Blood Ties

Blood Ties tells the story of two brothers, one cop and one convict, making their way through their dysfunctional lives in the early 1970's. Director Guillaume Canet gives the audience an unabashed view of what life looked like then, including the bad hair, tacky clothes, and even the awful paint colors on most interior walls. He observes, rather than explains, and lets the viewer absorb the uncomfortable interactions between the characters, rather than force those moments onto those watching. He even incorporates music of the period into the story, in a Scorsese like way.

Clive Owen plays Chris, who is just released from prison and is having hard time adapting back into society, trying to keep on the straight and narrow and not violate the terms of his parole. This is not helped by the allure of getting sucked back into the world of violent crime, as many of the people he runs into in the real world are criminals and/or ex cons. Adding to his stresses are his cold ex-wife, played by Marion Cotillard, who demands years of back child support payments soon after Chris's release. Having seen Owen in mostly strict dramatic roles, this role, while also dramatic, gives Owen a chance to smile a bit, exploring a range of emotions and embracing his inner rebel, reminiscent of a Nicholas Cage.

On the flip side of the family, Billy Crudup plays Chris's brother Frank, a cop trying to reconnect with his ex, played by Zoe Saldana. His life is difficult as well, with a somewhat meek personality not particularly suited for law enforcement, and trying to help Chris fit back into the real world. The cast is rounded out by James Caan, playing the brothers' ailing dad, and Mila Kunis, playing Chris's young love interest.

The expectation of this movie should be set in that the audience is watching a drama, not an action or cops-and-robbers movie. Having said that, I found Crudup's performance understated, but that may have been the vibe that director Canet was looking for.

It's 1974 New York. Police detective Frank Pierzynski (Billy Crudup) leads a raid against Anthony Scarfo (Matthias Schoenaerts). They are disappointed by the relatively limited evidence found and Frank reconnects with his ex Vanessa (Zoe Saldana) who is now married to Scarfo. Scarfo awaits his release as his fury grows about Vanessa abandoning him for Frank. Meanwhile, Frank's older criminal brother Chris Pierzynski (Clive Owen) is released after serving twelve years for a revenge killing. His ex-wife Monica (Marion Cotillard) is now a drug-addicted prostitute. He has new girlfriend Natalie (Mila Kunis) and falls back into his criminal ways. He's living with his brother, father Leon (James Caan), and sister Marie (Lili Taylor)

This keeps threatening to be a good period crime thriller. It has the gritty feel and the music. It has a good cast. It has French action director Guillaume Canet. It should be compelling. It never really picks up steam except for one thrilling robbery sequence. While Crudup is solid in this era, Clive Owen is trying very hard to be hard. It's questionable if Owen could ever be that hard. Even in a bar fight where he hits a guy with a bottle, it still ends with a wimpy hold-me-back. I don't believe that he's been in a tough prison for twelve years. There are also a few too many females in the movie. I'm not being sexist. I mean there is at least one unnecessary female connection, not to mention that Lili Taylor has nothing to do other than to yell at the boys. The story narrative is a bit muddled but it figures it out by the time of the shootout. It just doesn't continue it with a compelling brother vs brother narrative. Instead, it gerry-rigs the story to engineer a shocking poetic ending. This movie keeps missing the target whenever it threatens to get good. The parts are all there if not the whole.

On the beginning, I have to admit, that I've never got familiarized with the style both of Guillame Canet and James Gray, probably because barely any of their previous works acquired broad distribution in my country. Hence, while stepping into the cinema room, I didn't know what kind of emotions or thoughts the upcoming movie would release in me. Neither did I know what the movie would be about nor how it was admitted by professional critics. I was sitting on my chair, being curious what values may bring the movie, boasting with appearance of quite astonishing amount of gifted actors. After the showing, the question was partially answered.

While in other movies representing the genre there is one character the story focuses around, here we have two, both standing on the opposite sides of the law: the notorious criminal, who, having spent a long-term sentence in jail, is being released and his younger brother, Frank, turned out to be a devoted policeman. The past and social positions occupied by both of brothers are sources of the tension growing between Chris and Frank, which is especially visible in the attitude of the police officer. However, he has the feeling of being partially responsible for the path his brother has taken. In the childhood period, Frank failed Chris, which resulted in his first jail sentence.

The whole situation is being observed by third party characters, the most interesting of which is a prostitute performed by Marion Cotillard. Climbing on peaks of her acting skills, the actress successfully presents a wreck, that believes in no chances on brighter future, even while being a mother of two Chris' children. In opposition to her, the rest of those observers fails to attract any attention. Even while having such great actors like James Caan or Lily Taylor, Canet and Gray do not know how to connect their characters with the story, not to mention about Mila Kunis. Her character just exist in the movie's world.

I have the feeling, however, that the screenwriters put enough effort to present the main plot in a satisfactory way, being supported by two great actors. Despite the conflict between two brothers, viewers can sense that there is still a thin bond between them, even though Frank urgently tries to conceal it. All scenes between them are well paced and written. Confrontation of muffled Billy Crudup with impulsive Clive Owen gave an interesting result - it's the former convict, that through his attempts to fix the situation acquires our sympathy more than the cold policeman.

I'm not gonna praise the movie's capacity to convey the 70's atmosphere, because this feature has become common. However, what needs to mentioned about are dialogues. They are juicy and full of vulgarisms, that perfectly give the viewer a notion about the social environment the movie tells about. The presented world is devoid of any kind of beauty.

After all, I accept the vision presented by Guillame Canet and James Gray. In spite of it's flaws, the movie presents the main plot in enough absorbing way to attract viewers. There is a tie between me and this movie, even though it is not as strong as it should be.

Not the quality of or as engrossing as the French Connection or the Seven Ups, but still pretty good 70's crime action made in 2013. Clive (no black raincoat or rumpled suit this time), with a really bad haircut, Elvis side burns and requisite three quarter length leather jacket (a.k.a. Goodfellas hoods) plays a nasty and unexpectedly violent ex-con whose English accent appears at times while he returns to a life of crime with a local mobster after his work release from a long prison sentence. His brother, a cop, tries to help while having his own serious personal problems.

Very gritty NYC scenes and actors add to the movie's character. As a side note, great set decoration and ugly wardrobe if you like the 1970's. Appropriate that Mila Kunis from that 70's Show stars in this too as his improbable lover and wife. Clive is old enough to be her father. Also, if you like 1960's and 1970's cars including muscle cars, this is a great film just for that. Chevelle 454 SS, Charger, Thunderbirds, Galaxies, Cougars, second generation Barracuda, Coronets a plenty, etc are all around and in perfect condition (right out of someone's collection).

Love the movie. One of the best movies I have seen. Excellent story and good screenplay to go with it. However, need to be patient to follow the story line effectively through. Not a simple straightforward story which we usually see in movies. Good family crime drama. It is a thriller reaching the climax at the end. Like the ending too. The starting and the ending of the story blend together very well. In fact all the actors and actresses portrayed their parts very well indeed. The story is adapted from a French novel and movie. Clive Owen did a very good job as the other brother. Good choice of 60s music back ground. If you like simple straightforward action movie, then this is definitely not your type. Watch it patiently and you will love the movie!