La rivière du crime

This is the kind of low budget movie offering a mix of seasoned actors, who do a great job with the material and their screen time, and not so seasoned ones who fill in the blanks.

Liotta is top notch and Slater is his usual enjoyable self.

Michael Rodrick has got game and Sarah Ann Schultz creates a very hot detective.

With a handful of surprising twists and few glaring errors, it managed to tell a really interesting story by avoiding the usual pitfalls of guns and sexploitation.

This had the look and feeling of those B-movies of the eighties where you could sit in front of the picture and be just captivated by the storytelling and the performance of thespians who don't need big bucks for them to show they can act.

A good effort.

As for the whiners? Well, 2 species have sprung on IMDb in the last few years: those who like nothing and those who hate everything.

As for the rest: you'll probably enjoy the surprises as well as I did.

I have to admit I'm not a big fan of Ray Liotta's. I've seen him in a lot of films, but usually in a co-starring or secondary capacity, and usually as a psycho, but the trailer looked good (don't they always?) so I watched this one.

The River Murders is surprisingly good. Liotta does a decent job portraying an aging cop victimized by a serial killer for some unknown reason. His character is mostly believable (100 women? Really? And you remember all of their names?) as he looks into reasons why his past lovers are suddenly being killed off. Severely underused actors Christian Slater and Ving Rhames go along for the ride as an FBI agent who thinks Liotta's the one killing the women, and his boss, who suspends him pending further investigation.

Although you figure out early who the real killer is the movie keeps you guessing the reasons why until the end and, even though he's a little over the top religiously, is believable.

This isn't the greatest movie you'll ever see, and it does have it's flaws, but you won't walk away thinking you killed an hour and a half for nothing.

Ray Liotta and Christian Slater are names, for whom you would say they are A class actors. So they are, however they cannot save poor scenario and a poor movie. Furthermore, such a movie does not bring them some good reputation and in future I will apparently have to avoid movies in which they will be acting. An hour and a half of your life spent to watch this movie is a period, which you will never get back. It is a poor TV-like movie with unrealistic scenario. (well, at least for majority of us normal, ordinary people, family guys). Very poor developed characters. Christian Slater role is marginal, not developed, his role could have been played by any guy from the street who never acted before. Just forget it ... grab a book or go for a walk ...

I mean I wasn't expecting a blockbuster hit but this movie is just pitiful. To begin the movie wastes no time getting the ball rolling but the mood is far from suspenseful or thrilling. Each scene just kind of drags on to the next with a stale sense of predictability. The killer is so obviously revealed early on and lacks any real depth or originally outside of the lame stigma appointed to the character. The music doesn't help much as it sounds like the same continual track being repeated from the beginning to the end of the movie. The pace is lackluster, uneventful and plays out mediocre at best. Overall this movie suffers from a weak run of the mill script that fails to draw in the audience to the point where you don't care to finish the movie. Sorry to say but this movie is truly boring.

I love Ray Liotta (Goodfellas...). There is something about his eyes and his interpretation of text that plants him in the garden of good actors. Ving Rhames and Christian Slater are not slouches; they both have a body of work that they can be proud of.

The film has shortcomings but I want to compliment the actors, crew, and artists involved. It's hard to hit the ball out of the park every time but they suited up and did the best they could.

What I see is a script that had quite a few voices that had to be placated in order for the film to be made. There are too many levels of intellect and articulation. Nobody edited the script. The script teeters uncomfortably between genres; the director creates a new sub-genre of pornography at times and then the contextual shots want to make the film artsy. Crime-Porn? I guess.

The script isn't even really that insufferable. The problem is with he pacing, the camera work, the editing, and the dumbing down of EVERY element--! Nobody looks good...and if no one looks good what's the point?