Ajouter une intrigue dans votre langueWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimac... Tout lireWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a mas... Tout lireWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.
- Nommé pour 1 Oscar
- 4 victoires et 9 nominations au total
- Self
- (as Sgt Nathan Harris)
- Self
- (as Lt Col Christian Cabaniss)
- Self
- (as Cot Eric Meador)
- Self
- (as Lt Edward Hubbard)
- Self
- (as Chaplain Terry Roberts)
- Self
- (as Lt Cmdr Robert Gaines)
- Self
- (as Lt Cmdr Matthew Swibe)
- Self
- (as Sgt Chris MacDonald)
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I was entranced by how many ways the movie was pulling the opinion of the war. It first shows an injured Marine named Nathan who is crippled because of the war. Yet, the moment I began think it was an anti-war movie, Nathan is talking about how he wants to get back onto the front lines! I had to pause the movie and try to wrap my head around this and decide whether this was pro or anti-war. Then it hit me like a sack of bricks, this movie is not pro or anti, it's an actual documentary. It's what a documentary is meant to be, a picture of real life and a gap for the viewer to decide what is right or wrong. I un-paused the movie and continued to watch.
The rest of movie was as gripping and emotion provoking as the first fifteen minutes. The director managed to flip between the footage of the war and the home life of Nathan. You could see Nathan back home still recovering physically from the war while at the same time the 'flashback' clips of the war lets the audience remember that there is more going on than we can see. As an audience you are spell bound. You see Nathan playing Modern Warfare 3 and you wonder what is going on in his head. You see Nathan playing with a gun and you move to the edge of your seats and begin to think that something very real could happen right here. The sheer tension created in this documentary is massive and is not lost on audiences.
One of my favorite scenes in this movie is when Nathan and his wife are looking at a new house and Nathan opens a door. At that moment the movie flicks over to clips from Nathan overseas as he and his fellow soldiers are kicking down doors and then the movie flicks back to Nathan back at the new house where he is looking like he is about to throw up. The raw emotion in that scene really got me going. Overall I was pleasantly surprised at this movie. As a documentary it filled the requirements of not only being entertaining and thought provoking, but also being available to the public. The story was interesting and the people in the story were very real to me. I am giving this movie a 10 out of 10 rating and highly recommend that if you can spare 80 minutes of your life for this movie, then watch it.
The film follows a marine, Nathan Harris, from his tour of duty in Afghanistan to his life at home following his severe injury in action. It goes back and forth again and again to both locations and the transitions back and forth are a bit jarring. So what did I think? Well, some of the film is quite good--such as seeing the tension and hellish battle conditions the men go through. But it also feels like they just ran out of money and stopped making the film--with so much unanswered and Harris's fate very, very uncertain. The film just seems to stop...and is maddening to watch because of this.
People made a big deal last year about Restrepo showing the intensity of moments in combat. That film, while great, doesn't even touch what young Danfung Dennis achieves here. The up close intimacy of the war moments took the most brazen courage to compile, but the shots are so beautifully constructed you truly can touch the daring and fear of those moments. I have only felt this before in narrative films like The Hurt Locker.
But the footage of the struggle this troubled soldier endures in his recovery from crippling injuries is equally compelling, frightening and heartbreaking. The sewing together of the two worlds presented has a power all its own.
I really believe this amazing young filmmaker, who really gives his all to the art in this film, deserves recognition. It won the documentary jury prize at Sundance. It now has been shortlisted by the Oscars for nomination consideration. These are so deserved.
These men are not actors, they are not trying to "play it up" for the camera and any insinuations to the contrary are beyond offensive. These are trained soldiers who sign their lives away to the government for years at a time, some in hopes of earning school funds, and others a career. Their main worries are to do as commanded, and stay alive long enough to be able to reach their end goals. I watched this documentary with my eyes wide open, with the personal knowledge of how these events changed someone I love.
The beauty of Hell and Back Again is that it allows the rest of the world to see what soldiers and their families live with. We send our soldiers off knowing that at best they will be forever psychologically scarred and at worst we receive that dreaded knock on the door. When they do return we have to help them adjust back to their "normal" lives. So even though Sgt. Harris is the focus, this really is the story of every soldier who has been in a combat zone.
I hope that this film helps people understand that even though many have life altering physical injuries, the hardest part for most will be the life-long mental battle. Only through the genius of editing that follows the emotional path rather than the chronological, can we see those highs and lows with such intensity.
In the end I can only repeat what I told my brother after I saw this film. It allowed me to understand him better, not only as a soldier, but as a changed man. And even though he is still a pain in the rear, I am glad that he made it home alive, issues and all.
The imagery is stunning, and the filming is pristine - especially considering the conditions - the camera and editing are high quality, and the shakiness is pretty subdued.
Most importantly, the stories are interesting and all too real.
The editing, which juxtaposes the return of the wounded Nathan Harris to America with the striking images of war is chilling. There is simply no other film which actually shows what it might be like to actually have PTSD.
The soldiers in this documentary are all too real, never joking with the camera while in combat, and coming close to death numerous times.
If you want proof, look closely, despite the presence of the camera, few soldiers ever look into it. This may have been a directorial call, but more than likely, it is because they are real soldiers, and one second looking at a camera - especially in such hostile territory - could cost you your life.
This movie is something special, and I doubt we will see anything like it again.
Honestly - props to this filmmaker Dennis - because he has some serious guts/grit.
Le saviez-vous
- AnecdotesThe title is probably a reference to the classic war film L'Enfer des hommes (1955), which starred Audie Murphy as himself in a dramatic re-telling of his experiences as the most decorated American combat soldier of WWII. This could be regarded as a documentary version of the same concept.
- GaffesDespite an establishing shot of the exterior of a Walgreens pharmacy, the scene where Nathan's wife purchases his prescriptions is clearly filmed inside a CVS pharmacy, as seen on the cashier's name tag.
- Citations
Nathan Harris: If I do everything right, and all my men do everything right, I still can die. So You just have to accept it.
- ConnexionsEdited into Independent Lens: Hell and Back Again (2012)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 戰地迴聲
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 40 634 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 413 $US
- 9 oct. 2011
- Montant brut mondial
- 40 949 $US