Cabin Girl

Netflix movies have A list stars and 100 to 200 million dollar budgets. Tubi movies cast complete unknowns, character actors and C listers with budgets under a million dollars. Don't get me wrong, Tubi makes some real turds but they also make some above average movies like this one while Netflix continues to make dreck like Red Notice, Bright, Bird Box, etc.

This movie is well written and well directed. The lisp of the main actress was a little annoying, but other than that she was quite good, effectively portraying a woman losing her sanity. The male lead was very good and has a great onscreen presence. This movie is helped immensely by three very good character actors, Tergeson, Rispoli, and Weixler. Character actors like these deserve more praise in Hollywood.

This is a quick 80 minute watch that never bores and has a nice little twist at the end. Keep it up Tubi.

In an age of meta, self-aware, and overly-layered 'horror' films, Cabin Girl is a nice example of doing the basics (good writing, good acting, good execution) the best you can first, and getting an engaging, titillating film.

Certainly more thriller than horror, Cabin Girl works in Hitchcockian fashion, focusing on real dramas that play out between real characters. It's kind of a secret weapon that many filmmakers have forgotten, that audiences can't help but be engaged with relatable characters, the choices they make, and the results they must contend with.

Great performances by Rose Lane Sanfilippo and Austin Scott, looking like both are ready to become household names. Deft execution with the camera reminds us that it's an effective tool.

Good watch from beginning to end!

Cabin Girl is the kind of psychological thriller that keeps you guessing, even when it stumbles. Packed with a rich story, layered characters, and just a hint of supernatural intrigue, it feels like a lovechild of Gone Girl and The Sixth Sense, with an added sprinkle of The Others for good measure. The film excels in crafting a captivating mystery-within-a-mystery, delivering red herrings like a magician pulling rabbits out of a very stylish hat.

The direction is generally strong, deftly juggling shifting tones and atmospheres, but it's not without hiccups. A few scenes drag on longer than a politician's speech, and some moments feel as heavy-handed as a hammer in a glass shop-padding out the runtime rather than enhancing the narrative.

That said, the performances are refreshingly above average. The cast injects enough gravitas to keep the tension taut, even when the pacing falters. The supernatural elements, meanwhile, are woven in with a light touch, adding an eerie charm without veering into camp.

For fans of brain-teasing mysteries with a side of atmospheric chills, Cabin Girl is well worth a watch. Just don't expect perfection-this girl stumbles occasionally, but she's got plenty of intriguing secrets to share.

Basically that. I really don't care for films based upon the conceit of vlogs or online influencers and all the 'hip' comments and likes, etc. Just not my thing. BUT... once you get past all that, and I can see how it was somewhat integral to the story, the way the plot proceeds is actually done quite well.

The acting is excellent and the writing I feel was sharp. The reactions of the people helping here I thought were quite genuine. Usually in a film like this it is the poor acting that really kills it, but not in this case. At the beginning I admit I was FF it through all the YouTuber stuff, but when I got a ways into the story I slowed down and as I watched I did get more and more drawn into a rather strong Mystery of what the hell was happening.

It actually turned out to be a very good Psychological Thriller with good Horror elements. Like I say, MOST times with movies that try to do something like this, usually the acting/writing just isn't that good. But, in this case as the mystery drew you in deeper and deeper, I really found it quite gripping and very much intrigued to know what was going on.

So yeah, if you are like me and all the 'Hipster' online stuff makes your eyes roll back to the back of your head, stay with the story and you'll find that the original online conceit fades a bit more into the background as the actual story of what is truly happening becomes more apparent.

I'm glad I stayed with it, even after rolling my eyes and FF the movie a few times at the beginning, because at the end I felt it was actually a very clever idea and that the filmmakers did a very good job in putting it together, along with quality acting throughout. If you like a good mystery and if you can get through the first 15-20 minutes or so, once the 'accident' happens, from that point on I think you may very well find this quite an engaging and mysterious Thriller.

After a highway accident during a road trip to get over the death of her parents, a travel-vlogger restarts her channel from a cabin she's decided to settle down in. But is the previous resident really gone?

Lively start, ends up a mess. The motivations of the characters are inept, not only at the highest level involving the trauma of the protagonist, but at the mid-level in the way others become involved with her, down to the most basic level of why characters move around in a scene.

What on earth has the death of her parents got to do with the story? Or the death of the previous occupant? Why on earth is there a romance with the mechanic? How on earth does she plot-point-alert bump into the doctor and the bar owner when she's going away from the van that she was just walking toward? It's like things just happen 'for reasons'. To put it another way, the action does not flow from specific motivation; rather, motivation is tacked on to the action so that you feel the director's hand.

The production values are mostly not bad, and I admit that I had a sense that the endless Nancy Drew cliches were a trail of symbols that would lead to a bizarre reveal of the character's psychology. But in the end it feels like a child showing you a colour-by-numbers picture plastered with crazy crayon.

The editing declines in quality, with too much footage of how a character gets from point A to point B, and repetition of shots that don't tell us anything new - particularly of the stalker, and that damn floorboard. The spooky bits ain't all that, with no feel for shadow and the music too obvious. Add in some flabby dialogue, and it's no wonder some of the performances are less than convincing.

I kinda liked the song over the end credits, but ... no - somebody is to blame.