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Ajouter une intrigue dans votre langueA celebratory 25th anniversary concert performance of the hit musical at The O2 in London.A celebratory 25th anniversary concert performance of the hit musical at The O2 in London.A celebratory 25th anniversary concert performance of the hit musical at The O2 in London.
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First of all I have to say that I have seen the movie before I dig into Les Mis on the internet, so somehow the movie could catch my attention back then, and I am so grateful for it that I won't compare it with this masterpiece. Secondly, this is my first ever review on IMDb so hurray! :)
What we've got here is a monumental show of pure talent and epicness, which is a must for all 'Les Mis' fans and for everyone who likes to listen to a musical masterpiece, and likes to get goosebumps all the time. The show took place at the O2 arena with hundreds of people participating. The setting is great, the lights and all technical stuff are excellent, the show sounds great, the mixing is very well made. The show has been conducted by the same conductor, who did the 10th anniversary concert back in 1995 (David Charles Abell), and he did one hell of a job, not a single flaw in the play of the orchestra. The cast is a brilliant one - well you could guess that something big is happening when musical giants like Earl Carpenter, or Hadley Fraser only get minor roles... There's a really large choir behind the orchestra, and they really make a punch when it is time for extra amount of epicness (like One Day More). The backing vocalist are also great (in numbers as well), everyone in minor roles (prostitutes, workers, the students) are great, this cast was chosen really carefully, that's for sure. I give a solid 10 for the supporting section of the cast.
Earl Carpenter plays the bishop, and he delivers a fine performance, worthy of his reputation. He's really gentle but powerful at the same time. 10/10
Hadley Fraser plays Grantaire and he makes the new standard for the role with his performance. His baritone is a joy to listen to and they have a unique chemistry with Ramin. 10/10
Katie Hall plays Cosette and she's excellent as well. I think that the role of Cosette has few moments to shine or to stand out, but Katie gives a fine performance, so no worries here. 8,5/10
Lea Salonga is Fantine, and 15 years after she played Eponine during the 10th anniversary show, she delivers this role incredibly well. Her "I Dreamed a Dream" earns her a big applause and some standing ovation as well. Her low harmonics makes her voice quite unique, and that's something I really like. 9/10
Matt Lucas plays Thenardier and he enjoys his role very much. It is fun to see that Matt's dream comes true on-stage, so be ready for a benefit performance. I found him good. 8/10. Madame Thenardier is played by the veteran Jenny Galloway, so no surprises here :) 8/10
Now one controversial choice of singer: the role of Marius is played by Nick Jonas, member of the (in)famous Jonas Brothers. While Nick tries hard, his acting suffers from many wounds, and his voice is at least one or two leagues weaker than the rest of the cast's. He is not good, not for this role at least. The only possible explanation (other than making steps towards his younger fan-base) is that his weaker voice and young looks help creating the impression that his character is innocent and needs guidance from the more mature characters he hangs out with. 4/10
The tragic role of Eponine is played by Sam Barks, and boy, she is awesome. She is a real beauty, that her looks can only be compared her wonderful singing. Her 'On my own' earns her the show's biggest applause till then. 10/10
Enjorlas is played by musical prodigy Ramin Karimloo. He is absolutely incredible and for me, he is the best Enjorlas ever. His commanding performance and seemingly limitless range of voice is a joy to watch and listen to over and over again! 10/10
Norm Lewis is Javert, and the great afro-American singer gives an excellent performance. The role of Javert is possibly the best role in the musical and definitely has the most depth, so it is common that singers make their own interpretation and Norm is no exception. His enunciation is somewhat controversial, but I love his Javert anyway. He is not as good as Quast (and I found EC's Javert better as well), but he gives a commanding presence and a great 'Stars' and soliloquy with full of emotion. 8,5/10
As you can see, the cast is superb, but the real deal is Alfie Boe as JVJ. Now Alfie sets new standards for the singing part of the role, and he is in his own league. He makes you feel that there are absolutely no limits to his wonderful voice as he makes those high Bs and Cs come out so clear and loud like no JVJ did before. His acting is a little stiff here and there, but maybe because his operatic-style of singing and acting, but he compensates it with facial emotions. Stunning. World Class. His 'Bring him home' earned him a standing ovation for minutes. The whole show stopped because of him! 10/10
After the show ends, there are two extra songs involving the original and then-current casts from London. Bring Him Home is presented by the 4 Valjeans and One Day More by the original 1985 cast. Good extras!
One more thing I really like in this concert: you can clearly feel the love between the cast members, and how the story and the incredible talent of Alfie Boe touch them. For me, these scenes are almost as important as good performances.
Well, what can you say? This show made me love Les Mis, and I'm seriously in love with the show itself as well. Brilliant masterpiece which has to be listened to over and over again!
What we've got here is a monumental show of pure talent and epicness, which is a must for all 'Les Mis' fans and for everyone who likes to listen to a musical masterpiece, and likes to get goosebumps all the time. The show took place at the O2 arena with hundreds of people participating. The setting is great, the lights and all technical stuff are excellent, the show sounds great, the mixing is very well made. The show has been conducted by the same conductor, who did the 10th anniversary concert back in 1995 (David Charles Abell), and he did one hell of a job, not a single flaw in the play of the orchestra. The cast is a brilliant one - well you could guess that something big is happening when musical giants like Earl Carpenter, or Hadley Fraser only get minor roles... There's a really large choir behind the orchestra, and they really make a punch when it is time for extra amount of epicness (like One Day More). The backing vocalist are also great (in numbers as well), everyone in minor roles (prostitutes, workers, the students) are great, this cast was chosen really carefully, that's for sure. I give a solid 10 for the supporting section of the cast.
Earl Carpenter plays the bishop, and he delivers a fine performance, worthy of his reputation. He's really gentle but powerful at the same time. 10/10
Hadley Fraser plays Grantaire and he makes the new standard for the role with his performance. His baritone is a joy to listen to and they have a unique chemistry with Ramin. 10/10
Katie Hall plays Cosette and she's excellent as well. I think that the role of Cosette has few moments to shine or to stand out, but Katie gives a fine performance, so no worries here. 8,5/10
Lea Salonga is Fantine, and 15 years after she played Eponine during the 10th anniversary show, she delivers this role incredibly well. Her "I Dreamed a Dream" earns her a big applause and some standing ovation as well. Her low harmonics makes her voice quite unique, and that's something I really like. 9/10
Matt Lucas plays Thenardier and he enjoys his role very much. It is fun to see that Matt's dream comes true on-stage, so be ready for a benefit performance. I found him good. 8/10. Madame Thenardier is played by the veteran Jenny Galloway, so no surprises here :) 8/10
Now one controversial choice of singer: the role of Marius is played by Nick Jonas, member of the (in)famous Jonas Brothers. While Nick tries hard, his acting suffers from many wounds, and his voice is at least one or two leagues weaker than the rest of the cast's. He is not good, not for this role at least. The only possible explanation (other than making steps towards his younger fan-base) is that his weaker voice and young looks help creating the impression that his character is innocent and needs guidance from the more mature characters he hangs out with. 4/10
The tragic role of Eponine is played by Sam Barks, and boy, she is awesome. She is a real beauty, that her looks can only be compared her wonderful singing. Her 'On my own' earns her the show's biggest applause till then. 10/10
Enjorlas is played by musical prodigy Ramin Karimloo. He is absolutely incredible and for me, he is the best Enjorlas ever. His commanding performance and seemingly limitless range of voice is a joy to watch and listen to over and over again! 10/10
Norm Lewis is Javert, and the great afro-American singer gives an excellent performance. The role of Javert is possibly the best role in the musical and definitely has the most depth, so it is common that singers make their own interpretation and Norm is no exception. His enunciation is somewhat controversial, but I love his Javert anyway. He is not as good as Quast (and I found EC's Javert better as well), but he gives a commanding presence and a great 'Stars' and soliloquy with full of emotion. 8,5/10
As you can see, the cast is superb, but the real deal is Alfie Boe as JVJ. Now Alfie sets new standards for the singing part of the role, and he is in his own league. He makes you feel that there are absolutely no limits to his wonderful voice as he makes those high Bs and Cs come out so clear and loud like no JVJ did before. His acting is a little stiff here and there, but maybe because his operatic-style of singing and acting, but he compensates it with facial emotions. Stunning. World Class. His 'Bring him home' earned him a standing ovation for minutes. The whole show stopped because of him! 10/10
After the show ends, there are two extra songs involving the original and then-current casts from London. Bring Him Home is presented by the 4 Valjeans and One Day More by the original 1985 cast. Good extras!
One more thing I really like in this concert: you can clearly feel the love between the cast members, and how the story and the incredible talent of Alfie Boe touch them. For me, these scenes are almost as important as good performances.
Well, what can you say? This show made me love Les Mis, and I'm seriously in love with the show itself as well. Brilliant masterpiece which has to be listened to over and over again!
Beautiful concert version of Les Miserables, with an incredibly talented cast. Norm Lewis is a personal favorite and he makes a very compelling Javert. All the performances are strong, emotional, and very compelling. The only exception, being Nick Jonas. I'd like to be clear that Nick Jonas is not a bad singer, but when you put him next to so many infinitely more talented singers, his performance seems very out of place and weak. He sings in tune, but with no vibrato or natural projection. He is outshined by anyone he sings with. He is very much a pop singer and doesn't belong in this production. That being said, this concert was still very well done and very enjoyable. I definitely recommend watching.
I saw this at the cinema three times and I am counting the hours until I get the DVD.
If you are a fan of Les Miserables, this is not to be missed.
I believe it is even better than the 10th Anniversary Concert. More of the actual musical is included, such as The Robbery. Lovely Ladies is in a more complete form. A lot of the little verses between songs is included, for example, Garvoche's introduction of the Thenardiers and the conversations between Maruis and Eponine. It isn't complete, however, some verses have been cut, most noticeably, Dog eat Dog, which in my opinion is no great loss as it is my least favorite song anyway.
The performances are all fantastic, although, Marius is a little weak. The little urchin who plays Garvoche is very impressive. The look of contempt on his face when he exposes Javert is priceless. Matt Lucus brings humor as Thenardier. Jenny Galloway reprises her role from the 10th Anniversary Concert and I think gives a better performance in this version. It is hard to limit discussion, as everyone was brilliant right from Jean Valjean to Jarvert to Cossette (Collette?).
I cannot recommend this enough.
If you are a fan of Les Miserables, this is not to be missed.
I believe it is even better than the 10th Anniversary Concert. More of the actual musical is included, such as The Robbery. Lovely Ladies is in a more complete form. A lot of the little verses between songs is included, for example, Garvoche's introduction of the Thenardiers and the conversations between Maruis and Eponine. It isn't complete, however, some verses have been cut, most noticeably, Dog eat Dog, which in my opinion is no great loss as it is my least favorite song anyway.
The performances are all fantastic, although, Marius is a little weak. The little urchin who plays Garvoche is very impressive. The look of contempt on his face when he exposes Javert is priceless. Matt Lucus brings humor as Thenardier. Jenny Galloway reprises her role from the 10th Anniversary Concert and I think gives a better performance in this version. It is hard to limit discussion, as everyone was brilliant right from Jean Valjean to Jarvert to Cossette (Collette?).
I cannot recommend this enough.
In my opinion, no previous Jean Valjean or since have or will ever come close to performing this role with the unparalleled dynamic, powerful and heart breaking perfection of Alfie Boe. If I had rated this production on his performance alone, out of a possible 10 I would have given it the maximum allowed by IMDb's system. I give him 1,000 stars for the look, the voice, the acting ability, everything. I'll never understand why they didn't cast him in the recent movie version, as I didn't understand the casting of Anne Hathaway and good god...Russell Crowe??? First and foremost this is a musical, and as such, calls for top notch voices, not just pretty faces and box office powerhouses.
My exception to that rule is Matt Lucas and Jenny Galloway. As the Thenardiers they were a joy to behold. So talented and witty. Their tongue in cheek portrayal of those two scoundrels was right on target. They deserved at least a 20 out of ten.
What can I possibly say about Lea Salonga as Fantine that has not already been said by just about every critic since her career began? I place her on a par with Mr. Boe in this production and always have loved her in anything she has done. As far as I'm concerned she can do no wrong.
Norm Lewis was wonderful as the always threatening antagonist Javert, hell-bent on hunting down Jean Valjean to the ends of the earth. He has a huge presence on the stage here, as he has on Broadway and television. Very talented and powerful performer.
Now, we come to why I did not give this production a solid 10 stars. First, let me say I take no pleasure in making negative comments. I prefer to accentuate the positive whenever possible, BUT the absurd choice of inserting boy band 'singer' (and I use the word singer loosely) in such a pivotal role baffles the mind. In my opinion Nick Jonas doesn't have the singing chops, the acting chops or the physical appearance this role begs for. If he didn't have his pre-teen fan base and had auditioned to be one of the hundreds of singers in the massive chorus, I don't believe they would have selected him even for that!
Every time I became immersed in the experience of watching and listening to this production, this miss-cast kid would pop up and *poof* the spell would be broken and I would think WHY would the producers of this monumental, prestigious event prostitute themselves and the integrity of this masterpiece of musical theater, a tribute to the artists who created the words and the music and those who so brilliantly participated in it over twenty-five years, by casting this role so badly? Bottom line; I would rate his performance minus 100 stars and bestow (if I could)a minus 1,000 stars for those who cast him in it.
So, there you have it. But for Nick Jonas, I would have given this production a solid 10 stars and the only reason I didn't rate it lower than 9 stars was out of respect for everyone else involved.
My exception to that rule is Matt Lucas and Jenny Galloway. As the Thenardiers they were a joy to behold. So talented and witty. Their tongue in cheek portrayal of those two scoundrels was right on target. They deserved at least a 20 out of ten.
What can I possibly say about Lea Salonga as Fantine that has not already been said by just about every critic since her career began? I place her on a par with Mr. Boe in this production and always have loved her in anything she has done. As far as I'm concerned she can do no wrong.
Norm Lewis was wonderful as the always threatening antagonist Javert, hell-bent on hunting down Jean Valjean to the ends of the earth. He has a huge presence on the stage here, as he has on Broadway and television. Very talented and powerful performer.
Now, we come to why I did not give this production a solid 10 stars. First, let me say I take no pleasure in making negative comments. I prefer to accentuate the positive whenever possible, BUT the absurd choice of inserting boy band 'singer' (and I use the word singer loosely) in such a pivotal role baffles the mind. In my opinion Nick Jonas doesn't have the singing chops, the acting chops or the physical appearance this role begs for. If he didn't have his pre-teen fan base and had auditioned to be one of the hundreds of singers in the massive chorus, I don't believe they would have selected him even for that!
Every time I became immersed in the experience of watching and listening to this production, this miss-cast kid would pop up and *poof* the spell would be broken and I would think WHY would the producers of this monumental, prestigious event prostitute themselves and the integrity of this masterpiece of musical theater, a tribute to the artists who created the words and the music and those who so brilliantly participated in it over twenty-five years, by casting this role so badly? Bottom line; I would rate his performance minus 100 stars and bestow (if I could)a minus 1,000 stars for those who cast him in it.
So, there you have it. But for Nick Jonas, I would have given this production a solid 10 stars and the only reason I didn't rate it lower than 9 stars was out of respect for everyone else involved.
I have seen "Les Misérables" live on stage, the film, and several on stage recordings. It's impossible to see this particular film without comparing to other performances but I will comment on this film alone... The performance was quite magnificent. The cast overall was wonderful. I'll address Nick Jonas as Marius right away. His voice does not remotely compare to the professional theater performers, yet he does carry the songs well enough and he carries his scenes admirably enough. Side by side with Samantha Barks as Eponine, however, he pales in comparison to her amazing voice. So many excellent singers have brought such depth and strength to the character of Jean Valjean and Alfie Boe does an admirable job. His beautiful rendition of "Bring Him Home" really proves he has the chops to handle this role. As always Lea Salonga is fragile and strong as Fantine. Can anyone else play this role as well? Of all of the Javerts I have ever seen, none has ever been sung as masterfully as Norm Lewis; he is magnificent to watch. Ramin Karimloo as Enjolres is incredibly strong, again making Jonas pale in comparison. Karimloo is truly talented with a strong voice and perfect tone. The orchestra brought the entire performance together beautifully. Mesmerizing. I loved it.
Le saviez-vous
- AnecdotesRamin Karimloo and Hadley Fraser would later on play opposite each other as Jean Valjean and Javert in the London production of Les Misérables.
- Citations
Jean Valjean, Eponine, Fantine: Take my hand, and lead me to salvation. Take my love, for love is everlasting. And remember, the truth that once was spoken: to love another person is to see the face of God.
- ConnexionsFeatured in The Nostalgia Chick: Les Miserables: The Musical (2011)
- Bandes originalesPrologue: Work Song
(uncredited)
Music by Claude-Michel Schönberg
Original French lyrics by Alain Boublil and Jean-Marc Natel
English lyrics by Herbert Kretzmer
Performed by Norm Lewis, Alfie Boe and Convicts
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- How long is Les Misérables in Concert: The 25th Anniversary?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 25 năm Những Người Khốn Khổ
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 742 004 $US
- Durée
- 2h 58min(178 min)
- Couleur
- Rapport de forme
- 16:9 HD
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