallest parts. Excellent script, good period atmosphere, lighting, photography, set design. There's even some James Bond references which I think is premature but by 1956 Fleming had published three books.

I've never seen Mad Men so I can't relate to the comparisons and I have yet to see Series 2. I watched this on DVD (remember those?) in two 150 minute chunks and both parts held interest from start to finish. Outstanding.

I just watched the first episode of the Hour on BBC. It was better than I thought it would be.

I had heard it was supposed to be a lot like Mad Men, or at least very similar. There are a lot of similarities, and in the first episode I think they overdid it at times the fact that it is 1950 where gender roles are quite specific. Apart from that it is not that much like Mad Men at all. This is not so much a show where men are the main characters and it is their work life and how they have to use their strong character to get ahead in a difficult business.

In the Hour it seems to be more about a journalist's life at the time, no matter if you are a man or a woman. Although gender roles will play a part, it is not necessarily the core of the show like in Mad Men. It is not as glamours either.

What I really like about the Hour that there is also a mystery part to it, almost like a police show. In the beginning of the pilot we are introduced to a murder. The police are calling it a robbery, but one of the journalists finds out there are more to the story. The episode then switches between finding out the truth, at the same time as we learn about the life of journalists in the BBC, and how men and women work together to make a new, current affairs show that covers important moments in history. I'm sure historic moments will be highlighted in the show as well.

So a mixture between Mad Men and a police mystery (that doesn't necessarily get solved in every episode).

So so far, very good.

I didn't think The Hour was perfect, but overall for me it was very good and intriguing. The Hour does have a slightly slow start, but the pace soon picks up just in time for the tense finale, and I personally loved how ambiguous the ending was. I do also agree that some of the dialogue is rather anachronistic, however in the final episode especially it has several intense and intelligent moments. For any problems The Hour has, it does have potential to grow and there are many things to redeem it. The story is intriguing and full of twists and turns that are brought in and resolved nicely without the drama feeling rushed. The production values are wonderful, right down from the setting, to the photography, to the lighting to the fashions. The music is memorable and not over-bearing or generic like some programmes this year. The characters are interesting with like the series potential to grow. The acting is very good too, especially from Ben Whishaw and Romola Garai, but Julian Rhind-Tutt, Juliet Stevenson, Tim Piggott-Smith and especially Anna Chancellor also make a positive impression. Overall, while imperfect and leaves room for growth, I thought The Hours was very good on the whole. 9/10 Bethany Cox

Comparisons with "Madmen" are inevitable but they also run the risk of distracting the viewer from properly appreciating "The Hour" in its own right. For all the obvious similarities between the two shows with their period-piece settings and respective portrayals of entrenched misogyny, this BBC/Kudos production marches resolutely to the beat of its own drum. "The Hour" is gritty and gray. It's temperature is cold. One of its main themes is the examination of conflict in a variety of forms; the deep internal conflict between ardent idealism and soul-numbing compromise or between personal integrity and ruthless ambition; and the dogged pursuit of truth in the face of suppression and censorship. Other classic struggles between opposing dynamics are also explored. These include individualism and conservatism, inspiration and convention, impoverishment and privilege, courage and fear, rational caution and paranoia, democracy and tyranny etc - all of which are set amid the historic backdrop of two salient international military conflicts. The landscape is panoramic and the brush-strokes reach far and wide but the painting remains clearly defined. All the elements are tautly packed into a 360 minute thought-provoking thriller. If comparisons must be drawn, then "Goodnight and Good Luck" might prove to be a helpful suggestion. With its subtle script, insightful direction, solid casting and a stunning performance from Ben Whishaw, "The Hour" is one of the BBC's finest. Congratulations to all involved with this production. Thoroughly recommended.

The Hour is an intriguing new drama, created and written by Abi Morgan, that spans several genres and weaves them together cleverly and effectively. There is espionage, murder and suspense on the one hand; romance on another hand; comedy on yet another hand; and political drama on the final hand. The central emphasis is on the characters, however, of Bel Rowley (producer of The Hour), Hector Madden (its presenter), and one of the best characters of recent years, the funny and confident Freddie Lyon, one of the show's journalists.

The acting is uniformly excellent; Romola Garai ('Atonement'; 'The Crimson Petal and the White') and Ben Whishaw ('Perfume'; 'Criminal Justice I') especially shine as Bel and Freddie. There are other superb performances from the seedy Julian Rhind-Tutt ('Green Wing') and the suave Dominic West ('The Wire'), along with my personal favourite Anna Chancellor ('Four Weddings and a Funeral') as Lix, an acid-tongued feminist in the newsroom.

The story does start off a little slowly, but prepare for a roller-coaster ride later on, particularly in the extremely tense final episode, where the drama is perfectly pitched. The loose ends are nicely tied up, and the conclusion is suitably ambiguous, ready for the second series which has been commissioned.

The only quibble is the sometimes anachronistic dialogue; but one tends not to notice this as everything else is so good.

So, overall this is an intriguing, intelligent drama with plenty of strands, twists and turns, and fantastic acting all round. I await series two eagerly.