Une femme se réveille chaque matin sans aucun souvenir, suite à un accident traumatique subi dans son passé. Un jour, de nouvelles vérités terrifiantes font surface et la forcent à remettre ... Tout lireUne femme se réveille chaque matin sans aucun souvenir, suite à un accident traumatique subi dans son passé. Un jour, de nouvelles vérités terrifiantes font surface et la forcent à remettre en question tout le monde autour d'elle.Une femme se réveille chaque matin sans aucun souvenir, suite à un accident traumatique subi dans son passé. Un jour, de nouvelles vérités terrifiantes font surface et la forcent à remettre en question tout le monde autour d'elle.
- Réalisation
- Scénario
- Casting principal
- Boy in Dream
- (as Flynn Macarthur)
- Mother in Park
- (non crédité)
- Doctor
- (non crédité)
- Police Officer
- (non crédité)
- Paramedic
- (non crédité)
- Hospital Patient
- (non crédité)
- Psychiatric Nurse
- (non crédité)
- Man on Bike
- (non crédité)
- Nurse Who Have Austrian Accent
- (non crédité)
- Nurse Kate
- (non crédité)
Avis à la une
Nicole Kidman plays Christine Lucas, someone who if she saw "50 First Dates" wouldn't remember it the morning afterwards! She wakes as a forty-something 'housewife' in her suburban home every morning with Ben (Colin Firth) in bed next to her. However, she can remember little to nothing of the last twenty years.
She is being covertly helped on a pro-bono basis (with a trace of pro-boner thrown in) by UCL neuro-scientist Dr Nash (Mark Strong). Nash reveals that she ended up in this state after being severely beaten up and left for dead near a Heathrow hotel. He persuades her to maintain a video diary of the days' events and recollections, but he has to remind her where she's hidden the camera via phone every morning.
But Christine has a traumatic and terrifying past, remembered (and then immediately forgotten) in dreams, but which only very slowly starts to piece itself together during the waking hours. One character emerging from the mental mist is a long-time college friend Claire (James McAvoy's wife Anne-Marie Duff) who disappeared from her life under mysterious circumstances but is now 'found' again.
Will Christine piece together the jigsaw? What was she doing in the Heathrow hotel? Who beat her up and why? Where does Claire fit in? Can Mark Strong play anything other than a 'baddie'? So many questions, so little memory.
Produced by Ridley Scott and with Rowan Joffe ("28 Weeks Later") writing the screenplay and directing, the film is pleasingly set in and around a non-touristy London with some fine scenic shots - you can't really beat the view from the Royal Greenwich Observatory, and this nicely features in one scene. Nicole Kidman has a lot of acting to do in this role and she does it very well. Firth and Strong - two of my favourite actors - are both excellent and keep you guessing throughout. But of all of the acting roles I found Anne-Marie Duff particularly effective in the short-and-sweet role of Claire: a very powerful and touching performance.
It is tempting to describe any psycho-thriller as 'Hitchcockian', but there are moments where this film can certainly be tagged in this way. This is helped by a Bernard Herrmann-like score by Ed Shearmur, moody photography by Ben Davis and crisp editing by Melanie Oliver.
I enjoyed this film, but even with all of these positives it still felt more like a B-movie than an A-movie for reasons I can't quite sum up. In addition there were a few niggling plot points and, in my opinion, a slightly weak epilogue ending. Also note that, in a world where far too many women still face physical violence, there are flashback scenes in this film that some may find distressing, earning it its '15' UK certificate.
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If you've seen 50 First Dates and Momento then you will have this movie pretty much figured out in the first 15 minutes or so. However that said it still manages to leave you just as uncertain about what's going on along with Kidman's character until the reveal. Careful observation will give you the clues though. The plot is clever and as you'd expect Colin Firth acts superbly and Mark Strong is also very good as the Doctor. As for Nicole Kidman I must confess age has done her wonders, gone is that teenage look that may have prevented here being taken seriously for "heavy" parts. The Others was a bit wooden (although the character did require that in fairness), Australia would have benefited from Nicole's more mature look. She is excellent, pulling you in to her confusion and roller coaster of emotions she goes through with each day and set of new facts she finds out. I really enjoyed this movie and would highly recommend it to anyone who likes a clever thriller without the pointless need for tons of special effects.
DON'T read spoilers, they really will ruin the film for you.
These are the opening scenes of the film which are also in the trailers too. Thus the film looked exciting and worth going to see. Which it is. The source material for the film is a 2011 novel by SJ Watson. This debut novel may be applauded, as may the film, however both are really not that original.
It may be recalled that in 'Total Recall' (1990), a humble construction-worker, played by Arnold Schwarzenegger, has a wife, played by Sharon Stone. A little bored, Mr Schwarzenegger goes on a mental holiday as a secret-agent, only to find that he really is a secret-agent. He finds this out, when escaping the bad guys, he finds a film of himself, telling himself, that very thing.
It may also be remembered that in Memento (2000), Guy Pearce also played a guy with no memory. This memorable, and remarkable, film, starts at the end, and the whole story is told in reverse as Guy Pearce, helped by Joe Pantoliano, tries to find out who killed his wife, using tattoos to keep notes.
Thus, 'Before I Go To Sleep' is not based on an original idea, but rather the concept is very familiar to those who have seen 'Total Recall' and 'Memento'. However, this does not make this a bad film, far from it. Whilst not original, the film is a little different from the other two films. They were more action movies than this one, which concentrates on the relationships.
The acting is superb throughout the film. Miss Kidman captures the emotions perfectly. We have no doubt that each day she wakes up in a strange bed with a strange man. Mr Firth too, acts well as the loving husband who has to explain everything to her, every day. Perhaps of the two, Mr Firth has perhaps the more demanding role. He has to show both exasperation and love, and he conveys his range of emotions well. Miss Kidman has perhaps a slightly easier role to play, that of the innocent woman, not understanding, or knowing who to trust. The ever reliable Mark Strong, playing the doctor, also gives a very subtle and ambiguous performance.
Rowan Joffe is the Director, and also wrote the screenplay. He has done very well to get very emotional and realistic performances from his trio of central characters, as well as from the supporting cast. Mr Joffe maintains the emotion, mystery, and tension, throughout the film. At times, you could be forgiven for thinking, that you were watching a film by that master, Mr Alfred Hitchcock. Parts of the film can easily be compared so, stylistically. However there are also many emotional kitchen-sink-style domestic scenes, all captured well.
If you like adult-themed mysteries and thrillers which deal with relationships, as well as messing with the mind, then this is the film for you.
Good film. 9/10.
There is a sub-genre of movies involving limited memory - think "Blink", "The Bourne Identity" or "50 First Dates" to name just a few - and "Before I Go To Sleep" is not the best of them (that would be "Memento") but, if one does not think too much about the implausible narrative, this is entertaining enough, helped by good source material (the best-selling novel by S J Watson) and the solid acting (Kidman with a good English accent, Firth not as straighforwardly charming as he is usually, Strong not as as unremittingly threatening as he is so often).
Le saviez-vous
- AnecdotesIn the novel, Christine's diary is in the form of a journal / notebook, whereas in the film it is a camera for obvious visual reasons.
- Gaffes(at around 47 mins) During a conversation with Ben at his school, Christine drops her bag to the floor and approaches Ben to give him a hug. Camera cuts to wide angle of the whole classroom with the hugging couple yet there is no bag on the floor.
- Citations
[first lines]
Christine: Who are you?
Ben: I'm your husband... Ben.
Christine: What?
Ben: We got married in 1999. That was 14 years ago. Christine, you're 40.
[hands her her clothes]
Ben: You had an accident. It was a bad accident. You had head injuries. And you have problems remembering things.
Christine: What things? What...?
Ben: Everything. You store up information for a day, and when you wake up in the morning, it's all gone. You're back to your early 20s. You'll be okay. Just... trust me.
Christine: I'm scared.
- ConnexionsFeatured in Projector: Before I Go to Sleep (2014)
- Bandes originalesYou Keep Me Hangin' On
Performed by The Supremes
Written by Brian Holland, Lamont Dozier (uncredited) and Eddie Holland (as Holland, James Jnr)
Published by Jobete Music/EMI Music Publishing Ltd
Courtesy of Motown Records
Under license from Universal Music Operations Limited
Meilleurs choix
- How long is Before I Go to Sleep?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- No confíes en nadie
- Lieux de tournage
- Pavilion Tea House, Greenwich Park, Charlton Way, Londres, Angleterre, Royaume-Uni(Christine meets Dr. Nasch)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 242 457 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 843 347 $US
- 2 nov. 2014
- Montant brut mondial
- 17 669 776 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1