Diana

The last few years of Diana's tragic life post separation and divorce is depicted in this biopic. It is fascinating, voyeuristic and quite moving.

Good points: Naomi Watts acts well. She has a satisfactory Diana accent and good imitations of her facial expressions. She captured Diana's essence despite being much more petite in build and having more delicate facial features than Diana. Good effort to recreate famous photographic moments and wardrobe and clothes. Physical resemblance isn't a must. After all Helen Mirren doesn't look like the Queen but she still won an Oscar. So Naomi's portrayal should be nominated at least.

The story highlights Diana's efforts in the campaign against land mines. And it gives her life a meaningful legacy. The hounding of the press and photographers, and her intimate daily life are fascinating to watch. Also the tragedy of her personal isolation and quest for happiness are very moving.

There are some faults. The balance of the screenplay was off when it came to her romantic life. Other TV biopics have shown the disintegration of her marriage but not so much the later relationships. However in this movie too much was spent on the affair with Dr Hasnat Khan. Naveen Andrews wasn't dignified enough for the role of a specialist doctor. He seemed crude and coarse. Quite disturbing to see her in his squalid flat. More screen time on the relationship with Dodi Al Fayed would have helped show contrast and give a more complete picture about her last months. The scenes on the yacht and Ritz Hotel are nicely done and should have been longer.

Overall worth a watch for the perennially fascinating subject matter.

This film took me by surprise due to all the negativity surrounding it. It actually turned out to be a decent film that I enjoyed. I've always loved Naomi Watts and she pulls of a great performance. So she doesn't look exactly like Diana - what actress does? Diana was very unique looking and Naomi is definitely the right person for the role.

Naveeen Andrews also pulled a strong performance and the film had good pacing and never got dull. The film was respectable to Diana and I liked how they ended the film.

Please do not judge the film before seeing it. The British press were never going to praise this film. Well done Naomi.. you should be proud of this film.

Fatigued dramatization of Princess Diana's complicated love life in the final years before her untimely death in a Paris car accident in 1997. Stephen Jeffreys' screenplay (inspired by Kate Snell's book, "Diana: Her Last Love"), asserts that Diana was on the rebound from a broken love affair with a Pakistani heart surgeon when she died, and was using Dodi Fayed (who was killed alongside her) to stir up publicity and perhaps a bit of jealousy. As seen from a distance playing the piano, or filmed from behind getting out of cars or walking down corridors, Naomi Watts bears a passing resemblance to Diana (her coif is the only thing which will evoke memories of the ill-fated Princess, and even this isn't very convincing when seen in close-up). It isn't necessarily Watts' fault--she gives the part a noble try--but no modern actress should be expected to walk in Diana's shoes and pull off a feat of magic (even the real Princess of Wales found the role difficult to play!). Perhaps it's too soon to reenact this sad bit of history. In any case, the attempt is both crass and pointless, with the jet-setting locales and elaborate camera set-ups only adding to the discomforting feeling of wasted money, effort and time. ** from ****

I went to see this movie almost without any expectations. Granted, in my mind, Naomi Watts's performance in "Mulholland Dr." was exceptional, but that was over ten years ago, so I made a deliberate effort not to compare the roles. I had not seen any reviews and did not know anything about the movie, except its title character. I knew the main outlines of Diana's life and had seen some of her interviews, although I was more familiar with her death. Thus I had no opinion of Diana herself, except that I had heard a little of her famous charity work. With these things in mind I went to the theater. To me the movie was excellent. The atmosphere was enchanting and at times haunting. Watts played Diana like a shape shifter, matching her every move when the character presented herself to the media, while breaking her facade in private. She portrayed tons of difficult emotion that had to convey an aristocratic filter created by the character's upbringing. Diana's life was presented as a complex mixture of personal and public, feelings and constraints, that lead to her being slowly crushed by the outside pressures she could not control. The movie's purpose was obviously apolitical and tried to convey Diana's driving force that was interpreted in the movie as love. It succeeded in this very convincingly. The credit for this goes not only to Watts, but also the director Oliver Hirschbiegel (who, I now notice, directed "Der Untergang", an exceptional film in its own right) and Naveen Andrews, who played his role with credibility and originality. Altogether I found the movie to be on-par with the best biographical dramatizations in film, even coming close to "King's Speech".

Now that I had seen the film, and had been thoroughly impressed by it, imagine my surprise when I tuned in on IMDb. At this moment the score was 4.9. I immediately noticed a pattern. Of all the 2900 voters 446 (15.4 %) had voted 1. In fact the value 1 dominated the chart, being the most frequent vote of all the values. I interpreted this is a symptom of pure ignorance. Obviously the movie is not the worst of all time, like for example "The Room", "Manos: The Hands of Fate" or "Plan 9 from Outer Space". There in fact seems to be an almost organized effort to trash the movie. I do not think this has much to do with the film itself, but is a continuation of the politicization of Diana's life. I would recommend, when reading reviews, to recognize the critics who judge the film based on their own preconceived notions and those who judge the film on its own merits.

My score for "Diana" is between 8 and 9, which rounds it up to 9.

I can understand why Diana might be a disappointment for most.

If one is after a detailed portrait of "The Loneliness of the Disaffected Princess" then this film will only partially fulfill.

If, however, one is after a simple, easy to watch love story about the affair so well hidden from the public eye in the 18 months prior to her sudden death, then fulfilled you shall be.

The disappointment for me came from the fact Diana's director, Oliver Hirschbiegel, created Downfall, the depiction of Hitler's final days. The film was an Oscar nominee, a deserved reward for its depth. Diana is his first foray into a love story. He talks of his research coming from the 2004 inquiry and The Kate Snell book of the affair. I suggest that the details coming from those sources was light and frothy.

The film is pleasant enough with a shallowness to match a children's wading pool, but as I say, it depends on what you are expecting. Oh, and Naomi Watts is lovely but not quite as beautiful as The Princess we remember!