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Ash

  • 2025
  • R
  • 1h 35min
NOTE IMDb
4,6/10
14 k
MA NOTE
POPULARITÉ
1 211
40
Aaron Paul and Eiza González in Ash (2025)
A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.
Lire trailer1:50
1 Video
53 photos
Horreur corporelleHorreur monstrueuseHorreur psychologiqueInvasion extraterrestreScience fiction spatialeSurvieThriller psychologiqueHorreurMystèreScience-fiction

Une femme se réveille sur une planète lointaine et découvre que l'équipage de sa station spatiale a été sauvagement tué. Elle doit alors décider si elle peut faire confiance à l'homme envoyé... Tout lireUne femme se réveille sur une planète lointaine et découvre que l'équipage de sa station spatiale a été sauvagement tué. Elle doit alors décider si elle peut faire confiance à l'homme envoyé à sa rescousse.Une femme se réveille sur une planète lointaine et découvre que l'équipage de sa station spatiale a été sauvagement tué. Elle doit alors décider si elle peut faire confiance à l'homme envoyé à sa rescousse.

  • Réalisation
    • Flying Lotus
  • Scénario
    • Jonni Remmler
  • Casting principal
    • Eiza González
    • Aaron Paul
    • Iko Uwais
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    14 k
    MA NOTE
    POPULARITÉ
    1 211
    40
    • Réalisation
      • Flying Lotus
    • Scénario
      • Jonni Remmler
    • Casting principal
      • Eiza González
      • Aaron Paul
      • Iko Uwais
    • 155avis d'utilisateurs
    • 72avis des critiques
    • 63Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:50
    Official Trailer

    Photos53

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 49
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    Rôles principaux7

    Modifier
    Eiza González
    Eiza González
    • Riya
    Aaron Paul
    Aaron Paul
    • Brion
    Iko Uwais
    Iko Uwais
    • Adhi
    Kate Elliott
    Kate Elliott
    • Clarke
    Beulah Koale
    Beulah Koale
    • Kevin
    Flying Lotus
    Flying Lotus
    • Davis
    Andrew B. Miller
    Andrew B. Miller
    • Gargyle
    • (non crédité)
    • Réalisation
      • Flying Lotus
    • Scénario
      • Jonni Remmler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs155

    4,613.8K
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    Résumé

    Reviewers say 'Ash' is a mixed sci-fi horror film with praised originality, atmosphere, and visual effects. Eiza González and Aaron Paul deliver strong performances, and the direction by Flying Lotus, along with cosmic horror elements, receives positive remarks. However, criticisms arise regarding the story's execution, pacing, and editing, deemed derivative and unoriginal. The CGI and special effects are often subpar, detracting from the experience. Despite compelling final scenes, the film struggles to fully engage or satisfy a significant audience.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    5ChipperX

    Cheesy... In An Awful Way.

    Ash (2025) starring Eiza Gonzales and Aaron Paul, is a low budget horror / sci-fi film directed by Flying Lotus. In his debut directoral effort, Flying Lotus delivers a film that is as innovative as a mouldy bologna sandwich. Everything you see here has already been done better, with a much larger budget and crew. I was shocked at the quality of the film, which hearkens back to cheap, Saturday afternoon, B- movie television fare.

    If you're looking for film school quality - as in Cinematography 101 - the movie easily hits its mark. There is something very polished about the delivery if you're not expecting professional results. If you're expecting a great, thematically developed, theater-ready and technically excellent feature movie, you're in for a disappointment.

    The actors don't have much to do in this film, other than deliver the basics of happiness, anger, confusion and rage. There was likely a bit of time in the makeup chair to create a semblance of Body-horror - but the layers here aren't deep at all.

    Post production actually does a passable job with trippy, acid-inspired flashbacks and special effects. The color palette is very Nicolas Winding Refin-inspired. If you need an out-of-body experience, a matinee of Ash might serve you well.

    Though I could not enjoy this film, I am definitely interested to see the next project Flying Lotus undertakes - the creative potential is there, once you trundle past the tired, overused tropes, and I saw a fair number of fans in my theater's audience.

    If you're looking for blockbuster, transcendental acting, directing and cinematography, skip this movie. If you enjoy tropes exploding from the screen in sloppy, gory, messy and predictable fashion, you may enjoy Ash. I, unfortunately, did not.

    5 out of 10 stars.

    • Chipper F. Xavier, Esq.
    5Beyondtherain

    Tr-Ash

    Why is this movie edited so poorly...lts Iike we see the same scene in 4 different ways....they have multiple flash backs for all the same scenes, and by the fourth flashback, you already knew what was going on...this have amazing visuals, and amazing fx, but it just didn't do anything for me...MANDY is a much better film that has depth and visuals to make you invested...this movie just didn't push the needle and by the end, i was bored...the Iast 5 minutes were awesome, everything else besides the visuals were mediocre sadly...Shudder is usually hit or miss so I wasn't shocked to see their name on the opening credits...i went in blind, and left bored.
    5SoumikBanerjee1996

    Visually appealing but let down by the rest!

    It is indeed visually alluring, and I admire their passionate experimentations with the colour palette. Not the visual effects, though, I mean the CGI, as they certainly came off cheap and underdeveloped in some places.

    However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.

    First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.

    Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.

    And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?

    Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?

    Criminal!
    3Nigel_

    Lacking a decent script

    The production value is high, the actors are solid, the sets are fine. But this is has got to be the most overused clichéd script I have ever seen.

    The scifi elements are just enough to create a coherent plot and unify all the elements. But it is incredibly boring slog fest, which they have tried to make more intelligent by the most overused trope of the main character losing their memory.

    I think this is the wave of AI generated scripts. This simply has no value, there are so many better movies who have almost the identical plot.

    It only requires two movie they stole from, and I cant really call it influenced. I have no idea how something can simply rip off the idea from "The thing", mix it with a bit of "Alien" to pad out the scenes, and actually manage to get it made.

    These are two of the most most influential movies in the genre, didn't someone notice how it was such as blatent and poor ripoff.
    5LeandroCazo

    Would be better as a "black mirror" episode

    Is an interesting idea, some cool concepts, stunning imagery, lot of great pratical effects and stunts, but it just drags on.

    Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.

    Centres d’intérêt connexes

    Jeff Goldblum in La Mouche (1986)
    Horreur corporelle
    Bill Skarsgård in Ça : Chapitre 1 (2017)
    Horreur monstrueuse
    Daniel Kaluuya in Get Out (2017)
    Horreur psychologique
    Tommy Lee Jones and Will Smith in Men in Black (1997)
    Invasion extraterrestre
    Leonard Nimoy and William Shatner in Star Trek (1966)
    Science fiction spatiale
    Le Cercle des neiges (2023)
    Survie
    Rosamund Pike in Gone Girl (2014)
    Thriller psychologique
    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Science-fiction
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Originally set to star Joseph Gordon-Levitt and Tessa Thompson.
    • Crédits fous
      There is a brief scene after the first part of the credits.
    • Connexions
      Referenced in The DA'S Office: Snow White DESTROYED | Solo Leveling | Ironheart | Feige Worried? (2025)
    • Bandes originales
      Walk Free (Flying Lotus Remix)
      Written by Brandon Coleman

      Performed by Brandon Coleman

      Courtesy of Brainfeeder Records

    Meilleurs choix

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    FAQ18

    • How long is Ash?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 avril 2025 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Amazon Link
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Попіл
    • Lieux de tournage
      • Nouvelle-Zélande(Studio location)
    • Sociétés de production
      • XYZ Films
      • Brainfeeder Films
      • GFC Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 083 743 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 689 144 $US
      • 23 mars 2025
    • Montant brut mondial
      • 1 083 743 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35min(95 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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