NOTE IMDb
6,6/10
13 k
MA NOTE
Se déroulant dans les États arabes des années 1930 à l'aube du boom pétrolier, l'histoire est centrée sur un jeune prince arabe déchiré entre l'allégeance à son père conservateur et son beau... Tout lireSe déroulant dans les États arabes des années 1930 à l'aube du boom pétrolier, l'histoire est centrée sur un jeune prince arabe déchiré entre l'allégeance à son père conservateur et son beau-père libéral moderne.Se déroulant dans les États arabes des années 1930 à l'aube du boom pétrolier, l'histoire est centrée sur un jeune prince arabe déchiré entre l'allégeance à son père conservateur et son beau-père libéral moderne.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
i was deeply moved and excited by this great movie. finally, there's a movie that told us how the kingdom of Saudi Arabia was built. this is a movie not only gave us great scenes of the desert, the people and one of the greatest fighting scene since 'lawrence of Arabia', but also gave us some great love romance between the two younger generations of the Saudi reigning tribes, their loyalty and their faith to each other during the turmoil time. there was also a beautiful romantic touch from that beautiful exquisite free-will young woman from the southern tribe, she not only saved the future king, helped him regaining the land but also left him with a forever nostalgic memory.
the casting did a great job signed up two great actors to play the foe against each other. the development of the young hostage son from a geeky bookworm nerd to a great man with a vision for its land and its future was also very well crafted.
too shame that the extremity of the strong belief of the Muslim religion didn't free that country but enslaved it later with tyranny and totalitarianism. but for this movie itself, this outcome was not what the screenplay and the director really wanted to portray in the first place. what they've tried to tell by this movie were love, loyalty, truthfulness and humanity before that black gold buried and suffocated the whole country's past and future. its later corrution and cruelty of the house of the saud were not included in what they wanted to tell in this particular movie.
this is a wonderful and fantastic film with great cinematography and sound track. an almost perfect romantic saga.
the casting did a great job signed up two great actors to play the foe against each other. the development of the young hostage son from a geeky bookworm nerd to a great man with a vision for its land and its future was also very well crafted.
too shame that the extremity of the strong belief of the Muslim religion didn't free that country but enslaved it later with tyranny and totalitarianism. but for this movie itself, this outcome was not what the screenplay and the director really wanted to portray in the first place. what they've tried to tell by this movie were love, loyalty, truthfulness and humanity before that black gold buried and suffocated the whole country's past and future. its later corrution and cruelty of the house of the saud were not included in what they wanted to tell in this particular movie.
this is a wonderful and fantastic film with great cinematography and sound track. an almost perfect romantic saga.
They don't make many movies like this anymore, it felt like somebody had discovered a lost gem from the 1970s, with real extras, real horses and real camels instead of the soulless computer copies of todays CGI productions. I loved it! Also the story remained interesting, when the Prince has a difficult decision to make whose side he'll be on.
The story apparently is not precisely following actual historical events, but takes the liberty of creating a world of the 1930s like it could have been. No maps are shown on the screen to show which army moves where, because it is the general feeling of a changing world that matters, the struggle between different attitudes, not the history lesson. I do not know why this artistic freedom is making some viewers complain. Hundreds of western movies described battles between soldiers and Indians which were only vaguely similar to actual history, so I don't think this discussion is necessary. "Black Gold" is an adventure movie, first of all. Actually, the makers balance very well between the entertainment value and ambitions beyond that, neither too heavy nor too light. A good compromise was found between a commercial approach and content that has something to say. When the oil flows over the ground, useless like a pond of black ink, one wonders: is it worth all that fighting? One review here said 'the director made a mistake, there is no pipeline', which proves that the poetry of pictures is really lost on some people. Anyway.
The makers, supported by the Emirate of Qatar, succeeded in putting the Arabs in the focus, and if the American guy from Texas Oil remains a cartoon character with a silly hat, it's hardly an accident. Best actors to me were Tahar Rahim as Prince Auda and Mark Strong as Amar, his father. Antonio Banderas, however, had a license for staring, it seems. Any time he has got a close-up without much to say: yes, he stares in an interesting way. The director could have told him him not to overdo it, but I guess it's easier said than done.
The story apparently is not precisely following actual historical events, but takes the liberty of creating a world of the 1930s like it could have been. No maps are shown on the screen to show which army moves where, because it is the general feeling of a changing world that matters, the struggle between different attitudes, not the history lesson. I do not know why this artistic freedom is making some viewers complain. Hundreds of western movies described battles between soldiers and Indians which were only vaguely similar to actual history, so I don't think this discussion is necessary. "Black Gold" is an adventure movie, first of all. Actually, the makers balance very well between the entertainment value and ambitions beyond that, neither too heavy nor too light. A good compromise was found between a commercial approach and content that has something to say. When the oil flows over the ground, useless like a pond of black ink, one wonders: is it worth all that fighting? One review here said 'the director made a mistake, there is no pipeline', which proves that the poetry of pictures is really lost on some people. Anyway.
The makers, supported by the Emirate of Qatar, succeeded in putting the Arabs in the focus, and if the American guy from Texas Oil remains a cartoon character with a silly hat, it's hardly an accident. Best actors to me were Tahar Rahim as Prince Auda and Mark Strong as Amar, his father. Antonio Banderas, however, had a license for staring, it seems. Any time he has got a close-up without much to say: yes, he stares in an interesting way. The director could have told him him not to overdo it, but I guess it's easier said than done.
It draws you in slowly as most great movies do and delivers an unusual punch and caress in places you don't expect. Also, an unusual softness of direct male sentiment that is surprisingly well communicated in parts without being preachy or too sentimental. And, in this fashion, is quite scarce in movies today. It has all the sweetness, drama, brutality and humor many movies rarely do without crossing lines or insulting your intelligence. The dialog and acting is exceptional and the cinematography (among other things) is quite reaching in its ability to paint a truly encompassing picture. The shortcomings in this movies are rather few and I tend not to dwell on negatives. I honestly recommend it and will indeed watch it again.
In the beginning of the Twentieth Century, in Arabia, Emir Nesib (Antonio Banderas) of Hobeika defeats Sultan Amar (Mark Strong) of Salma after years of war between their tribes and they make a peace treaty creating "The Yellow Belt", a large no man's land that would separate their lands and would not belong to neither of them. Further, Nesib demands the sons of Amar, Saleh and Auda, to be raised together with his children Tarik and Leyla by him in Hobeika as a guarantee of their agreement.
Fifteen years later, representatives of the Texas Oil find oil in the Yellow Belt and the modern and liberal Emir Nesib sees the opportunity to improve and modernize the life of his tribe, building hospitals and schools, and the American Company begins the exploitation of the oil field, violating the peace pact.
Nasib sends a representative to make an agreement with the fundamentalist Sultan Amar, but he does not accept the offer. Saleh decides to travel to Salma to talk to his father and kills his two companions, but he is captured and murdered by Tarik. Prince Auda (Tahar Rahim) and Princess Leyla (Freida Pinto) are in love with each other since they were children and they get married with the full permission of Nesib. Auda travels to Salma expecting to convince his father to associate to Nesib, but the conservative Amar does not accept the proposal and decides to fight against Nesib. Now, Prince Auda shall decide in which side he will pick and fight.
"Black Gold" is another wonderful epic adventure by the French director Jean-Jacques Annaud with a great international cast and wonderful cinematography in an environment of "Lawrence of Arabia". The story is entertaining, the soundtrack is very beautiful and the DVD has magnificent Extras showing the Making Of and the Special Effects. My vote is eight.
Title (Brazil): "O Príncipe do Deserto" ("The Prince of the Desert")
Fifteen years later, representatives of the Texas Oil find oil in the Yellow Belt and the modern and liberal Emir Nesib sees the opportunity to improve and modernize the life of his tribe, building hospitals and schools, and the American Company begins the exploitation of the oil field, violating the peace pact.
Nasib sends a representative to make an agreement with the fundamentalist Sultan Amar, but he does not accept the offer. Saleh decides to travel to Salma to talk to his father and kills his two companions, but he is captured and murdered by Tarik. Prince Auda (Tahar Rahim) and Princess Leyla (Freida Pinto) are in love with each other since they were children and they get married with the full permission of Nesib. Auda travels to Salma expecting to convince his father to associate to Nesib, but the conservative Amar does not accept the proposal and decides to fight against Nesib. Now, Prince Auda shall decide in which side he will pick and fight.
"Black Gold" is another wonderful epic adventure by the French director Jean-Jacques Annaud with a great international cast and wonderful cinematography in an environment of "Lawrence of Arabia". The story is entertaining, the soundtrack is very beautiful and the DVD has magnificent Extras showing the Making Of and the Special Effects. My vote is eight.
Title (Brazil): "O Príncipe do Deserto" ("The Prince of the Desert")
Well the movie has only the best intentions I assume. It tries hard to be as politically correct as possible, while trying to show extremities and cultural differences. That doesn't work as good as the filmmakers might have expected. I think the tone is uneven, while it still may hold some surprises for some people I guess.
Some good acting is involved here and you get the beautiful Freida Pinto in a major role. You also get Riz Ahmed from Four Lions, who's repeating his comedic role (in another tone obviously, but still very funny of course). The sets are nice and you get a history lesson (more or less) from a region that some (most) of you may not know yet ...
Some good acting is involved here and you get the beautiful Freida Pinto in a major role. You also get Riz Ahmed from Four Lions, who's repeating his comedic role (in another tone obviously, but still very funny of course). The sets are nice and you get a history lesson (more or less) from a region that some (most) of you may not know yet ...
Le saviez-vous
- AnecdotesThe film was shot in Tunisia and Qatar. The battle scenes were shot in the deserts of Qatar and took over four weeks to shoot.
- Citations
Prince Auda: God hates the things we do in His name. He hates that.
- ConnexionsFeatured in Projector: Black Gold (2012)
- Bandes originalesI'm Sitting On The Top of The World
Written by Ray Henderson, Sam Lewis and Joe Young
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Détails
Box-office
- Budget
- 40 000 000 € (estimé)
- Montant brut mondial
- 5 452 142 $US
- Durée
- 2h 10min(130 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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