The Shadow Line

The closest thing the Brits will have to an answer for The Wire. The Shadow Line is a stunning exploration of the line that men walk between morality, faith, justice and identity. The writers keep you in a constant state of mystery, unsure of who these people are and what side they ultimately lie on. The lines are blurred up until the end and everyone involved makes it a gripping and intense journey through this dangerous world. There are so many scenes that had my legs shaking in paranoia, dying to see how things were going to turn out. They somehow manage to make the quietest moments the most epic; there's a scene at the beginning of the fifth episode (that ends up lasting almost half an hour) that felt very reminiscent of that epic feeling during the Omar/Brother Mouzone meetup in The Wire.

Of course, the talented cast is an essential piece of crafting this brilliant work; Chiwetel Ejiofor is the perfect protagonist, a do-gooder with a potentially dark past who explodes in the final few episodes. Christopher Eccleston excels as the "good guy" on the bad side, a very Stringer Bell-esque character who takes a business approach to everything. The supporting cast all make huge impressions as well; Rafe Spall and Stephen Rea both create two of the most terrifying villains in recent memory. Spall the livewire with his finger always on the trigger and Rea the calm and mysterious shadow figure hiding behind the door. They take two entirely different approaches and each one is marvelous beyond words.

It's pretty hard for a mini-series to end up ranking among the best complete series for me, but this one is high up there. It's without a doubt the best mini-series I've ever seen and at the end I was definitely just desperate for even more. The final episode ends up having to rely a little too much on exposition and there are a few too many twists, but it's all necessary to wrap up the story and leave the viewer satisfied with answers. The Shadow Line is the rare series that will have you constantly guessing and on the edge of your seat. Intensity beyond intensity, a really powerful masterwork.

Edge Of Darkness and State Of Play have already been mentioned, but come episode two and we have an obvious reference to Tinker Tailor. This show is not overshadowed in such illustrious company. It is a deep, dark labyrinthine plot carried by a superb cast, each member on top of their game. The dense text will not be to everybody's taste, but for those who enjoy the likes of Bleasdale, Pinter and Potter this will probably be the first great television masterpiece of the 21st century. It is hard to pick out one performance that outshines the rest. Chiwetel Ejiofor is truly sympathetic as the cop who has to battle with memory loss to discover whether or not he is corrupt. Leslie Sharp battles to retain her fast fading memory as she descends into the Hell that is Althseimers, whilst her husband played by Christopher Ecclestone, juggles an Hogarthian cast of crooks until he can make his last deal. Rafe Spall gives a magnificent over-the-top performance as the deranged nephew of Mr. Big and then in comes Stehopen Rae as the villainous Alec Guiness style dark brother of GEORGE smiley. Absolutely wonderful!

Just caught up with the first episode of The Shadow Line.

1. Any series that nicks a title off Joseph Conrad is at least ASPIRING to greatness.

2. Chiwetel Ejiofor's a BAMF. With immaculate vowels. Match that with Christopher "Lots of planets have a North" Ecclestone and it's made of win from the start 3. This series is almost into Edge Of Darkness goodness already. No. Not the Mel Gibson version.

In all honesty, this is what the BBC was made to do; original drama that wouldn't have been made by any other channel in the UK. Perhaps it's all going to implode into crapness, but so far I really don't see how it can. OK, posting reviews when I'm shedded's probably a bad idea, but this, so far, is immaculate.

This series lost viewers from a strong start (for a BBC2 series) and got mixed reviews. You cannot win can you? All the signposted, glib, lazy, pandering excess of cop/thrillers blocking up the schedules, not just from the turgid ITV1 either, which many reviewers rightly are fed up with. Blick dares to dare at least.

'The Shadow Line' was not easy comfort viewing, that was the point of it, surely?

It compares very well to the missed opportunity of 'Luther', though in that case perhaps having one of the stars of 'The Wire' raised impossible expectations, even so, what a load of overblown, overheated, all sound and fury signifying nothing 'Luther' is - I gave up on it after series 1.

The Shadow Line had some of the very best, most tense, often shocking set pieces of anything on UK television for many a long time, these were not isolated either. This I think is where many draw comparisons with classics like 'Edge Of Darkness', The Shadow Line does not match up to that one - what does? Still, the comparison with 'Between The Lines' of 20 years ago, as some critics have cited, despite the very different series formats, is a fair one.

Overall, a good effort, worthwhile, a series that will be looked back on rather more fondly that the more negative reviewers think.

Chiwetel was brilliant! He's never lightweight! This is a mixture of Mamet and David Simon (Homicide: Life On The Street) with an American '70's movie vibe (I'm thinking PARALAX VIEW) thrown in. It's all about how the supposed law & order top brass are more corrupt than their criminal counterparts. I liked the cynical view that emerged which seems to indicate that there's really no place for a moral or compassionate person in the cutthroat world of modern life. All those that prevail ultimately have sold out their moral codes in favor of greed and corruption. Kind of downbeat but beautifully executed. Stephen Rea is one of the most chilling villains to come along in a long time. Christopher Eccelston's character was the most sympathetic and his arc is heartbreaking. Of course this is heightened reality but that's the point.