A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 7 nominations au total
- College Roommate
- (as Kayla Barr)
- Delivery Man
- (as James Messer)
- Natalie
- (as Natalie Blair)
- Figurine Band Member
- (as Jimmy Tamborello)
Avis à la une
"Like Crazy" is just about their relationship. We watch as they fall in love, grow apart, find a middle road, and then try and pick an extreme. Anna is a writer and Jacob is a furniture constructor. But their lives are just so inconsequential to the film which is the way it has to be when it is only about their relationship.
The film is minimal in story, in characters, in budget, and in production. And that's what makes it so sweet. Made for only $250,000 and edited in the director's bedroom, it's a story and film of passion.
I found it to be very similar to "Blue Valentine" (2010), but perhaps not as impactful — at least to me. Both played to rave reviews at Sundance, last year "Blue" picked up the Grand Jury Prize nomination, this year "Crazy" got the Jury win for both director Drake Doremus and actress Felicity Jones.
I first saw Felicity Jones last year in "Cemetery Junction" (2010). She played this beautifully innocent girl in a town where innocence just doesn't really exist. In "Like Crazy" she plays a beautiful, adult-like young woman growing up in a world of love but learns that she might not know what love is after all.
The acting is superb. Yelchin and Jones have chemistry and they play it across the board. You will smile, laugh, cry, and hold your breath as these two characters waltz in and out of each others' lives. Jennifer Lawrence and Charlie Bewley also deliver great performances.
The thing that sets Like Crazy apart is the fact that it doesn't try to be anything than an honest love story. It doesn't play up stereotypes. It doesn't beat out the indie clichés. The dialogue is naturally paced and feels richly authentic. The subtext is dramatic.
This film is worth every dollar and dime in my mind. If you get the chance, go see it. Take friends who want to share the fun of a good film.
Like Crazy is a fantastic watch and a fresh take on everything you thought you knew about indie romance.
I was also married to an American citizen just out of College and had to follow the same process in order to be with him. Truth is, the bureaucratic aspect of it has done exactly the same to my relationship. The movie captures so so well the frustration, the disappointment, the fears of not knowing if you have what it takes to fight "like crazy" for each other;
The moment in the movie when she calls him and asks him to come over in 30m, breaks my heart! So real, so in despair.
So, not only because I can relate to the story, but because the acting is superb, so natural and because I believe the production & direction have accomplished what they were looking for with the movie, I give it great points.
The movie is a true mirror of youth, freshness and it's timeless, Like a Romeo & Julieta of contemporariness.
Le saviez-vous
- AnecdotesAt the Toronto International Film Festival (2011), the director admitted that much of the movie was improvised. The script outlined what would happen, but Felicity Jones and Anton Yelchin improvised much of their dialogue.
- GaffesDuring the party scene where Jacob meets Sam and is receiving texts from Anna, the date of her first text is December 1st. The second text, received moments later is dated May 23rd.
- Citations
Anna: I thought I understood it, that I could grasp it, but I didn't, not really. Only the smudgeness of it; the pink-slippered, all-containered, semi-precious eagerness of it. I didn't realize it would sometimes be more than whole, that the wholeness was a rather luxurious idea. Because it's the halves that halve you in half. I didn't know, don't know, about the in-between bits; the gory bits of you, and the gory bits of me.
- ConnexionsFeatured in Ebert Presents: At the Movies: Épisode #2.15 (2011)
- Bandes originalesCrazy Love, Vol. II
Written by Paul Simon
Performed by Paul Simon
Published by Songs of Universal, Inc. on behalf of Paul Simon Music
By arrangement with Sony Music Licensing
Meilleurs choix
Détails
Box-office
- Budget
- 250 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 395 391 $US
- Week-end de sortie aux États-Unis et au Canada
- 123 140 $US
- 30 oct. 2011
- Montant brut mondial
- 3 852 774 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1