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Blue Like Jazz

  • 2012
  • PG-13
  • 1h 48min
NOTE IMDb
5,8/10
3,1 k
MA NOTE
Blue Like Jazz (2012)
Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.
Lire trailer2:32
7 Videos
10 photos
ComedyDrama

Ajouter une intrigue dans votre langueDon, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.Don, a nineteen-year-old sophomore at a Texas junior college, tries to escape his Bible Belt upbringing for life in the Pacific Northwest at the most godless campus in America.

  • Réalisation
    • Steve Taylor
  • Scénario
    • Donald Miller
    • Ben Pearson
    • Steve Taylor
  • Casting principal
    • Marshall Allman
    • Claire Holt
    • Tania Raymonde
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    3,1 k
    MA NOTE
    • Réalisation
      • Steve Taylor
    • Scénario
      • Donald Miller
      • Ben Pearson
      • Steve Taylor
    • Casting principal
      • Marshall Allman
      • Claire Holt
      • Tania Raymonde
    • 96avis d'utilisateurs
    • 28avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos7

    U.S. Version
    Trailer 2:32
    U.S. Version
    "Robot Invasion"
    Clip 1:25
    "Robot Invasion"
    "Robot Invasion"
    Clip 1:25
    "Robot Invasion"
    "Classroom"
    Clip 1:23
    "Classroom"
    "Cafeteria"
    Clip 0:50
    "Cafeteria"
    Blue Like Jazz: Robot Invasion
    Clip 1:25
    Blue Like Jazz: Robot Invasion
    Blue Like Jazz: Cafeteria
    Clip 0:51
    Blue Like Jazz: Cafeteria

    Photos9

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    Rôles principaux57

    Modifier
    Marshall Allman
    Marshall Allman
    • Don Miller
    Claire Holt
    Claire Holt
    • Penny
    Tania Raymonde
    Tania Raymonde
    • Lauryn
    Justin Welborn
    Justin Welborn
    • The Pope
    Eric Lange
    Eric Lange
    • The Hobo
    Jason Marsden
    Jason Marsden
    • Kenny
    William McKinney
    William McKinney
    • Jordan
    • (as Will McKinney)
    Jenny Littleton
    Jenny Littleton
    • Don's Mom
    David Alford
    David Alford
    • Priest
    Jeff Obafemi Carr
    • Dean Bowers
    • (as jeff obafemi carr)
    Matt Godfrey
    Matt Godfrey
    • Yuri
    Jeffrey Buckner Ford
    • James Larkin
    • (as Jeffery Buckner Ford)
    Traber Burns
    • Phillipe Nouvel
    Barak Hardley
    Barak Hardley
    • Town Crier
    Jenson Goins
    Jenson Goins
    • Quinn
    Marin Miller
    • Reed Activities Receptionist
    Joshua Childs
    Joshua Childs
    • Bookstore Manager
    • (as Josh Childs)
    Becky Fly
    Becky Fly
    • Professor
    • Réalisation
      • Steve Taylor
    • Scénario
      • Donald Miller
      • Ben Pearson
      • Steve Taylor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs96

    5,83K
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    Avis à la une

    5ellehcorj

    Painful to watch, at first

    It could have been a good film, but it almost seems as though those involved were too close to it to see how it fails to draw any kind of an emotional response or much sympathy for the main character until much later in the story. The pace is slow, nothing was all that funny to me, cartoonish devices were used inconsistently and unnecessarily, which made the first half feel disjointed, as though different sections were directed by different people. Actions that moved the plot forward were so subtle as to be easily missed. One of my least favorite devices is to show a progression of time with a montage and music playing over the voices.

    Some scenes left me wondering 'why did they do that?' as there was no obvious metaphor (or perhaps it was so obvious as to be insulting) and no further reference given to, for instance, a worn costume. Once some of the relationships were established, the movie picks up momentum, and the ending rather saves it.

    I'm sure it's very difficult to portray the complex themes from the book, which makes it such rich reading. Action flicks are much easier. Much had to change for a movie to be created out of it. But a good director knows how to accomplish this without confusing, boring, or trying the patience of his audience. Perhaps Mr. Taylor should stick to music unless he wants all his work to go straight to DVD or the Hallmark channel. Sure, compared to other "Christian" movies this one rises above, but shouldn't we hold all movies to a critical standard, regardless of the company that made it?
    9ankawibi

    A refreshingly honest film for everyone

    My preconceptions about what a Christian movie would be like were happily proved wrong with this movie. I thought it would be another poorly acted, cheesy feel-good film of the us-versus-them variety like so many Christian films are. But it wasn't.

    This story of a college student trying to escape his Bible Belt upbringing at a godless campus deals with universal themes that will appeal to people from many walks of life.

    The actors gave solid performances, breathing humanity into the characters. The writers balanced the heavy soul searching with a sense of humor. The producer delivered a final product that rivals studio films with much greater budgets.

    An entertaining film that makes you think.
    7appleinwaiting

    Not your "typical Christian movie" is an understatement in all the best ways.

    Not your "typical Christian movie" is an understatement for this film in all the best ways. The absence of poor acting or cheap looking Hallmark-like production, gives Blue Like Jazz authenticity to tackle the misrepresentation of Christianity in a boldly candid way. While making fun of the way church is often viewed by the public, the movie tries to show the audience that there is more than meets the eye to this perceptively stuffy, and often annoying, complacent religion. There is a poetry to the universe that should evoke some search for deeper meaning that isn't so much about absolute rightness, as it is about continuous discovery, and pursuit of truth and compassion.

    The movie roughly follows the book's range of stories and characters, but introduces several fictitious turns to tie us in emotionally to the story. There are several major themes and little details that anyone who has read Blue Like Jazz would recognize and connect with. However, for those who are not familiar with the book, the overall story should be easy to follow, relevant, and entertaining. And to those who watch it and become intrigued, I can only say that the book takes you on an even deeper and more thorough journey. Don't believe me? Just ask the 4500 fans who financially supported the making of the film when all seemed lost. The story behind the movie is just as poignant as the movie itself.

    Disclaimer: There is a decent amount of profanity, drug and alcohol use, and adult themes that nearly cost the movie an R rating. So while it is PG 13 it was made for mature audiences that can comprehend the compromising nature of the real world. I know this film will cause an inadvertent dropping of the jaw for most of the Christian community, but the response of the rest of the world seems to be a refreshing sigh of relief.

    So come without expectations, and a willingness to see the bigger picture, and I think it will create a good amount of discussion that could lead to a change in our subculture.
    9usmc4341

    FINALLY. A "Christian movie" that doesn't suck.

    When I heard Donald Miller's book was being made into a movie, I was half elated, half skeptical. While the book-- that sold over 1.2 Million Copies-- is one of my favorites, it doesn't really lend itself well to a movie screenplay.

    Or so I thought.

    The movie follows a young kid named Don as he grows up in a Southern Baptist church in Texas, the only child of a uber-religious single mother and absentee deadbeat dad he refers to as "the hobo." Don is about to graduate from High School and is headed to Bible College. He's then faced with a situation that shakes him to his core. He ends up at Reed College, a liberal college in Oregon. The stories that follow show us the author's real struggles with faith and how he comes to grips with his own spirituality aside from the oppressive, rigid religious home he was raised in.

    In addition to the screenplay, the director of photography does an impeccable job bringing the characters to life. The characters in the book, though not completely identical to the ones in the movie, become so personally vulnerable and familiar through equal parts can't-look-away awkwardness and close, tight, clean camera work that by the end of the film I found myself angry at myself for not interpreting the characters in the book more accurately even though they were in fact the real people.

    BLJ is a movie that is desperately needed in the Christian art scene. The stunning dialog surrounding the film and the idiotic, egocentric way it has been received by many evangelical groups and churches clearly illustrate how needed films like this are. It earns its PG13 ranking in earnest, and there's no Kirk Cameron anywhere to be found. People talk about loving Jesus while drinking a beer, and not everyone who professes to follow Christ walks about with a pious attitude praying out loud and thumbing their Bibles incessantly. They make mistakes, hurt each other, and even cuss! In other words, it's real.

    Kudos to Miller, Taylor and company. BLJ has, if nothing else, made in-roads for other non-craptastic movies with a Christ-centered message.

    Thank you, God.
    2mindyloucooper

    Don't do it if you aren't already Christian!

    I have never written a review on IMDb before but felt compelled to after watching this film.

    Last night I was looking for a good independent film to watch and this flicked across the screen in my Netflix options. Never having heard of the book and not knowing a thing about what I was getting myself into, I went for it.

    There were early hints that I had walked myself into a "Christianity is the bestest" type film, but I didn't know for sure until halfway through when the main love interest professes to the main character something along the lines of, "I can't explain it, I just love Jesus!". I recognized this tell-tale sign of propaganda but decided to suspend judgement. I sat through the rest of the film in hopes that there'd be surprise character or plot development in the second half. Unfortunately, there wasn't.

    The plot is thin and predictable. I find it remarkable that others who have reviewed the film found it thought provoking. In my estimation, those who found it to be this way enjoyed the affirmation that the film provided. Can't fault anyone there: we all like a little positive reinforcement from Hollywood every now and then.

    For those of us who aren't sold on Christianity, the underlying theme of Christianity being the "right" belief is obvious and more than a little off-putting. In order to be truly thought provoking (to those who aren't already on board with the concept), the message shouldn't have been so obvious and cheesy.

    If the hope was that this movie would help put Christianity in a better light with non-Christians, the movie misses that mark too. None of the characters exhibited a need for Jesus/the church - at their core they were smart people with good consciouses, and were clearly capable of sorting themselves out without the church. I didn't see or hear any testimony as to why either required religious support to do this, in fact the movie highlighted several good reasons to stay away from the church: priest pedophilia and some mixed up relationships amongst church members. If a salesperson is trying to sell something, they need to talk about the benefits of the product they're pushing at least a little bit, right?

    All in all, this is probably a great film if you are a "church-every-Sunday" kind of person - this may be just the thing to make you feel great about your beliefs (basing this not on personal experience but on other reviews). But if you are that person, please don't kid yourself that this will be the movie to convince your non-believer friends that they should worship with you.

    For the non-believers, regardless of your non-believing status, this movie is skippable. The plot, characters, acting and writing is all pretty thin - not a whole lot of meat to chew on here.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The movie was made possible by the efforts of fans who refused to see the project die. A campaign on KickStarter was started after a September 16th blog post by Donald Miller that the project was dead due to the lack of backers. By the end of the funding period on October 25th, Save Blue Like Jazz had raised $345,992 (276% of the original $125,000 goal) from 4495 backers. This earned the project a Hall of Fame ranking on KickStarter as the highest funded project ever.
    • Gaffes
      Don tells his mother that there are no roommates in the dorms at Reed college, but Lauryn tells a story about her "first year roommate".
    • Citations

      Donald Miller: He told me jazz was like life, cause it doesn't resolve.

    • Crédits fous
      The names of over 1,500 people were listed as Associate Producers of the movie.

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    FAQ18

    • How long is Blue Like Jazz?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 mars 2012 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Sắc Màu Cuộc Sống
    • Lieux de tournage
      • Portland, Oregon, États-Unis
    • Société de production
      • Ruckus Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 595 018 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 261 190 $US
      • 15 avr. 2012
    • Montant brut mondial
      • 595 018 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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