Uncontained

Living in the wilderness, a man trying to protect his children from a horde of creatures roaming the area that have been reduced to a rabid, feral state is forced to stay at their house until their family arrives, which proves quite troublesome when various dangers threaten their chances.

This was a fairly enjoyable if somewhat flawed zombie effort. Among the better elements of this one is the immensely solid and overly fun setup that provides a rather intriguing take on the post-apocalyptic zombie survivor tale. Dropped into this one with the idea of the deadly outbreak having already struck society and forced mankind into pockets of survivors living in the snowy wilderness where they learn to fend for themselves all creates a strong starting point for this kind of genre effort. The focus on this one detailing the day-to-day life of the surviving kids as the guy arrives and tries to survive that includes him dealing with the intricate moments around the house taking care of the kids, keeping the property safe, and ensuring the creatures are unable to get to them which is a wholly unique touch to add to a zombie apocalypse. On top of that, there's a wholly intriguing touch here with the family dynamics being introduced with the arrival of the parent into the nix so that the interplay between the kids and the hunter gets another adult to work off of so everything makes for a generally fun time. That said, this one does have a couple of big issues with it. The main element with this one is the immensely underwhelming and general lack of action in this one. Even though there are some brief spurts where it does manage to inject some life into the proceedings with his defensive work against the zombies or the final encounter protecting them from the militia outbreak, there are not enough of these elements or even enough good ones to justify this one. It goes on far too long trying to detail him going around trying to deal with the kids and their work within the house before going back to deal with the zombies, and it's possible to forget they're out there so infrequently does it feature them. That doesn't help that there's almost nothing here about what's going on, from the reason for the plague, how the kids have survived, what the locals are doing about the creatures, even what the purpose of the militia proves, or even how the ending makes sense so it causes some big issues overall.

Rated Unrated/R: Graphic Language, Graphic Violence, and children-in-jeopardy.

When I realized the little girl made it I just smiled as tears weld up in my eyes. I saw all the Nelson names at the beginning when I read a little about the cast, but I didn't realize that the family name belong to a father mother and children of the same family. That's why there were some pictures missing from the database. Anyway, there was such an excellence in the presentation, that it's difficult to describe precisely what they made in making this movie. It's difficult to describe because how do you say that the man whose vision this is had at some point in his life become aware of and willing to share the powerful import of nature's existing healing Force as it exists most especially in family as such a purifying energy of life. He recognized that there is holiness in the Dynamics of family working through difficulty and danger. There can never be enough said about the stewardship process of the purification of the mistakes that do later prove to have only seemed through our own mistaken interpretation to have ever briefly held dominion over us. This family helps us once more find precisely where the Holiness is. How maybe to have two good days in a row.

I am reluctant to call this "horror", and I don't think the movie ever really tried to be. Instead what we get is a rather approach to the "zombie" concept that is far more a drama about humans, family and finding yourself.

Acting is good. Sound is mixed so I didn't have to turn it way up to hear conversations and then go deaf when anything else made noise (a rarity these days. Bless you, sound mixer!).

Over all I think it was a strong production, with thoughtful writing and good acting. Would recommend.

No sex or nudity. Some passionate kissing.

Mild gore If there was swearing, then I missed it.

2025's "Uncontained" was, I admit, far better than I had expected...but I wasn't expecting anything good at all, so I think that's why it surprised me. Unfortunately, it could have been so much better. There were only a few reviews at the time I saw it, and although for the most part we largely agreed, our ratings varied between not so great and 10.

This zombie-ish, thriller-ish not really horror film stars Morley Nelson, who also wrote and directed it. Now that right there is usually a really bad sign. He plays a mystery mountain man with an enviable physique and the most muscular jaw I've ever seen who wakes up in the snow looking confused. Martial law is in effect because of a mysterious virus causing people to turn into vicious, feral killing machines. No sooner than he awakes he's greeted by a toddler giggling and waving at him and then he's put down by a tranquilizer dart shot by the little girl's older brother. When he wakes up again, the man is held hostage by this 7yo boy with a toy rifle/dart gun and told he can have his gun back and leave only if he helps them with the house they're in-which is currently parent-less. This part is real muddy and took the entire movie to understand. Anyway, the kid's mother had set up a treadmill in order to juice up a battery charger for electricity and the boy is too little to do it. So the man, named Dan-Dan the Man-sticks around to help the kids out and protect them from the random feral people. As it turns out, Dan is special.

After a few days, the mother comes back. Where has she been? Well, I can't tell you without spoilers. In fact, I can't really reveal anything else at this point. But her disappearance also explains Dan's specialness as well as why he woke up in the snow in the beginning of the movie. They all briefly become a family unit...which is funny because as it turns out they ARE a family unit for real. Really saved on acting fees, huh Morley? Anyway, a creepy redneck-y hunter guy named Carson keeps harassing the mother and stalking Dan because-and this is one of a few fuzzy parts for me-his daughter is missing. And in spite of martial law, the sheriff's continued warnings and people being told to stay inside their homes because, ya know, zombies-Carson has an entire well armed POSSE who are absolutely certain that Dan is responsible. At this point of the movie, things finally pick up, but they also get nuttier.

The conclusion of the movie to me was rather unsatisfying and silly, and seemed a little too convenient. BUT, I will give Nelson credit for not going the likely and predictable route.

First, the positives: The acting, while not Oscar-worthy, was okay. The cinematography showing the gloominess/loneliness/isolation and beauty of the vastness of mountains, snow falling and whiteouts was very effective. I enjoyed the family dynamic as Dan and his the kids (and the dog) began trusting one another and becoming a unit, although I would have liked to have seen more scenes of that progression. The editing was effective and unobtrusive. The score was good in the quiet parts, but...

The bad: The score in the action and tension scenes wasn't appropriate at all. To use acoustic instruments and just strum harder on them to create drama just doesn't work. The audio was a continuous problem, where I literally had to hold the remote in my hand to constantly crank the volume up or down in order to try and hear the conversations. This went for indoor and outside shots. Seriously, watch your levels! It was not only frustrating for me, but it caused me to miss some things while concentrating on adjusting the volume. The script was quite weak and while the plot itself wasn't bad as it did put a slight change on the typical zombie/infection genre, the conversations were wooden and I didn't understand why characters spent so much time not explaining things to each other. Maybe Nelson was going for the Man of Few Words thing, but I kept talking back to my TV telling the characters to communicate with each other. I mean, eventually they got to it, but normal human communication doesn't work that way.

Overall, it's not a bad film. I didn't impatiently start looking at my phone or fast forward through it, it was shot well and like I said, having not expected anything worthwhile at all, it managed to keep me entertained for the most part, so I can't be too tough on it.

I love zombie movies but they're often predictable and follow the same old tropes. Uncontained breaks the mold and gives us new concepts and dangers to consider. I really loved this fresh take on a rotting genre!

The mystery of the Man is slowly unfolding when we get more questions about the children he meets and where are their parents?

Uncontained opens up slowly, layer by layer, and by the time you think you know where it's going, you're neck deep in uncharted waters.

I love indie horror movies with a single location and small cast because it's all about the story and characters, not a bunch of extras dying and huge explosions.

Uncontained has interesting characters and new ideas about the "zombie" concept. I highly recommend it.