NOTE IMDb
5,5/10
6,6 k
MA NOTE
Un jour, alors qu'il conduisait machinalement en périphérie de la ville à la suite d'une banale querelle domestique, un écrivain du nom de Tomas percute et tue accidentellement un enfant. Se... Tout lireUn jour, alors qu'il conduisait machinalement en périphérie de la ville à la suite d'une banale querelle domestique, un écrivain du nom de Tomas percute et tue accidentellement un enfant. Sera-t-il capable de tourner la page?Un jour, alors qu'il conduisait machinalement en périphérie de la ville à la suite d'une banale querelle domestique, un écrivain du nom de Tomas percute et tue accidentellement un enfant. Sera-t-il capable de tourner la page?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Gilbert Wahiakeron
- Ice Fishing Man #2
- (as Wahiakeron Gilbert)
Mary Katherine Harvey
- Social Worker Woman
- (as Mary Harvey)
Avis à la une
The movie takes us through part of the life of a writer who goes through a traumatic experience. That's the only exciting moment of the movie. The rest is just seeing time pass and nothing really happens. Part of the story driving is even the cliché "we can not be happy because we can't have children".
The camera management was alright, and so is the acting(mostly), but the script is all over the place at the beginning and when it finally seems like the plot is going somewhere, it's really not. Calling it "art film" is not an excuse for such a poor movie. I had high hopes because James Franco was in it, but even he did could not redeem this.
The camera management was alright, and so is the acting(mostly), but the script is all over the place at the beginning and when it finally seems like the plot is going somewhere, it's really not. Calling it "art film" is not an excuse for such a poor movie. I had high hopes because James Franco was in it, but even he did could not redeem this.
An artistic film about everyday life focusing on the popular writer Tomas Eldan and other artists and their close-ones whose paths cross upon each other when tragedy hits, unfolding a series of events that span over a decade. A small and realistic film by director Wim Wenders using brilliant 3D techniques centering around time and light that makes huge waves with the storytelling, the breathtaking cinematography and scenery with impressive performances, especially from James Franco and rising actor Robert Naylor. Charlotte Gainsbourg, Rachel McAdams, Peter Stormare, Patrick Bauchau, Marie-Josée Croze and the young Julia Sarah Stone, Lilah Fitzgerald and Jack Fulton also feature. There were a few question marks in the script that stood out for me but the overall film-production and the skills they used satisfied me totally.
Everything Will Be Fine is a small intimate movie, but suffers from an average screenplay and you can almost feel Wenders trying to bring intellectual depth to the movie. Although the center ultimately is the grieve and guilt following the death of a child in a car accident and coming to grips with that, it touches many themes which leaves the viewer purposively confused about the center and where to root himself in this movie in the first place: Broken relationships and families, stalking and a writer offering almost everything for success and coping with his remorse.
The use of 3D in the movie is sometimes quite effective. For example, the first two scenes worked well, showing dust and then snow creating a haze in the image suggesting the troubled mind of Tomas. In addition, there are other clever movie techniques at work: turning the camera in directions where you would not expect it to go (turning the camera away from the action or showing a wider angle of the situation); also making effective use of time, hopping forward frequently so the viewer has to adopt his frame of reference. Although the cinematography is not bad, you start missing the collaborations with Robby Müller producing his best movies in the past.
Gainsbourg (illustrator) I think is one of the oddest actresses around as she doesn't (or maybe can't) act. Franco (writer) is consistently clever and restrained in the movie, although you see him struggling in the first scenes. The score of Desplat is very apt for the atmosphere of the movie.
I hope Wenders finally wins his deserved first Oscar, not for this but for the excellent Salt of the Earth documentary.
The use of 3D in the movie is sometimes quite effective. For example, the first two scenes worked well, showing dust and then snow creating a haze in the image suggesting the troubled mind of Tomas. In addition, there are other clever movie techniques at work: turning the camera in directions where you would not expect it to go (turning the camera away from the action or showing a wider angle of the situation); also making effective use of time, hopping forward frequently so the viewer has to adopt his frame of reference. Although the cinematography is not bad, you start missing the collaborations with Robby Müller producing his best movies in the past.
Gainsbourg (illustrator) I think is one of the oddest actresses around as she doesn't (or maybe can't) act. Franco (writer) is consistently clever and restrained in the movie, although you see him struggling in the first scenes. The score of Desplat is very apt for the atmosphere of the movie.
I hope Wenders finally wins his deserved first Oscar, not for this but for the excellent Salt of the Earth documentary.
James Franco van become a great actor in the future. Has already proven to be not only comical.
The film was good in its arthouse genre. At times predictable, but also with suprising elements, compelling acting and fine camera work a succesfull film. Beautiful locations btw!
I can imagine that some may find it boring. I assume they are people who love Marvel movies, wich incidentally is nothing wrong with that!
with an interesting ending.
James Franco as writer Thomas Eldan is pulling on all of his mystery moody self (as he so expertly did in 'Shadows & Lies') but here in this movie - not so much. It's a long haul story of him having to cope with a tragic accident on a very snowy day. He suffers, his wife suffers, his career suffers, other people suffer .... there is a lot of emotional suffering going on here. And it continues for about 12 years (if I correctly recall). Eventually he returns to the surface of life and the suffering and guilt seem to have past. Unfortunately the past comes back, only this time as an adult. This is where the story becomes interesting because there is a level of tension and unknown intentions. Will there be another tragedy? Will there be revenge? The situation becomes edgy! You will have to watch to see what happens.
Director: Wim Wenders (in my opinion) fails to project out to the viewer the misery Thomas Eldan must suffer because Franco really doesn't seem to care. It's just a part - act it out. Which doesn't make this an altogether bad movie, it just makes it long. And Wim Wenders is a famous director!
James Franco as writer Thomas Eldan is pulling on all of his mystery moody self (as he so expertly did in 'Shadows & Lies') but here in this movie - not so much. It's a long haul story of him having to cope with a tragic accident on a very snowy day. He suffers, his wife suffers, his career suffers, other people suffer .... there is a lot of emotional suffering going on here. And it continues for about 12 years (if I correctly recall). Eventually he returns to the surface of life and the suffering and guilt seem to have past. Unfortunately the past comes back, only this time as an adult. This is where the story becomes interesting because there is a level of tension and unknown intentions. Will there be another tragedy? Will there be revenge? The situation becomes edgy! You will have to watch to see what happens.
Director: Wim Wenders (in my opinion) fails to project out to the viewer the misery Thomas Eldan must suffer because Franco really doesn't seem to care. It's just a part - act it out. Which doesn't make this an altogether bad movie, it just makes it long. And Wim Wenders is a famous director!
Le saviez-vous
- AnecdotesMusic was performed by Symphony Orchestra of Gothenburg, the national orchestra of Sweden during two days in beginning of February 2015, only one week before the festival premiere in Berlin.
- GaffesWhen Tomas is fixing his dad's tie, he doesn't flatten the back of his collar, so it's visibly flipped out of place in the close shot. In the wide shot, his collar is fine, with no elapsed time to fix it as the audible speech is continuous across shots.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Every Thing Will Be Fine?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Her Şey Güzel Olacak
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 233 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 428 $US
- 6 déc. 2015
- Montant brut mondial
- 554 953 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant