Lovely Molly

The janitor Molly (Gretchen Lodge) marries the truck driver Tim (Johnny Lewis) and they move to the house of her deceased parents. Tim needs to drive and leaves Molly alone in the house. Soon Molly is haunted by her past and by her abusive father and she sees him in the house. Molly uses drugs again and records everything with her camera, expecting to prove that she is not crazy. Meanwhile, her sister Hannah (Alexandra Holden), Tim and his friend, Pastor Bobby (Field Blauvelt) try to help her, but Molly becomes dangerous and violent.

"Lovely Molly" is an ambiguous horror movie where it is not clear whether Molly is possessed by the evil spirit of her abusive father or whether she is mentally ill, after an incident with Tim and a neighbor a couple of days after her birthday. This is basically the debut of the unknown Gretchen Lodge and she delivers a top-notch performance. The screenplay is a little messy and the director fails in the conclusion, and maybe this is the reason of the bad reviews in IMDb. My vote is seven.

Title (Brazil): "Adorável Molly" ("Lovely Molly")

LOVELY MOLLY is a BLAIR WITCH follow-up from director Eduardo Sanchez. In it, a newly wed couple movie back to the childhood home of the wife, only for her to start experiencing flashbacks and hallucinations as dark secrets from her past are dug back up again.

This is a slow burning, atmospheric horror film that unfortunately misses the mark too often for me. It doesn't help that the characters, particularly the protagonist, are too unlikeable for me to enjoy the movie. Everything about this is greyed out and downbeat, and the segments filmed found footage style are intrusive; with found footage it's all or nothing. The opening scene with the burglar alarm going off is the only one which is truly menacing.

The whole mysterious "secrets from the past" aspect of the storyline is an all-too-familiar one from a lot of modern horror movies and there's just too little incident here to attract my attention. Even worse, some of the stylistic choices are annoying in the extreme, such as the constant tinnitus-inducing ringing on the soundtrack. I appreciate what Sanchez was trying to do here but for me, it's a failure.

Obviously the title is not meant literally. You also shouldn't be surprised if you start thinking this is another found footage movie. The movie was made by one of thinking heads behind "Blair Witch Project". But don't worry (or be happy?), this is not one of those movies. It actually is one of the regular horror movies.

The horror itself isn't that bad, though you will know where this is heading. The "twist" is a bit of a downer, almost bringing the whole thing down. On the other hand, some people might think this is funny. But what really was unnecessary was the ending. Just when you thought it should be over ... Cliché right around the corner

Molly (Gretchen Lodge) is a janitor who marries Tim (Johnny Lewis), a long distance truck driver. They move into her old family home, but since Tim is away a lot of the time, it leaves Molly alone with her unpleasant memories of her youth; obsessed with filming things, she comes to believe that there is some unholy, spectral presence in the house.

Commendably, Eduardo Sanchez, best known for "The Blair Witch Project", never dips his toes all the way into supernatural waters, preferring to leave us with an ambiguous take on a young woman losing her sanity and her health. This is also a young woman so deeply traumatized that it doesn't take much to send her over the edge. Indeed, she is a former junkie who is soon using once again. And Tim and Molly's sister Hannah (Alexandra Holden) are at their wits' end trying to cope with Molly's behaviour.

The film does keep visual effects to a bare minimum, but gives lovers of more visceral horror some good gore to enjoy. What "Lovely Molly" really is, is a good "slow burn" type of psychological horror film, the kind we don't get all that often in an era where genre cinema typically depends on jump scares. One of its main assets is the sound design, which Sanchez had perfected with BWP and a minimal budget. It's guaranteed to keep some viewers on edge. The other major point of interest is a gripping, bravura central performance by Lodge, who makes Molly sympathetic enough to sustain the films' 100 minute run time. But the acting from all of the principals is engaging, including Field Blauvelt as the genial Pastor Bobby.

Location shooting in Maryland, cinematography, production design, and music are all well done, but ultimately take a back seat to the journey undertaken by our haunted main character.

Seven out of 10.

OK, so I know the reviews for this one have been pretty mixed, but for fans of psychological horror that don't mind an ambiguous story line, I highly recommend Lovely Molly. As a massive horror enthusiast who sees EVERYTHING, I can tell you there are only a few films per year that have the ability to get under my skin, and this is one of them. Although not a particularly sadistic or violent film, Molly's (newcomer Gretchen Lodge) descent into depravity is entirely convincing in a very realistic and unpleasant manor. Her back story is left intentionally vague, which makes the proceedings much more horrific. As horror fans we all know the downfall of over exposition...once we know exactly whats going on it's just not scary anymore. To say much more about the story could hinder one's viewing experience but I will say to make sure you CRANK your surround system or watch with headphones because the sound design is a vital part of the film. Many scenes feature sonic subtleties which could easily be missed, and constant attention to detail (take note of the crackle heard every time Molly drags a cigarette). So anyways, Lovely Molly has my vote for one of the year's best in horror, and I can't wait to see what's next for both Sanchez and Lodge.