Un tueur en série a été condamné à la mort par chaise électrique à Londres dans les années 1890, mais dans ses dernières heures, il jette une malédiction sur la prison où il se trouve et sur... Tout lireUn tueur en série a été condamné à la mort par chaise électrique à Londres dans les années 1890, mais dans ses dernières heures, il jette une malédiction sur la prison où il se trouve et sur tous ceux qui s'y trouvent.Un tueur en série a été condamné à la mort par chaise électrique à Londres dans les années 1890, mais dans ses dernières heures, il jette une malédiction sur la prison où il se trouve et sur tous ceux qui s'y trouvent.
- Réalisation
- Scénario
- Casting principal
Avis à la une
For a low-budget film, this one delivers superior production value and atmosphere! It's so nice to see a film that allows for the purely supernatural, without trying to explain everything in pseudoscience terms!
Good, also, to see old John Rhys-Davies in a starring role again! The principals all turn in fine performances, although a few of the lesser performers were truly atrocious (especially Lucien's associate!).
Richard Brake was a fine choice for the intensely evil William Colcott; he delivered a truly menacing performance!
All-in-all, if you don't expect too much from this modest-sized project, I think most people who appreciate a good gothic tale will find it surprisingly satisfying!
Good, also, to see old John Rhys-Davies in a starring role again! The principals all turn in fine performances, although a few of the lesser performers were truly atrocious (especially Lucien's associate!).
Richard Brake was a fine choice for the intensely evil William Colcott; he delivered a truly menacing performance!
All-in-all, if you don't expect too much from this modest-sized project, I think most people who appreciate a good gothic tale will find it surprisingly satisfying!
Throughout most of the performance, we watch the characters gracefully move around the stage, creating an exciting spectacle. The climax gradually grows closer to the finale, attracting our attention with the supernatural frenzy of an unsettled spirit belonging to an evil sorcerer. Out of nowhere, as if materializing from another world, the character "Maria" suddenly appears - why and for what purpose?... The humorous situation develops as rapidly as it ends :) But why was this introduced, you ask? :) - I don't know either :))) The otherworldly manifestation causes a whirlwind of demonic fun - a flickering light bulb built into a musical instrument turns out to be a powerful magical force :)))))) - hands grab the viewer's face, leaving him puzzled. What's going on here? - Even I ask myself this question with good reason :)))) Finally, the climax comes - a confrontation with a vile sorcerer. The characters use a glowing light bulb inside a musical instrument, and thanks to the extraordinary efforts of the actors, this brings wonderful "fruits" - the absurdity ends the performance, leaving the curtain down and not saying goodbye, subtly hinting at a future sequel. :)))) Admittedly, this scenario was conceived by artificial intelligence - I have no other explanation.
I'm honestly not sure what people don't like about this movie.
Because it is pretty damn good!
It's a period piece, that takes place in the late stages of the 19th century.
In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.
We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.
So that it can't attach itself to someone, and escape the confines of the prison walls.
The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.
While the film, as a whole, is like a more dramatic version of Ghostbusters.
Either way...I thought that it was both well done, and highly entertaining!
Though, perhaps it's not what some people were looking for, or expecting.
That being said...it does seem to set itself up for a sequel.
So, if you liked it as much as I did.
You have that to look forward to, in the future.
A solid supernatural thriller, all around.
6 out of 10.
Because it is pretty damn good!
It's a period piece, that takes place in the late stages of the 19th century.
In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.
We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.
So that it can't attach itself to someone, and escape the confines of the prison walls.
The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.
While the film, as a whole, is like a more dramatic version of Ghostbusters.
Either way...I thought that it was both well done, and highly entertaining!
Though, perhaps it's not what some people were looking for, or expecting.
That being said...it does seem to set itself up for a sequel.
So, if you liked it as much as I did.
You have that to look forward to, in the future.
A solid supernatural thriller, all around.
6 out of 10.
When I stumbled upon the 2023 horror/thriller "The Gates" here in 2024 and seeing that it had Richard Brake on the cast list, then there was no doubt about me sitting down to watch it.
Writers Tim Reynolds and Stephen Hall, with the latter also being the director of the movie, put together an enjoyable supernatural thriller with a good storyline. The storyline included the creation of the EVP (Electrical Voice Phenomena), which was a nice touch. It is an atmospheric thriller, where the writers gradually builds up the suspense and piles up elements of a supernatural dread.
Something that worked against the movie was the pacing of the narrative, because it was rather slow and bland at times, without much of anything thrilling or exciting happening, and that made sitting through 111 minutes of the movie somewhat of an ordeal at times. So either a more round-handed trim in the editing or a more spruced-up storyline would have served the movie well.
The acting performances in the movie were good from the entire cast ensemble, and with the likes of John Rhys-Davies and Richard Brake at the helm, then you're in capable hands. Richard Brake brought his usual devilish charm and sinister charisma, while John Rhys-Davies brought a level of class and Shakespearian atmosphere to the movie. Michael Yare (playing Lucian Abberton) and Elena Delia (playing Emma Wickes) definitely put on good performances as well.
The colors and lighting used throughout the course of the movie were definitely enhancing the atmosphere of the movie tremendously, making it seem and feel like a distinct 1890-period set movie. As did the wardrobe, sets and props department, I liked that level of dedication to making the movie feel authentic. It worked marvelously in favor of the overall feel of the movie.
While "The Gates" certainly is a watchable movie, I was expecting a bit more from a movie with Richard Brake and John Rhys-Davies. And I have to admit that this is not a movie that I will be returning to watch a second time, because the storyline just doesn't have the contents to support more than a single viewing.
My rating of director Stephen Hall's 2023 movie "The Gates" lands on a five out of ten stars. It was as if the movie buckled in under its own ambition to deliver more than director Stephen Hall could muster.
Writers Tim Reynolds and Stephen Hall, with the latter also being the director of the movie, put together an enjoyable supernatural thriller with a good storyline. The storyline included the creation of the EVP (Electrical Voice Phenomena), which was a nice touch. It is an atmospheric thriller, where the writers gradually builds up the suspense and piles up elements of a supernatural dread.
Something that worked against the movie was the pacing of the narrative, because it was rather slow and bland at times, without much of anything thrilling or exciting happening, and that made sitting through 111 minutes of the movie somewhat of an ordeal at times. So either a more round-handed trim in the editing or a more spruced-up storyline would have served the movie well.
The acting performances in the movie were good from the entire cast ensemble, and with the likes of John Rhys-Davies and Richard Brake at the helm, then you're in capable hands. Richard Brake brought his usual devilish charm and sinister charisma, while John Rhys-Davies brought a level of class and Shakespearian atmosphere to the movie. Michael Yare (playing Lucian Abberton) and Elena Delia (playing Emma Wickes) definitely put on good performances as well.
The colors and lighting used throughout the course of the movie were definitely enhancing the atmosphere of the movie tremendously, making it seem and feel like a distinct 1890-period set movie. As did the wardrobe, sets and props department, I liked that level of dedication to making the movie feel authentic. It worked marvelously in favor of the overall feel of the movie.
While "The Gates" certainly is a watchable movie, I was expecting a bit more from a movie with Richard Brake and John Rhys-Davies. And I have to admit that this is not a movie that I will be returning to watch a second time, because the storyline just doesn't have the contents to support more than a single viewing.
My rating of director Stephen Hall's 2023 movie "The Gates" lands on a five out of ten stars. It was as if the movie buckled in under its own ambition to deliver more than director Stephen Hall could muster.
John Rhys Davies stars in this. But at the age of 80, the blunderbuss vocal energy of his Raiders Of The Lost Ark days are gone. Then again with the stilted, monologue type dialogue he and the rest of the cast are given to work with, it's not surprising. In fact, it is so uninspiring and dull, that I found it actually painful to listen to, so only lasted 30 minutes of the 1 hour 50.
Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.
Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.
Go watch penny Dreadful instead.
Which is a pity, as the production quality is decent. Convincing Victorian sets, street scenes, and costumes and a decent soundtrack, show an attempt to be above the B movie bracket.
Plot wise, I cannot really comment much. Victorian death row prisoners, new fangled electrickery, sciency stuff, mixed with dead prisoners ghosts and paranormal shenanigans. It all sounds too familiar.
Go watch penny Dreadful instead.
Le saviez-vous
- AnecdotesCork City Gaol, was the film location portrayed as Bishop's Gate Jail
- GaffesThe electric chair was never used for executions in England.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Gates?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut mondial
- 67 280 $US
- Durée1 heure 51 minutes
- Couleur
- Rapport de forme
- 2.39:1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant