The Trip

The Trip is one of the odder on the road, buddy movies. Steve Coogan and Rob Brydon, playing themselves, take off on a road trip to northern England's finer restaurants. Coogan is assigned to sample their dishes and author a review on them for the Observer. He invites Brydon along for the ride after his girlfriend and several other friends decline the invitation first.

90% of the film is just back and forth banter between the two British comedians, mostly impressions. They compare their Michael Caine impressions and they are amazingly spot on. They also try out Anthony Hopkins, Ian McKellan, Roger Moore, and a host of others. Intercut between these impressions and other comedic diatribes is a deeper and more personal story. Brydon has a wife and newborn waiting for him back in London but Coogan is in a rough patch with his younger American girlfriend and proceeds through a few one night stands during the trip. There are scenes showing his insecurity with her and a few which show the two friends comparing careers and who is more successful. Coogan is more internationally known but Brydon gets recognized more on the street in northern England.

The last film starring these two was Tristram Shandy: A Cock and Bull Story which was about how utterly hard it would be to film the novel Tristram Shandy. That film was comedic genius and still makes me laugh to think about it. The Trip does not rise to that Tristram Shandy's level, but there are plenty of moments to enjoy here, especially if you are at all familiar with Steve Coogan and Rob Brydon. If you have never heard of these guys before, you will not get too much out of The Trip except for some laughs at their impressions and a spectacular scene in their Range Rover about improving the line "We rise at dawn."

The first thing I noticed about this pair up was that the two were made for each other. Their dialogues are so easy, so effortless follow there was no awareness of the intrusion of false, unnecessary dialogue. This is for the movie version. I had a hard time buying the notion that this was a piece of fiction when it most likely was, but that's how smooth the personal and theatrical mixed in. The other lovely part is how the theatrical structure for the piece, the necessary obstructions, personal dilemmas, blended in so seamlessly. These people weren't acting. Oh yes they were! The story, low key as it is, is set against the bleak north country with snow on the ground and complemented by the considerable sophistication of the restaurants. It takes a genuine student of human character to illuminate human behavior in a way this comprehending of the slight struggles for control, as well as the peculiar side effects of self indulgence. It looks simple and easy. To make it this recognizable and entertaining is not. Or maybe it is if you're in their profession in a non Hollywood sort of way.

I could watch Steve and Rob do impressions for hours while pretty much acting as themselves. What made this great was that I had no idea what to expect going in and what a lovely surprise this was. Now I need to make time to watch the sequels.

I thoroughly enjoyed The Trip. Not only did the movie capture British humor perfectly but the scenery of Northern England's Lake District and the Pennine mountains made me want to go there. This movie did borrow somewhat from Sideways but in a less substantial way. This was a lighthearted, humorous road movie in the British tradition which also required you to think! The literary references throughout the movie such as the poet Coleridge and others was thought provoking and humorous at the same time.

If you are a fan of American comedy that is unfortunately coming out of Hollywood at the moment, such as The Hangover, Horrible Bosses etc, this will not be your cup of tea. I wonder after seeing this, how would it have been if Monty Python ever created a road movie of this sort?

(REVIEW FOR SERIES) What we've really got is two series. One is the comedy of "Steve Coogan" and "Rob Brydon" exchanging barbs and doing impressions and making witty observations. These parts generally occur over the six meals they share, and I really enjoyed them. Some of their banter is hilarious... I had already seen the Michael Caine routine several times on YouTube and yet I still laughed at it. The other film involves the contrast between these people/characters: Steve, trying to bolster his acting career and struggling with a relationship that's starting to crack, and Rob the less successful but content family man. And I really enjoyed this part as well. Rob's calls home to his wife are amusing but also quite touching. Steve's existential midlife crisis is engaging and insightful as well. The two halves of the film do bleed into each other a bit, but I genuinely appreciated the separation between them. Winterbottom knows that it's okay to just let these two guys play off each other with their natural comedic chemistry and not worry about whether or not it's pushing the "plot" forward. The photography is mostly functional, concentrating on the personalities, but quite lovely when capturing all that gorgeous English countryside. While the film isn't as post-modern as the previous collaborations (24 HOUR PARTY PEOPLE and TRISTRAM SHANDY, both of which seem to get minor callbacks in the first episode, though it may be merely coincidence) it still maintains an unconventionality.

8/10

(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.

6/10