Hemel

... this is a great film... w-many-outstanding-performances... Hannah Hoekstra's phenomenal ... almost ten years coming across it... will surely watch-it-again.

I don't get the negative reviews. I know this film isn't for everyone, it's kind of slow moving and depressing. I think it does however give an excellent portrayal of a young woman in a lot of pain. You have to feel so sorry for her, she's just lost. She's sad and sex is exactly how a lot of people deal with these feelings. Hannah Hoekstra does an amazing job portraying this character though she may be a little too pretty for the role, not that attractive people can't be sad too. I think the nudity is not gratuitous at all, it helps define the character. If you haven't seen Hemel, give it a chance.

(In Dutch with English subtitles)

The name "Hemel" as the movie is called is reference to the character played by Hannah Hoekstra, and at the opening she's already making out with someone. And at first, I thought the person she's making out with must either be her boyfriend or her spouse. The next thing I know, Hemel is dancing with some random guy- not the same guy at the opening at a nightclub, and she tries to hit on him with her advances and he's like 'that he is not like that'. Feeling somewhat rejected she then decide to go and sulk at the bar, with the second guy sitting next to her who is much more willing to make out with her, and they just like, met and are like, stranger's- in other words, she is as promiscuous as they come. And while watching this, one can made to wonder where does she get this from? Oh, look, this old guy, Gijs (Hans Dageletin) which she strut around naked sometimes happens to be her dad. Like a parent treating his or her naked baby. There's even a scene when her dad carries her to use the toilet. And if anyone were to wonder why we do not see Hemel like, work anywhere, it is because her dad, successful as a businessman pays for her security, including the flat that she lives in. And while Hemel loves to make out with different guys, her dad who is single loves to make out with different women. In other words, he is a womanizer who does not really know how to settle down. And it sometimes offends her as she sometimes ruins his relationships he has with other women. Directed by a woman by the name of Sacha Polak, as well as the script also by a woman by the name of Helena van der Meulen the movie is self-explanatory and would not have worked if it was directed and written by a man.

I came away feeling that the father did not prepare Hemel for life without him. It's not a skin flick but simply a warning NOT to raise a daughter as this one did. She deserved better.

I was initially drawn to this movie due to the captivating presence of its lead actress, Hannah Hoekstra. I was eager to witness her expressions, gestures, and overall beauty. I must confess that my initial impression only grew stronger as the movie unfolded. Hoekstra's appearance in the later segments of the film exuded a subtle yet profoundly captivating allure. Her portrayal was more sophisticated and impressive than any computer-generated or artificial intelligence-based character I've encountered before. Could the secret to this appeal be in her nuanced lip movements? It's akin to Hitchcock's observation that even the tiniest rearrangements of reality can evoke profound horror.

Admittedly, a few minutes into the movie, I found myself somewhat put off by the gratuitous nudity on display. However, this initial discomfort gradually transformed into a sense of fulfillment as the acting unfolded. The movie grapples with a challenging subject matter, so viewers should persevere through these scenes to grasp the narrative's essence.

As I delved deeper, I discovered that the director is Sacha Polak, a woman. This aspect is noteworthy as it's crucial that these delicate themes receive representation from women "behind the scenes," countering the multitude of male-driven fantasies prevalent in cinema. I can't help but wonder how much of the director's own experiences are interwoven into this film.

In conclusion, I wholeheartedly recommend this movie to a mature audience.