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Snowpiercer : Le Transperceneige

Titre original : Snowpiercer
  • 2013
  • 12
  • 2h 6min
NOTE IMDb
7,1/10
409 k
MA NOTE
POPULARITÉ
944
141
Snowpiercer : Le Transperceneige (2013)
In a future where a failed global-warming experiment kills off all life on the planet except for a lucky few that boarded the Snowpiercer, a train that travels around the globe, where a class system evolves.
Lire trailer2:10
15 Videos
99+ photos
Conspiracy ThrillerDystopian Sci-FiActionSci-FiThriller

Dans un futur où une expérience de changement climatique ratée a tué toute vie sur Terre, à l'exception de quelques chanceux qui ont embarqué dans le Snowpiercer, le transperceneige, un trai... Tout lireDans un futur où une expérience de changement climatique ratée a tué toute vie sur Terre, à l'exception de quelques chanceux qui ont embarqué dans le Snowpiercer, le transperceneige, un train où a surgi une hiérarchie des classes et qui voyage autour du globe.Dans un futur où une expérience de changement climatique ratée a tué toute vie sur Terre, à l'exception de quelques chanceux qui ont embarqué dans le Snowpiercer, le transperceneige, un train où a surgi une hiérarchie des classes et qui voyage autour du globe.

  • Réalisation
    • Bong Joon Ho
  • Scénario
    • Jacques Lob
    • Benjamin Legrand
    • Jean-Marc Rochette
  • Casting principal
    • Chris Evans
    • Jamie Bell
    • Tilda Swinton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    409 k
    MA NOTE
    POPULARITÉ
    944
    141
    • Réalisation
      • Bong Joon Ho
    • Scénario
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Casting principal
      • Chris Evans
      • Jamie Bell
      • Tilda Swinton
    • 1.1Kavis d'utilisateurs
    • 489avis des critiques
    • 84Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 35 victoires et 108 nominations au total

    Vidéos15

    Official Trailer
    Trailer 2:10
    Official Trailer
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    International Trailer
    Trailer 1:02
    International Trailer
    What to Watch If You Love "Snowpiercer"
    Clip 3:07
    What to Watch If You Love "Snowpiercer"
    Bong Joon Ho Makes Oscars History
    Clip 3:24
    Bong Joon Ho Makes Oscars History
    Bong Joon-Ho – Making the Film You Want
    Clip 1:44
    Bong Joon-Ho – Making the Film You Want

    Photos935

    Voir l'affiche
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    + 929
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    Rôles principaux47

    Modifier
    Chris Evans
    Chris Evans
    • Curtis
    Jamie Bell
    Jamie Bell
    • Edgar
    Tilda Swinton
    Tilda Swinton
    • Mason
    Ed Harris
    Ed Harris
    • Wilford
    Song Kang-ho
    Song Kang-ho
    • Namgoong Minsoo
    John Hurt
    John Hurt
    • Gilliam
    Octavia Spencer
    Octavia Spencer
    • Tanya
    Ewen Bremner
    Ewen Bremner
    • Andrew
    Ko Ah-sung
    Ko Ah-sung
    • Yona
    Alison Pill
    Alison Pill
    • Teacher
    Luca Pasqualino
    Luca Pasqualino
    • Grey
    • (as Luke Pasqualino)
    Vlad Ivanov
    Vlad Ivanov
    • Franco the Elder
    Adnan Haskovic
    Adnan Haskovic
    • Franco the Younger
    Emma Levie
    • Claude
    Steve Park
    Steve Park
    • Fuyu
    • (as Stephen Park)
    Clark Middleton
    Clark Middleton
    • Painter
    Marcanthonee Reis
    Marcanthonee Reis
    • Tim
    • (as Marcanthonee Jon Reis)
    Paul Lazar
    Paul Lazar
    • Paul
    • Réalisation
      • Bong Joon Ho
    • Scénario
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.1K

    7,1408.7K
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    Résumé

    Reviewers say 'Snowpiercer' is a visually stunning, thought-provoking film tackling class struggle and social inequality in a post-apocalyptic setting. Praised for its unique premise, intense action, and strong performances by Chris Evans and Tilda Swinton, it captivates audiences. However, some critics note plot inconsistencies and surreal elements requiring suspension of disbelief. Others find the social commentary heavy-handed or the pacing and ending problematic. Despite these issues, 'Snowpiercer' is celebrated for its ambitious concept and compelling narrative.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    Gordon-11

    A big confusing mess

    This film tells the story of a self sustaining train which has been running for 18 years, on board with all the survivors after an apocalyptic event.

    A few minutes into the film, it already becomes clear that "Snowpiercer" is a film that reflects the societal inequality, oppression and cruelty. As the group moves up the train, the carriages becomes more luxurious. The metaphors are very obvious - the film screams to the audience to wake up from the unjust society. However, towards the middle, the plot gets out of hand, and it becomes confusing and even ridiculous. There are too many unexplained moments, such as a kid climbing into the structure jutting out from the front of the train. No follow up was given after this scene is shown. There are also too many ridiculous subplots, such as the party goers suddenly turning violent. The ending is one big confusing mess, and I did not enjoy "Snowpiercer".
    7Tweetienator

    Refreshing

    I agree with some reviewers that there are some (unnecessary) plot holes and illogical stuff going on (food supply just one of the main issues, as there are hundreds of people on board, and if you dare to count there are more people like guards, crazies and rich people than on our poor rebels side) but that left aside, Snowpiercer got a refreshing perspective on the postapocalyptic genre/tales and provides some unique ideas and combines them with some solid acting and a pro production.

    Verdict: not brilliant and no masterpiece but a good and entertaining flick - if you like the genre and want some action on your screen.
    6ptrzanetti

    Cold and derailing

    This film reminded me of many lost occasions in cinema where script themes were extremely compelling but poorly executed (think about In Time). The smart idea behind the movie (which comes from the graphic novel La Transperceniege) representing capitalism as a self fuelling train riding across a desert world where no alternative could survive is mostly shadowed by bold action sequences and cliches. This trend reaches the climax in the last 30/40 minutes, as the ending shows us the trite scene of the "final encounter with the villain" along with very predictable events. The characters are hollow, rigid and stereotypical as their dialogues are. Differently from his masterpiece Parasite, neither personal nor societal introspection is here elaborated. Unfortunately, Mr Joon-Ho had a visionary novel that he decided to transpose in an average Hollywood style action movie.
    6kuarinofu

    Wastes too much time on pointless action instead of developing its ideas

    Snowpiercer could've been a great film (and it is probably a good story), but it turned out to be a 2hr long collection of weird scenes, pointless action, overacting and slo-mo.

    The ideas are there. And...well, at least 2 characters are in the film. Can't really say about other 5 people who we know nothing about even in the end. It looks like a lot was lost in the adaptation for the screen. I mean, some characters are distinctive enough to be memorable, and they are probably important for the story, but since we have no time for them they just mostly die and we can't care cause we don't know anything about them. It's like they wanted to show all the important characters from the reference material but they had no time for them anyway.

    This could've worked on a purely thematical level if they would go a little more symbolic on this.

    Buff the run time a little, make it somewhat more boring, remove the pointless action (leave only the starting one to reference revolution and violence). Make each of the cars count (some of them were significant, like the education part, the aquarium had important dialogue and stuff but the sauna one was just a waste of time). Dwell more on interesting dialogue (which is there), develop the characters, make us care.

    Instead a miscast Chris Evans embarks on a journey that never really affects him, tells his life story in an expository monologue and ends up taking stupid decisions that lead to horrible consequences. No interesting twists, nothing. The Korean guy barely even talks, the girl is supposed to represent a younger generation but she has nothing to do in this film.

    I think the above mentioned is the only way this film could've worked. Going grounded and realistic with this can never work, there's just too many plot holes to take.

    For all the great production design and value, this film ends up being a waste of 2 hours of your time.
    9iamtheslickguy

    I Didn't Think I'd Like it

    I don't like movies as art. I like movies that have rules and internal logic, and the premise of this movie is idiotic from both a scientific and common sense angle. It really works though. Like it really works. If you can just suspend disbelief and accept that a train can run forever and sustain some sort of biodome indefinitely then this movie is a masterpiece.

    I see reviews where people basically complain about how the premise impossible, or that the themes are cliche, and I'm totally with you guys there. Both of those things are true, so if you need realism then you probably won't like this movie. But if you can just accept the premise as it is then this movie is something really special. One of the better movies I've watched in a really long time

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Bong Joon Ho often clashed with producer Harvey Weinstein, who frequently interfered in order to demand "his" version of the film. Among the many requests, the producer insisted on having the fish scene removed in favor of more action. Bong, who considered it his favorite shot in the film, was adamant to keep it in. He told the producer that he wanted to keep the shot for a personal reason, as a tribute to his late father, who was a fisherman. Upon hearing this, Weinstein said that family is very important to him, so he granted Bong to keep the shot. In an interview, the director said "It was a fucking lie. My father was not a fisherman."
    • Gaffes
      Wilford congratulates Curtis for being the first human being to walk the whole length of the train; however, Claude, Wilford's assistant, is seen at the tail of the train, as well as the front. Though Claude does not travel very far into the tail section and while she has been in every car, Curtis has been to the very back of the train, making him the only person to traverse its entire length. The children taken by Claude, however, were the first people to travel along the entire length of the train.
    • Citations

      Mason: Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn't wear a shoe on your head. A shoe doesn't belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe.

    • Crédits fous
      Snow is seen falling during the end credits.
    • Connexions
      Featured in Snowpiercer: Transperceneige, from the Blank Page to the Black Screen: A Documentary by Jésus Castro- (2014)
    • Bandes originales
      Strange Brew
      Written by Eric Clapton (as Eric Patrick Clapton), Gail Collins, and Felix Pappalardi (as Felix A. Pappalardi)

      Performed by Cream

      Courtesy of Polydor Ltd.

      Under License from Universal Music Enterprises

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    FAQ18

    • How long is Snowpiercer?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 octobre 2013 (France)
    • Pays d’origine
      • Corée du Sud
      • République tchèque
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Coréen
      • Français
      • Japonais
      • Tchèque
      • Allemand
    • Aussi connu sous le nom de
      • El expreso del miedo
    • Lieux de tournage
      • Hintertux, Tirol, Autriche(mountain)
    • Sociétés de production
      • SnowPiercer
      • Moho Film
      • Opus Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 39 200 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 4 563 650 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 171 187 $US
      • 29 juin 2014
    • Montant brut mondial
      • 86 758 912 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 6 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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