NOTE IMDb
6,3/10
54 k
MA NOTE
Une équipe soudée d'enquêteurs prometteurs ainsi que leur responsable sont tiraillés lorsqu'ils découvrent qu'une de leurs filles adolescentes a été brutalement assassinée.Une équipe soudée d'enquêteurs prometteurs ainsi que leur responsable sont tiraillés lorsqu'ils découvrent qu'une de leurs filles adolescentes a été brutalement assassinée.Une équipe soudée d'enquêteurs prometteurs ainsi que leur responsable sont tiraillés lorsqu'ils découvrent qu'une de leurs filles adolescentes a été brutalement assassinée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
Patrick Davis Alarcón
- Luis
- (as Patrick Davis)
Avis à la une
A murder case is reopened after 13 years by an obsessive investigator. No character development and a lack of chemistry between the two leads leaves it feeling two dimensional. The subtlety that the films title suggests is no where to be found. Add to that, a narrative that repeatedly chops and changes between the present (2015) and 2002 leaves you constantly checking for grey hair on Chiwetel Ejiofor's head. It leaves a clumsy mess of a movie. The one saving grace perhaps is the performance from Julia Roberts. Worth a watch, but if you want a masterpiece then watch the original version.
From just after the opening this effort began to look like Television with pretensions. Maybe it's time Hollywood and audiences got over the misguided following of styles from the likes of Tarantino and Scorsese - both who seem to have joined other overrated movie makers of the era...Now Billy Ray joins their club with this over-everything mess of a movie. More ridiculous flash-back, flash-forward techniques to leave the viewer simply wanting to give up. It even looks like the movie makers were confused and perhaps forgot to change some of the wardrobe between some time-skip scenes. Why further complicate an already overly complex screenplay??
Performers try to inject power into the unbelievable situations but don't often win (looked like they were as confused as the audience). Kidman was out of her element as the D.A. and has some of the movies most ridiculous dialogue and scenes. Julia Roberts wins the day with a powerfully realized performance. An interesting music score and cinematography also look like they were looking for a better script to bring to life. What a disappointment this is. Looks like a career going backwards.
Performers try to inject power into the unbelievable situations but don't often win (looked like they were as confused as the audience). Kidman was out of her element as the D.A. and has some of the movies most ridiculous dialogue and scenes. Julia Roberts wins the day with a powerfully realized performance. An interesting music score and cinematography also look like they were looking for a better script to bring to life. What a disappointment this is. Looks like a career going backwards.
This film is far better than than 6.2 rating it has received which seems mostly to come from those wanting to compare it to the Argentinian original. I am rating this as a separate film and not comparing it to the original. The acting is top notch and believable. Ejiofor, Kidman and Roberts all do a great job.
It's an interesting crime thriller with some twists and turns. It's about a team of rising investigators, along with their supervisor, whose worlds are suddenly torn apart during a homicide investigation that hits close to home. It was completely watchable and entertaining. I'm not saying this is a high brow, blow your socks of type of movie, but it certainly deserves a far higher rating.
I am certainly not saying that the original might not be much better. I have it on my list to watch but in my opinion, if you like thrillers and movies with some twists and turns and want to be entertained I recommend giving it a chance.
It's an interesting crime thriller with some twists and turns. It's about a team of rising investigators, along with their supervisor, whose worlds are suddenly torn apart during a homicide investigation that hits close to home. It was completely watchable and entertaining. I'm not saying this is a high brow, blow your socks of type of movie, but it certainly deserves a far higher rating.
I am certainly not saying that the original might not be much better. I have it on my list to watch but in my opinion, if you like thrillers and movies with some twists and turns and want to be entertained I recommend giving it a chance.
Having read all the negative and Luke warm reviews, it was with some trepidation that I we went to see this film, now I haven't seen the Argentine original, but I did enjoy this one! Kept my interest the whole time, all the leads were strong and believable, never a big Julia Roberts fan, she was outstanding in this, I certainly don't agree with the reviewers that said Nicole Kidman was miscast, I thought she was excellent, you don't get to be an A grade Academy Award winner by being a bad actress! Perhaps it's not as good as the original are they ever? But it stands on it's own, and would be in my top ten for this year ,not that it has a lot to beat? Far as I could tell, everyone in the theater enjoyed it! Hey! It's a movie, not brain surgery!
If you haven't seen "El Segreto de sus ojos" I beg you to stop reading and go check it out, it is, in my opinion, one of those rare and pure thrillers that keeps you glued to the screen for two hours. Yet, despite loving the original, I wasn't going into this one ready to bitch about it. I am someone who is very sniffy about remakes, but hey if you have an fascinating premise that can be explored through various styles and dynamics I am all for it. Especially in this case, I think that keeping some of the core material and turning other parts completely around could have made for a fascinating narrative, unfortunately the American remake, with the exception of maybe two or three ides, doesn't improve, explore or further the original in anyway and sometimes even edges the shot-by-shot remake treatment.
Look, this isn't a terrible thriller, but the emotional beats you are carried through are just the same of the original, it really seemed to be watching a cheap version of it. It is way too reminiscent of the original and at some moments I really felt exactly when I saw it. Whilst at other moments I kind of felt sorry for the remake because it doesn't manage to replicate some of the amazing photography the first one had and actually miserably fails: this film has some really, noticeably cheap cinematography and editing.
The performances are all kind of off beat. Julia Roberts is definitely the best one, even though she also has some low points. The rest of the cast is just flat honestly. Nobody even tries to come in and give it some palpable passion. The film is also inconsistent with tone and I am not sure they understood the fascination of the original because a lot of the focus points are just sidelined or shoehorned in.
That's also a real bummer, because the film does have just a couple of good ideas that aren't simply built on. They tread too much of the same ground and do it in a way that is simply too familiar. I can maybe think of one thing that was improved upon and that is mainly thanks to Julia Roberts' talent. The score is something that positively sticks out and probably the purest good thing to come out of the film.
In the end we are treated to a fine thriller that doesn't live up to its potential and only manages to justify its length thanks to memories of the original and the same emotions instead of relevant improvement and originality.
Look, this isn't a terrible thriller, but the emotional beats you are carried through are just the same of the original, it really seemed to be watching a cheap version of it. It is way too reminiscent of the original and at some moments I really felt exactly when I saw it. Whilst at other moments I kind of felt sorry for the remake because it doesn't manage to replicate some of the amazing photography the first one had and actually miserably fails: this film has some really, noticeably cheap cinematography and editing.
The performances are all kind of off beat. Julia Roberts is definitely the best one, even though she also has some low points. The rest of the cast is just flat honestly. Nobody even tries to come in and give it some palpable passion. The film is also inconsistent with tone and I am not sure they understood the fascination of the original because a lot of the focus points are just sidelined or shoehorned in.
That's also a real bummer, because the film does have just a couple of good ideas that aren't simply built on. They tread too much of the same ground and do it in a way that is simply too familiar. I can maybe think of one thing that was improved upon and that is mainly thanks to Julia Roberts' talent. The score is something that positively sticks out and probably the purest good thing to come out of the film.
In the end we are treated to a fine thriller that doesn't live up to its potential and only manages to justify its length thanks to memories of the original and the same emotions instead of relevant improvement and originality.
Le saviez-vous
- AnecdotesThe film's cinematographer Daniel Moder is the husband of Julia Roberts. This marks their third collaboration.
- GaffesIn both scenes where Ray and Bumpy spot Pac-Man, first in the horse stable and again at the baseball game, Ray calls out to him, giving him the heads-up and thus causing him to get away. Why on earth would a seasoned cop give the suspect a warning before he could subdue him?
- Citations
Jess: Life sentence, right?
Ray Kasten: For you, too.
- ConnexionsFeatured in Conan: Chiwetel Ejiofor/Phil Rosenthal/Sean Donnelly (2015)
- Bandes originalesHaunted
Performed by Maty Noyes
Written by Stephan Moccio, Maty Noyes and Billy Ray
Engineered by Jay Paul Bicknell
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Détails
Box-office
- Budget
- 19 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 180 155 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 652 996 $US
- 22 nov. 2015
- Montant brut mondial
- 34 854 990 $US
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