Cet été-là

It's a very good movie and surprisingly Steve can be really annoying and villainous. Sam Rockwell acts very well and story is really good. Not the usual sentimental crying at the end type of a movie so this will be enjoyable for many.

Saw this at the Sydney Film Festival last night and I absolutely loved it. It's heartfelt and very, very funny while remaining subtle and not overdoing either.

It's a story about a teenage boy trying to find a place where he belongs and how no-one's family is perfect. It's about the awkwardness and embarrassment of adolescence and finding friendship.

Sam Rockwell is hilarious in this and the young actor was really, really good too. It was also great to see Steve Carrell play against type. I hated him in this movie so he did a great job.

Go see this movie please! You will laugh and you may cry. I wish there were more movies like this with heart and humour instead of Transformers 47 & Fast & The Furious 95

This movie is not a 3 or a 6!

A sweet, funny, earnest coming-of-age dramedy that plays out like a period piece, even though it's set in the present day. Tempering a plucky spirit and subtle, pointed sense of humor with an introverted lead character and a familiar, bittersweet atmosphere, it's a spiritual successor to the John Hughes golden age of the mid-80s. Liam James is beautifully awkward as the quiet, brooding young teenager at the story's epicenter, aided by a thoroughly deep, entertaining supporting cast. No matter how minor, every character enjoys a purpose and a motivation, enriching the scenery and tickling the viewer's curiosity with a tangle of warm, colorful subplots. Steve Carell will get plenty of attention in his unexpected turn as the boy's self-centered douchebag stand-in father, but Sam Rockwell's deeper-than-he-seems burnout splash park manager is the real show stealer. A strong, heartfelt and meaningful return visit to adolescence for anyone who's ever felt out-of-place in their own skin.

There's nothing to dislike about this movie. The actors do a terrific job all around--from the scene-stealing eyepatch kid to Allison Janey's lush to Steve Carrell's first role as a d-bag. Kudos to the kid playing Duncan and the guy playing his...boss? mentor? friend? saviour?--or all of the above. The scenery is lovely and convincingly real--no beach McMansions with $6,500 Wolf ranges. It shows what a real beach community looks like. The '70 Buick Estate Wagon is sublime and had me kvelling.

But it's the story that really makes the viewer smile. Duncan is a lost, lonely, mess...14, stuck with his mom whom he loves (but doesn't really respect), her douchebag boyfriend, boyfriend's daughter, and not much else. He finds his way in a way that defines a coming-of-age story. The Water Wizz guy--channeling Bill Murray in Meatballs in an obvious homage--does a great job, never losing sight of his own challenges in life while helping young Duncan emerge from his painful shell.

The Way Way Back is marketed as a thoughtful, funny teen flick but, though it is thoughtful, funny and co-stars a couple of teens, the younger audience members shuffled and whispered as if bored, while the belly laughs and satisfied smiles came almost entirely from the 'more mature' audience members. It's not that this is an adult film but so many references require a certain level of life experience or simply that the audience was 'there' at a particular time. Like the blank-faced children queuing for the water chute during the superb Holding out For a Hero scene, it makes little sense for those who never sang along to Bonnie Tyler but tickles the funny bones of almost everyone over the age of 35.

The Way Way Back is a gentle coming of age comedy about the world Duncan (Liam James) has been thrust into. His divorced mum, Pam (Toni Collette), has shacked up with Trent (Steve Carell), forcing Duncan to deal with the absence of his father, the domineering, judgmental disdain of Trent and the withering stares of Trent's bitchy daughter, Steph (Zoe Levin). Dragged off to Trent's summer vacation home, Duncan endures humiliation and misery until he meets Owen (Sam Rockwell), the manger of the Water Wizz water park, who approaches life in his own manner and sees in Duncan what he cannot find in himself. And then there's the girl next door, Susanna (AnnaSophia Robb), and her mum, Betty (Allison Janney)…

It takes a while for The Way Way Back to really kick in. I knew I wanted to enjoy it, and nothing really prevented that from happening, but it felt half a beat off the pace. Then, about twenty minutes in, something sparked and the investment for the first quarter became worthwhile. Just as Duncan evolves into someone a little less awkward, a little more confident than the alien he feels himself to be in his world, so The Way Way Back develops into a heartwarming tale of angst, the reality of life and second chances. And it steps beyond 'quietly amusing' into 'very funny'.

The principal reasons The Way Way Back works are Nat Faxon and Jim Rash, the partnership that won an Oscar for writing The Descendants and have earned themselves loyal fan bases individually as actors, Rash particularly as Dean Pelton in Community. While The Way Way Back doesn't quite have the edge of The Descendants, it is still a tender, thoughtful visitor that carries a hidden knife to jab into your ribs when required. For anyone who couldn't wait to leave home and adolescence far behind and found exciting possibilities in their summer jobs, this is a film with enough references to make you smile and belly laugh in solidarity and complete understanding.

At the centre of The Way Way Back is James' Duncan. It's not a star-making performance that tugs at us like, say, Paul Dano's Dwayne in the supreme Little Miss Sunshine (which also starred Carell and Collette) but his character development is steady rather than breathtaking and we buy into him. He's odd but we like him because of that. This is no 'ugly duckling turning beautiful' hogwash but a considered performance from an actor who has inhabited his on-screen persona completely.

Collette is on fairly safe territory here as the mixed-up mum who is holding it together and hoping for the best but papering over the cracks with tissue. As her boyfriend, however, Carell is on superb form. There are many expletives and mild obscenities one could use to describe Trent but Carell avoids the pitfalls of making him purely evil. Trent isn't so much cruel as quietly unpleasant. Perhaps he even believes he is genuinely helping when he asks Duncan, "On a scale of one to ten, what do you think you are?" before crushing the teenager with his own damning, contrary assessment of him. This is a Carell we are rarely allowed to see but I sincerely hope he extends his range and gives us the dark side more often.

Rockwell is at his best here. Forget the overcooked oddball of Seven Psychopaths, he is on sincere form as the man who has never quite left his own youth and understands what really matters more than any of the other adults around Duncan. Rockwell has proved to be a versatile actor (compare his turns in Welcome to Collinwood, The Green Mile and Matchstick Men for a start) who adds a quirky tangent to most films. His Owen is not simply played for laughs but with honesty and sincerity.

On the periphery are some solid and amusing supporting performances from the likes of Rob Corddry and Amanda Peet as the neighbours, Kip and Joan, and Janney as the lush next door, but scenes are stolen frequently by Rash as the camp, dour Lewis, an kiosk attendant with no customers and no escape. Brilliant! The Way Way Back is far from perfect but, after the initial lacklustre, I enjoyed it immensely and laughed aloud. If you heeded my advice and enjoyed last year's Safety Not Guaranteed, add this to your viewing list. It's not quite a gem but it's worth taking a chance on a movie that flies because of some very, very funny delivery of superbly written dialogue.

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