Les Misérables in Concert: The 25th Anniversary

Les Misérables has been around for a long time, pleasing audiences around the world - its songs are recorded by an vast array of singers and its impact on audiences is justifiably powerful. Though this filming of the concert production of the musical as performed at London's O2 Arena in January 2010 is hailed as the 25th anniversary of the musical, it is too frequently forgotten that the show, based on the Victor Hugo novel, was originally written by Claude-Michel Schönberg and Alain Boubil with Herbert Kretzmer and Jean-Marc Natel and produced in Paris, France in 1980 (it closed after 3 months). This English Adaptation is by Trevor Nunn and John Caird (with additional material by James Fenton) was brought to England and the world through the efforts of Cameron Mitchell in 1985.

The concert version is performed with orchestra and chorus in the top of the platforms in O2 Arena and the characters in the musical are in costume standing before microphones at the edge of the performing structure. The light crew performs spectacular effects with the enormous facilities at this 23,000 seat arena. Some action is projected on screens above the performers (the lifting of the cart by Valjean, the barricade, etc) and at other times the screens offer the audience huge close-up view of the performers. It works well under the direction of Nick Morris. The celebration of the birthday of the show is accompanied by prolonged appearances by past members of casts of the show, a light show, and much confetti and self congratulation speeches.

As for the production itself it is populate by a generally strong cast. Alfie Boe, a 37 year old British tenor who studied opera but now sings the big demanding musicals, is a very fine Jean Valjean. Norm Lewis, and American actor/baritone is one of the strongest Jauverts on record: he is a talent to watch. Lea Salonga brings years of experience to her interpretation of Fantine, Samantha Banks is a very strong Eponine, the Iranian-born Canadian musical theater singing actor Ramin Karimloo makes a striking impression in the role of Enjolras (he has been playing the role of Phantom in the 'Phantom of the Opera' in England for years), but the performance of Katie Hall as Cosette sounds strained, the Monsieur Thénardier of Matt Lucas is completely unfocused (Jenny Galloway fares better as Madame Thénardier), and it is obvious the producers elected to play to the young audience by miscasting pop star Nick Jonas as Marius: he tries very hard but is out of his league here.

In all this is an entertaining memento of a birthday celebration - heavy on audience screaming and special party effects - and rewards the creators of this lasting fine musical with due respect.

Grady Harp

In my opinion, no previous Jean Valjean or since have or will ever come close to performing this role with the unparalleled dynamic, powerful and heart breaking perfection of Alfie Boe. If I had rated this production on his performance alone, out of a possible 10 I would have given it the maximum allowed by IMDb's system. I give him 1,000 stars for the look, the voice, the acting ability, everything. I'll never understand why they didn't cast him in the recent movie version, as I didn't understand the casting of Anne Hathaway and good god...Russell Crowe??? First and foremost this is a musical, and as such, calls for top notch voices, not just pretty faces and box office powerhouses.

My exception to that rule is Matt Lucas and Jenny Galloway. As the Thenardiers they were a joy to behold. So talented and witty. Their tongue in cheek portrayal of those two scoundrels was right on target. They deserved at least a 20 out of ten.

What can I possibly say about Lea Salonga as Fantine that has not already been said by just about every critic since her career began? I place her on a par with Mr. Boe in this production and always have loved her in anything she has done. As far as I'm concerned she can do no wrong.

Norm Lewis was wonderful as the always threatening antagonist Javert, hell-bent on hunting down Jean Valjean to the ends of the earth. He has a huge presence on the stage here, as he has on Broadway and television. Very talented and powerful performer.

Now, we come to why I did not give this production a solid 10 stars. First, let me say I take no pleasure in making negative comments. I prefer to accentuate the positive whenever possible, BUT the absurd choice of inserting boy band 'singer' (and I use the word singer loosely) in such a pivotal role baffles the mind. In my opinion Nick Jonas doesn't have the singing chops, the acting chops or the physical appearance this role begs for. If he didn't have his pre-teen fan base and had auditioned to be one of the hundreds of singers in the massive chorus, I don't believe they would have selected him even for that!

Every time I became immersed in the experience of watching and listening to this production, this miss-cast kid would pop up and *poof* the spell would be broken and I would think WHY would the producers of this monumental, prestigious event prostitute themselves and the integrity of this masterpiece of musical theater, a tribute to the artists who created the words and the music and those who so brilliantly participated in it over twenty-five years, by casting this role so badly? Bottom line; I would rate his performance minus 100 stars and bestow (if I could)a minus 1,000 stars for those who cast him in it.

So, there you have it. But for Nick Jonas, I would have given this production a solid 10 stars and the only reason I didn't rate it lower than 9 stars was out of respect for everyone else involved.

First of all I have to say that I have seen the movie before I dig into Les Mis on the internet, so somehow the movie could catch my attention back then, and I am so grateful for it that I won't compare it with this masterpiece. Secondly, this is my first ever review on IMDb so hurray! :)

What we've got here is a monumental show of pure talent and epicness, which is a must for all 'Les Mis' fans and for everyone who likes to listen to a musical masterpiece, and likes to get goosebumps all the time. The show took place at the O2 arena with hundreds of people participating. The setting is great, the lights and all technical stuff are excellent, the show sounds great, the mixing is very well made. The show has been conducted by the same conductor, who did the 10th anniversary concert back in 1995 (David Charles Abell), and he did one hell of a job, not a single flaw in the play of the orchestra. The cast is a brilliant one - well you could guess that something big is happening when musical giants like Earl Carpenter, or Hadley Fraser only get minor roles... There's a really large choir behind the orchestra, and they really make a punch when it is time for extra amount of epicness (like One Day More). The backing vocalist are also great (in numbers as well), everyone in minor roles (prostitutes, workers, the students) are great, this cast was chosen really carefully, that's for sure. I give a solid 10 for the supporting section of the cast.

Earl Carpenter plays the bishop, and he delivers a fine performance, worthy of his reputation. He's really gentle but powerful at the same time. 10/10

Hadley Fraser plays Grantaire and he makes the new standard for the role with his performance. His baritone is a joy to listen to and they have a unique chemistry with Ramin. 10/10

Katie Hall plays Cosette and she's excellent as well. I think that the role of Cosette has few moments to shine or to stand out, but Katie gives a fine performance, so no worries here. 8,5/10

Lea Salonga is Fantine, and 15 years after she played Eponine during the 10th anniversary show, she delivers this role incredibly well. Her "I Dreamed a Dream" earns her a big applause and some standing ovation as well. Her low harmonics makes her voice quite unique, and that's something I really like. 9/10

Matt Lucas plays Thenardier and he enjoys his role very much. It is fun to see that Matt's dream comes true on-stage, so be ready for a benefit performance. I found him good. 8/10. Madame Thenardier is played by the veteran Jenny Galloway, so no surprises here :) 8/10

Now one controversial choice of singer: the role of Marius is played by Nick Jonas, member of the (in)famous Jonas Brothers. While Nick tries hard, his acting suffers from many wounds, and his voice is at least one or two leagues weaker than the rest of the cast's. He is not good, not for this role at least. The only possible explanation (other than making steps towards his younger fan-base) is that his weaker voice and young looks help creating the impression that his character is innocent and needs guidance from the more mature characters he hangs out with. 4/10

The tragic role of Eponine is played by Sam Barks, and boy, she is awesome. She is a real beauty, that her looks can only be compared her wonderful singing. Her 'On my own' earns her the show's biggest applause till then. 10/10

Enjorlas is played by musical prodigy Ramin Karimloo. He is absolutely incredible and for me, he is the best Enjorlas ever. His commanding performance and seemingly limitless range of voice is a joy to watch and listen to over and over again! 10/10

Norm Lewis is Javert, and the great afro-American singer gives an excellent performance. The role of Javert is possibly the best role in the musical and definitely has the most depth, so it is common that singers make their own interpretation and Norm is no exception. His enunciation is somewhat controversial, but I love his Javert anyway. He is not as good as Quast (and I found EC's Javert better as well), but he gives a commanding presence and a great 'Stars' and soliloquy with full of emotion. 8,5/10

As you can see, the cast is superb, but the real deal is Alfie Boe as JVJ. Now Alfie sets new standards for the singing part of the role, and he is in his own league. He makes you feel that there are absolutely no limits to his wonderful voice as he makes those high Bs and Cs come out so clear and loud like no JVJ did before. His acting is a little stiff here and there, but maybe because his operatic-style of singing and acting, but he compensates it with facial emotions. Stunning. World Class. His 'Bring him home' earned him a standing ovation for minutes. The whole show stopped because of him! 10/10

After the show ends, there are two extra songs involving the original and then-current casts from London. Bring Him Home is presented by the 4 Valjeans and One Day More by the original 1985 cast. Good extras!

One more thing I really like in this concert: you can clearly feel the love between the cast members, and how the story and the incredible talent of Alfie Boe touch them. For me, these scenes are almost as important as good performances.

Well, what can you say? This show made me love Les Mis, and I'm seriously in love with the show itself as well. Brilliant masterpiece which has to be listened to over and over again!

I am not a fan of opera, but I am of specific opera singers. What a privilege it is to listen to Alfie Boe, weather in musical theater or opera. I got a hint of his talent when I stumbled upon him during a PBS broadcast. I immediately ordered the DVD of the 25th anniversary concert at the O2. I searched the web to compare singers who have taken on the role of Val Jean. None of them could come close to the talent of Alfie Boe. His range, his clarity his passion is beyond compare. A day without watching it is like a day without sunshine. I am keeping my fingers crossed that he will be chosen for the movie version of "Les Mis". I certainly will be first in line to buy a ticket.

I saw this at the cinema three times and I am counting the hours until I get the DVD.

If you are a fan of Les Miserables, this is not to be missed.

I believe it is even better than the 10th Anniversary Concert. More of the actual musical is included, such as The Robbery. Lovely Ladies is in a more complete form. A lot of the little verses between songs is included, for example, Garvoche's introduction of the Thenardiers and the conversations between Maruis and Eponine. It isn't complete, however, some verses have been cut, most noticeably, Dog eat Dog, which in my opinion is no great loss as it is my least favorite song anyway.

The performances are all fantastic, although, Marius is a little weak. The little urchin who plays Garvoche is very impressive. The look of contempt on his face when he exposes Javert is priceless. Matt Lucus brings humor as Thenardier. Jenny Galloway reprises her role from the 10th Anniversary Concert and I think gives a better performance in this version. It is hard to limit discussion, as everyone was brilliant right from Jean Valjean to Jarvert to Cossette (Collette?).

I cannot recommend this enough.