Le petit prince
- 2015
- Tous publics
- 1h 48min
NOTE IMDb
7,6/10
70 k
MA NOTE
Une petite fille vit avec sa mère, qui essaie de la préparer au monde des adultes. Son voisin aviateur introduit la fillette dans un monde extraordinaire où tout est possible, le monde du Pe... Tout lireUne petite fille vit avec sa mère, qui essaie de la préparer au monde des adultes. Son voisin aviateur introduit la fillette dans un monde extraordinaire où tout est possible, le monde du Petit Prince.Une petite fille vit avec sa mère, qui essaie de la préparer au monde des adultes. Son voisin aviateur introduit la fillette dans un monde extraordinaire où tout est possible, le monde du Petit Prince.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 15 nominations au total
Jeff Bridges
- The Aviator
- (voix)
Rachel McAdams
- The Mother
- (voix)
Marion Cotillard
- The Rose
- (voix)
James Franco
- The Fox
- (voix)
Paul Rudd
- Mr. Prince
- (voix)
Jeffy Branion
- The Policeman
- (voix)
- (as Jeff Branion)
Jacquie Barnbrook
- The Nurse
- (voix)
- …
Vincent Cassel
- The Fox
- (voix)
Avis à la une
In an age that is so saturated with social media and entertainment, I often forget when the last time was that I saw such a wholesome film as this. My heart is often overwhelmed at how quickly innocence and childhood is sucked away in our culture. I personally felt when I was young that innocence was to be looked down upon. As most encounter, the years couldn't go by fast enough for my young self, constantly wishing to be older and wiser. Now is the time I look back. I deeply appreciate this film because it cherishes the beauty of a child's imagination. The animation leaves me awestruck at its beautiful simplistic style of stop motion. I cannot help but by transported back into my ever too short childhood along with the little girl and the Prince. I hope more teenagers and adults will stumble upon this piece of art because it is such a good reminder to cherish our imaginations amidst our mundane every day life.
Animation is under-estimated, perhaps because we tend to be afraid of what we do not understand.
I have seen a lot of films, done a lot of reviews and thought I had seen it all.
I was wrong.
First, I had not read the book prior to seeing this film nor had I seen the earlier screen version.
No matter. I was transfixed and stunned. I was still sitting there when the final credits rolled, which is really a feat because the credits roll for 10 minutes after the word FIN (THE END) rolls. (If you miss the credits, you miss the TURN AROUND song which itself could be highlight of one of the most incredible music scores in one of the most incredible movies ever).
When computers were first being married to animation -- a marriage made in heaven I think -- I recall an interview with a senior animator who confided that when the day came that they could get the "eyes" right, they would have reached the pinnacle of their craft.
That day has arrived. This movie is the herald.
Watching the eyes in this film, I felt as though I was watching real people. Does that make me sound daft? I hope not. There is one scene where the little girl watches the Aviator go to the hospital in the rain. She is at the same time transfixed with sadness and soaking wet. The animation made both conditions "real" at the same time. I don't know how. But it did.
Jeff Bridges, a brilliant actor with a record longer than your arm, gives the "voice" performance of his career here, and Rachael McAdams, former Femme Fatale, former "against type" actress (TRUE DETECTIVE) ditto.
Running out of superlatives, something I seldom do, so I will stop here.
See it. Don't argue. Just see it.
I have seen a lot of films, done a lot of reviews and thought I had seen it all.
I was wrong.
First, I had not read the book prior to seeing this film nor had I seen the earlier screen version.
No matter. I was transfixed and stunned. I was still sitting there when the final credits rolled, which is really a feat because the credits roll for 10 minutes after the word FIN (THE END) rolls. (If you miss the credits, you miss the TURN AROUND song which itself could be highlight of one of the most incredible music scores in one of the most incredible movies ever).
When computers were first being married to animation -- a marriage made in heaven I think -- I recall an interview with a senior animator who confided that when the day came that they could get the "eyes" right, they would have reached the pinnacle of their craft.
That day has arrived. This movie is the herald.
Watching the eyes in this film, I felt as though I was watching real people. Does that make me sound daft? I hope not. There is one scene where the little girl watches the Aviator go to the hospital in the rain. She is at the same time transfixed with sadness and soaking wet. The animation made both conditions "real" at the same time. I don't know how. But it did.
Jeff Bridges, a brilliant actor with a record longer than your arm, gives the "voice" performance of his career here, and Rachael McAdams, former Femme Fatale, former "against type" actress (TRUE DETECTIVE) ditto.
Running out of superlatives, something I seldom do, so I will stop here.
See it. Don't argue. Just see it.
The movie opened today - 29 July 2015 - here in France, and I saw the second show here where I live, the small town of Paimpol. There were perhaps 30 people altogether in attendance. I could hear that the few children among them were bored. So, first comment: 1) This is not a movie for small children. It won't interest them.
2) If you are expecting a video reproduction of St Exupéry's story, you will be very disappointed. It's in this movie, but it only comprises a small part of it. Most of the movie is a frame for that tale, the story of a small girl who meets an elderly aviator who tells her, in bits and pieces, the story of his encounter, many years before, with the Little Prince. If you go expecting just what you know from St Exupéry's story, most of this movie will therefore be an annoyance to you.
It took me awhile to accept the frame story. It's fairly banal, fairly Hollywood. Nowhere near the originality of St. Exupéry's remarkable tale. But if you let yourself go with it, it has an appeal over time.
The part devoted to St. Exupéry's original tale is the best, as far as I'm concerned.
We also see the prince as an adult, very changed. That came as a shock at first to me, but again, I let myself go with it, and it had a certain fairly obvious interest.
This is not a great movie. "Ernest and Célestine" is a thousand times better. But it's worth seeing.
Again, however, this is NOT a movie for little children. They will be bored.
2) If you are expecting a video reproduction of St Exupéry's story, you will be very disappointed. It's in this movie, but it only comprises a small part of it. Most of the movie is a frame for that tale, the story of a small girl who meets an elderly aviator who tells her, in bits and pieces, the story of his encounter, many years before, with the Little Prince. If you go expecting just what you know from St Exupéry's story, most of this movie will therefore be an annoyance to you.
It took me awhile to accept the frame story. It's fairly banal, fairly Hollywood. Nowhere near the originality of St. Exupéry's remarkable tale. But if you let yourself go with it, it has an appeal over time.
The part devoted to St. Exupéry's original tale is the best, as far as I'm concerned.
We also see the prince as an adult, very changed. That came as a shock at first to me, but again, I let myself go with it, and it had a certain fairly obvious interest.
This is not a great movie. "Ernest and Célestine" is a thousand times better. But it's worth seeing.
Again, however, this is NOT a movie for little children. They will be bored.
Very successful in bringing Little Prince into today. The movie made me to read the Little Prince again and learn more. The challenge between living natural and living modern became fully alive in my mind again and again. Like my childhood. I have a neighbor very similar to Aviator. He had long white hair and a very old jacket. He had a magic smile. I think he was very similar to Aviator. All of my memories of him became animated in front of my eyes while watching the movie. Maybe everyone has someone like Aviator in his or her life or must find. The snake scene was very deep like book. The movie made me to believe yet there is hope for peace.
10cregox
I could predict the movie ending by the first few minutes or so and I told my wife "okay, let's see if it can still be entertaining on the details...". Oh boy, I may never been so glad to be so wrong. I mean, of course I was hoping for it to be good, but I was expecting very, very little of it. Most animations I've been watching in the past 2 years or so, including Pixar's, have not being able to move me at all. At all. And IMDb score was just below what I'd expect from a good one.
( Okay, Inside Out was an exception: great and cute. Maybe my hopes for that one were too high but I was hoping for a better neural representation there, and it had some weak science behind it ( don't take my or Steve Novella's word for it, do your homework ). I would argue it is even harmful, because it will certainly create new bad myths about the mind and the brain. )
Anyway, Little Prince at least isn't about science - because else they'd get it wrong at very least on the lucid dreaming there... But it's perfectly done. Perfectly. Every little detail. Right near the beginning the girl gets a new friend and starts to wonder how his stories could be possible. While she is thinking, the wind in the background is moving engines. That's art. And science, even if only subconsciously. Even if.
The symbolism there is exquisite. I have watched a few french movies, I do know a little about the culture there, I've toured through France more than any other European country in my 2013 tour... I haven't seen anything like this before. Maybe I will need to take my french classes back again, eventually.
Here, let me tell you about 2 math formulas that appear in there (not the only ones, the first book she does open is about math, probably algebra, but in french sorry), for a few seconds: first one is about analytical geometry, and got an Escher picture in it. Now, in Brazil we don't learn any of that in school, not even Calculus, but I've gone to first year of Statistics and 1 got semester of Math in there... That shoot is complex! The only thing I can say about the first picture is she got a great compressed writing and thinking there. This to me means more than anything that whoever wrote the script (I haven't read the book) was an avid math enthusiast (like myself) at very least.
On the second one, however, she gets on to some Calculus, which to me was one of the funnest parts in school (after geometry, and I didn't really enjoy Math in college). Math was always my favorite topic in school. And that's a "simple" 3rd degree expression. All I can say is it's not being properly resolved, at first sight. But I bet there's a meaning there I just can't see yet. This is how this movie was made. Filled with tiny little details at every single second.
I'm very good at Math and at counting, but I can't even understand what the 6 year old is doing in her book there and those are images that just don't matter to the plot or for anything else, really. They're there on their own!
I'll make a real bold guess here, but I think this have became instantly my favorite film of all times. On top of Forrest Gump, Matrix, any Pixar's, Bedazzled, Terry Gilliam's, Huckabees, Stranger than Fiction, BttF, 2001, Interstellar, The Martian (still unwatched), Terminator you name it. I know almost nobody would agree with me here, but that's just how I felt having just watched the movie less than 8 hours ago.
It touched me deeply, and it did so by touching both my heart and brains, like no other one ever did. 34 year old, happily married, with no kids due to life issues, no job and lots of work to do. Specially after being this inspired. =)
-- Caue
( Okay, Inside Out was an exception: great and cute. Maybe my hopes for that one were too high but I was hoping for a better neural representation there, and it had some weak science behind it ( don't take my or Steve Novella's word for it, do your homework ). I would argue it is even harmful, because it will certainly create new bad myths about the mind and the brain. )
Anyway, Little Prince at least isn't about science - because else they'd get it wrong at very least on the lucid dreaming there... But it's perfectly done. Perfectly. Every little detail. Right near the beginning the girl gets a new friend and starts to wonder how his stories could be possible. While she is thinking, the wind in the background is moving engines. That's art. And science, even if only subconsciously. Even if.
The symbolism there is exquisite. I have watched a few french movies, I do know a little about the culture there, I've toured through France more than any other European country in my 2013 tour... I haven't seen anything like this before. Maybe I will need to take my french classes back again, eventually.
Here, let me tell you about 2 math formulas that appear in there (not the only ones, the first book she does open is about math, probably algebra, but in french sorry), for a few seconds: first one is about analytical geometry, and got an Escher picture in it. Now, in Brazil we don't learn any of that in school, not even Calculus, but I've gone to first year of Statistics and 1 got semester of Math in there... That shoot is complex! The only thing I can say about the first picture is she got a great compressed writing and thinking there. This to me means more than anything that whoever wrote the script (I haven't read the book) was an avid math enthusiast (like myself) at very least.
On the second one, however, she gets on to some Calculus, which to me was one of the funnest parts in school (after geometry, and I didn't really enjoy Math in college). Math was always my favorite topic in school. And that's a "simple" 3rd degree expression. All I can say is it's not being properly resolved, at first sight. But I bet there's a meaning there I just can't see yet. This is how this movie was made. Filled with tiny little details at every single second.
I'm very good at Math and at counting, but I can't even understand what the 6 year old is doing in her book there and those are images that just don't matter to the plot or for anything else, really. They're there on their own!
I'll make a real bold guess here, but I think this have became instantly my favorite film of all times. On top of Forrest Gump, Matrix, any Pixar's, Bedazzled, Terry Gilliam's, Huckabees, Stranger than Fiction, BttF, 2001, Interstellar, The Martian (still unwatched), Terminator you name it. I know almost nobody would agree with me here, but that's just how I felt having just watched the movie less than 8 hours ago.
It touched me deeply, and it did so by touching both my heart and brains, like no other one ever did. 34 year old, happily married, with no kids due to life issues, no job and lots of work to do. Specially after being this inspired. =)
-- Caue
Le saviez-vous
- AnecdotesThe stop-motion scenes in the desert were mosty created using paper, even the Little Prince was made out of paper clay.
- GaffesWhen the Little Girl claps for the first time "The Conceited Man" took kudos by taking his hat off with his "right hand" but next time while holding The Little Girl with "left hand" he drops her and took kudos with his "left hand" although his "right hand" was free.
- Citations
The Little Prince: it is only with heart that one can see rightly; what is essential is invisible to the eye.
- Crédits fousOne of few movies where the end credits scroll downwards (instead of upwards), so that the title of each department is at the bottom of the list of people in that department.
- ConnexionsFeatured in Starfilm (2017)
- Bandes originalesSuis-moi
Written by Hans Zimmer, Camille and Richard Harvey
Performed by Hans Zimmer and Richard Harvey (featuring Camille)
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- How long is The Little Prince?Alimenté par Alexa
- Which one is the original version...English or French?
Détails
Box-office
- Budget
- 81 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 339 152 $US
- Week-end de sortie aux États-Unis et au Canada
- 116 927 $US
- 14 févr. 2016
- Montant brut mondial
- 97 571 250 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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