Heidi, DJ d'une station de radio, reçoit une boîte qui contient un disque vinyle, un "Cadeau des Seigneurs". Les sons des sillons du disque déclenchent des flashbacks du passé violent de sa ... Tout lireHeidi, DJ d'une station de radio, reçoit une boîte qui contient un disque vinyle, un "Cadeau des Seigneurs". Les sons des sillons du disque déclenchent des flashbacks du passé violent de sa ville. Heidi devient-elle folle ou les Seigneurs sont-ils de retour pour se venger de Sale... Tout lireHeidi, DJ d'une station de radio, reçoit une boîte qui contient un disque vinyle, un "Cadeau des Seigneurs". Les sons des sillons du disque déclenchent des flashbacks du passé violent de sa ville. Heidi devient-elle folle ou les Seigneurs sont-ils de retour pour se venger de Salem, dans le Massachusetts?
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
And now having seen it, I sit here with my expectations and hopes totally shattered. The movie was mostly an odd mixture of bits and pieces of incoherent imagery that had the usual Rob Zombie trademark touch to it, yes, but in overall the story got lost along the way in the imagery. And as such, the movie was a rather dull experience.
Storywise, then it wasn't particularly captivating or innovating. The story is about Heidi Hawthorne (played by Sheri Moon Zombie) who receives a strange record at the radio station where she works together with Herman 'Whitey' Salvador (played by Jeff Daniel Phillips) and Herman Jackson (played by Ken Foree). The haunting tune on the record opens up to the dark and sinister past of the witching era of Salem, unleashing power that were better left in the past.
Out of the entire cast, then I think it was actually Bruce Davison (playing Francis Matthias) who did the best job, and made the most memorable impact with his acting. The rest of the cast did good enough jobs, but it just didn't fully shine through.
Don't get your hopes up too high, unless you are into weird imagery that doesn't necessarily need to have a solid supporting story to be interesting. But, personally, I wasn't entertained by this movie, and I actually had my smartphone out at a point and was playing Jewels Star.
I suppose everyone throws a swing and a miss every now and then, and for me, then this was one such instances from Rob Zombie.
So, with that in mind, here's my review: The film is about a young, trendy rock-radio DJ, Heidi (Sheri Moon Zombie), who suddenly finds herself in the middle of an occult Satan-worshiping witchcraft scheme, because her ancestors did something bad 400 years ago or something.. She's sent an old, crusty LP, which she (of course) plays on the radio, even though it's just a bunch of creepy, monotonous notes, played over and over again, giving all the local women in the town zombie-like headaches.
Now, this isn't just all there is to the story, but it just as well might have been, as the plot doesn't really seem to develop much from that point on. The movie is all about setting a mood, showing creepy images, and basically just making the viewers generally uncomfortable - which it actually succeeds doing. I felt bad watching this, but strangely attracted to it at the same time.
The cast is pretty good actually, with Jeff Daniel Phillips and Ken Foree as the other two radio-hosts, and Bruce Davison as the historian who tries to get to the bottom of this whole witch-thing going on. The problem is just, that the movie doesn't really go anywhere with it's plot, and it's not really a slasher-movie or exorcism-movie, which you could expect. It's purely about making you feel miserable, and that's not (always) a good thing.
Oh, by the way... if you're expecting to see a lot of Sid Haig and Michael Berryman, think again, as they've only got small non-talking, not-interesting cameos. Meg Foster is pretty good as the witch-"queen", though.
Zombie has dispatched of the white trash and "edgy" characters that typically populate his films and has given us a mature, stylish, and remarkably unsettling witchcraft story that feels like it could have been made my some European auteur in the 70's.
From the very first scene, Lords of Salem pulls us in with a disturbing prologue featuring a terrifying performance by Meg Foster (who goes for broke) as the head of a coven of witches. She vows to control all the women in Salem. Years later, a DJ plays a mysterious record on the air that ends up doing just that - controlling all the women of Salem to do the witch's bidding.
Lords of Salem is a surreal, nightmarish, and bizarre film that I'd compare to the works of Kubrick, Russell, Fulci, and Argento. It has a few missteps here and there, but it's a satisfying and unforgettable film.
Le saviez-vous
- AnecdotesThere are no digital effects in the film.
- GaffesOn her web biography page, Heidi's name is spelled Adelheid Elizabeth Hawthroen instead of Hawthorne.
- Citations
Sonny: [Observing a bloated body] What a waste of a good man.
Lacy Doyle: Yes, such a pity. And he was never gonna be able to stop anything.
Megan: [sighs] Anyone care for a fresh pot of tea?
Lacy Doyle: Lovely, darling.
- Crédits fousThe closing credits appear over gloomy images of Salem.
- ConnexionsFeatured in Half in the Bag: Oblivion and the Lords of Salem (2013)
- Bandes originalesBlinded By The Light
Written and Published by Bruce Springsteen (ASCAP)
Performed by Manfred Mann's Earth Band
Courtesy of Warner Bros. Records Inc. and Creature Music Limited
By arrangement with Warner Music Group Film & TV Licensing
Meilleurs choix
- How long is The Lords of Salem?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Los señores de Salem
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 165 882 $US
- Week-end de sortie aux États-Unis et au Canada
- 642 942 $US
- 21 avr. 2013
- Montant brut mondial
- 1 544 989 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1