Chronicle
- 2012
- Tous publics
- 1h 29min
Trois camarades de lycée gagnent des super-pouvoirs après avoir fait une découverte inouïe sous terre. Bientôt, ils voient leur vie devenir un véritable tourbillon et leur lien mis à l'épreu... Tout lireTrois camarades de lycée gagnent des super-pouvoirs après avoir fait une découverte inouïe sous terre. Bientôt, ils voient leur vie devenir un véritable tourbillon et leur lien mis à l'épreuve alors qu'ils adhèrent à leurs côtés les plus sombres.Trois camarades de lycée gagnent des super-pouvoirs après avoir fait une découverte inouïe sous terre. Bientôt, ils voient leur vie devenir un véritable tourbillon et leur lien mis à l'épreuve alors qu'ils adhèrent à leurs côtés les plus sombres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 7 nominations au total
Crystal-Donna Roberts
- Samantha
- (as Crystal Donna Roberts)
Patrick John Walton
- Park Ranger
- (as Patrick Walton)
Avis à la une
I was pleasantly surprised how much I enjoyed this film. Excellent directing, screenplay, cinematography and editing. Casting and performances were perfect, especially Dane DeHaan, who's screen presence is incredible in this film. The simplistic teen-target audience I understand, but I would've liked this to be a bit more mature. Still, a nice little gem and a well deserved 8/10 from me.
Ever since the breakout success of 1999's The Blair Witch Project, the found footage film has become a subgenre in its own right. In a similar vein to Blair Witch, the Paranormal Activity series has found great financial success with their comparatively meagre budgets, and Cloverfield in 2008 proved that, even on a larger scale, the handycam aesthetic can deliver effective thrills when employed by filmmakers who have a solid understanding of the style. Josh Trank's Chronicle represents an evolution of the found footage genre, taking the character as cameraman conceit to interesting new places, and marking the director as a young talent worth monitoring.
Chronicle differs from predecessors like Cloverfield in the sense that this handycam footage isn't presented as 'found' per se, but rather is a stylistic and narrative choice which puts a refreshingly original spin on a well overdone story: the superhero origin. After encountering a strange, glowing object in a deep underground cave, high schoolers Andrew (Dane DeHaan), Matt (Alex Russell) and Steve (Michael B. Jordan) discover they have telekinetic powers which allow them to move objects with their mind. Matt considers the powers to be like a muscle, which can be strengthened through training, and after beginning small eventually the trio build superhuman strength and, to their delight, the ability to fly. The special effects betray a small budget at times, but the initial flying sequences are breathlessly entertaining, and the pure joy of the characters makes them more effective than most mega-budget blockbusters. These are meant to be regular kids, and although the story loses focus as the scale grows towards the climax, the early scenes are surprisingly genuine and affecting. But make no mistake, this is an origin story (one which doesn't necessarily beg for a sequel however), and Trank and his co-writer Max Landis (son of John Landis) use the visceral, in-your-face nature of the found footage to breathe life into a genre which has come dangerously close to wearing out its welcome in the past decade.
As is the case with almost all science-fiction, a lot more can be read into Chronicle than what is happening on the surface. Aside from the excitement of fighting and flying about, there is a very real human story at work, with a lot of teenage life's triumphs and tragedies. Trank and Landis clearly poured their own experiences into the film, with the three leads seeming like people from everyone's high school years. Added to this is a nice element of self-reflexivity as Andrew, an unpopular misfit, uses his camera to define himself, and how he sees the world. The old adage about writing what you know seems to ring true in the case of Chronicle, and seeing Andrew learn to move his camera in more dynamic ways thanks to his new found powers is perhaps the tiniest hint of autobiography from Trank. The film is filled with subtle aspects such as this which will probably be missed by most, but thankfully simply taking Chronicle at face value is a rewarding experience, proving that the superhero origin story is not dead, it just needs a good shake up from time to time.
tinribs27.wordpress.com
Chronicle differs from predecessors like Cloverfield in the sense that this handycam footage isn't presented as 'found' per se, but rather is a stylistic and narrative choice which puts a refreshingly original spin on a well overdone story: the superhero origin. After encountering a strange, glowing object in a deep underground cave, high schoolers Andrew (Dane DeHaan), Matt (Alex Russell) and Steve (Michael B. Jordan) discover they have telekinetic powers which allow them to move objects with their mind. Matt considers the powers to be like a muscle, which can be strengthened through training, and after beginning small eventually the trio build superhuman strength and, to their delight, the ability to fly. The special effects betray a small budget at times, but the initial flying sequences are breathlessly entertaining, and the pure joy of the characters makes them more effective than most mega-budget blockbusters. These are meant to be regular kids, and although the story loses focus as the scale grows towards the climax, the early scenes are surprisingly genuine and affecting. But make no mistake, this is an origin story (one which doesn't necessarily beg for a sequel however), and Trank and his co-writer Max Landis (son of John Landis) use the visceral, in-your-face nature of the found footage to breathe life into a genre which has come dangerously close to wearing out its welcome in the past decade.
As is the case with almost all science-fiction, a lot more can be read into Chronicle than what is happening on the surface. Aside from the excitement of fighting and flying about, there is a very real human story at work, with a lot of teenage life's triumphs and tragedies. Trank and Landis clearly poured their own experiences into the film, with the three leads seeming like people from everyone's high school years. Added to this is a nice element of self-reflexivity as Andrew, an unpopular misfit, uses his camera to define himself, and how he sees the world. The old adage about writing what you know seems to ring true in the case of Chronicle, and seeing Andrew learn to move his camera in more dynamic ways thanks to his new found powers is perhaps the tiniest hint of autobiography from Trank. The film is filled with subtle aspects such as this which will probably be missed by most, but thankfully simply taking Chronicle at face value is a rewarding experience, proving that the superhero origin story is not dead, it just needs a good shake up from time to time.
tinribs27.wordpress.com
I last saw this film over a decade ago, and it was one of my earliest introductions to the first-person POV scene. I also vividly remember being impressed by it, so much so that I kept thinking about the story and its characters for weeks afterwards.
It had definitively left its mark, and seeing this again after eleven years, my impression seems not to have changed even slightly. I loved this movie back in my childhood, and that same admiration has carried to the present times, as it seems.
Albeit It hurts to see this being film so underrated, this certainly deserves more love. It is one of the most overlooked as well as underappreciated science fiction features of the last decade!
P. S. Dane DeHaan as Andrew was freaking incredible here, one of the most effective Anti-Hero parts ever written and played on screen, period.
It had definitively left its mark, and seeing this again after eleven years, my impression seems not to have changed even slightly. I loved this movie back in my childhood, and that same admiration has carried to the present times, as it seems.
Albeit It hurts to see this being film so underrated, this certainly deserves more love. It is one of the most overlooked as well as underappreciated science fiction features of the last decade!
P. S. Dane DeHaan as Andrew was freaking incredible here, one of the most effective Anti-Hero parts ever written and played on screen, period.
Chronicle is not really a superhero movie. It uses its themes but none of the characters are using their powers for virtues and justice. It's all fun and games until they get into trouble. It's a great idea but it could have been filmed in a regular filmmaking style. The hand-held camera fails to make the film credible. Despite from that, the film tells a great story with a great twist. The actors are fun. The CGI is good enough. The film is short and small but it's undeniably exciting and really compelling than any other big blockbuster films we usually get.
Chronicle abandons the clichés of superhero films. Usually, when they discovered their powers, they use it to save someone and make their own costume and save the day. The movie asks, what will happen if teenagers in real life have superpowers? In this film, the kids are just recording themselves having fun with their powers. And one of them will use it more for revenge than saving the day. It's a clever idea.
It could have been filmed in a regular movie camera. The found-footage style is pretty unnecessary. The film doesn't need that to look credible. Also, there are too many random cameras and angles which is kind of awkward. Though, the shot was pretty good. But it's still unnecessary. The CGI works better in large objects. It looks dated when comes to the small ones like the spider and the legos. Dane DeHaan, Alex Russell, and Michael B. Jordan are all fun together. It gets better in the third act. Dane DeHaan gives a great rage to Andrew. The climax is awesomely fun.
Chronicle may be short and small but it feels long and bigger. If only the film was shot in a regular style. But it still makes a great movie. The concept is great. It's fun, intense, and compelling enough to enjoy it in the big screen.
Chronicle abandons the clichés of superhero films. Usually, when they discovered their powers, they use it to save someone and make their own costume and save the day. The movie asks, what will happen if teenagers in real life have superpowers? In this film, the kids are just recording themselves having fun with their powers. And one of them will use it more for revenge than saving the day. It's a clever idea.
It could have been filmed in a regular movie camera. The found-footage style is pretty unnecessary. The film doesn't need that to look credible. Also, there are too many random cameras and angles which is kind of awkward. Though, the shot was pretty good. But it's still unnecessary. The CGI works better in large objects. It looks dated when comes to the small ones like the spider and the legos. Dane DeHaan, Alex Russell, and Michael B. Jordan are all fun together. It gets better in the third act. Dane DeHaan gives a great rage to Andrew. The climax is awesomely fun.
Chronicle may be short and small but it feels long and bigger. If only the film was shot in a regular style. But it still makes a great movie. The concept is great. It's fun, intense, and compelling enough to enjoy it in the big screen.
I'm normally not a big fan of the handycam filming technique. In the beginning it was all new and okay but personally I think they should stop that technique. It doesn't do movies any good. Not that Chronicle is a bad movie though. It's definitely something else then the usual superhero movies that we see so much lately. Here three kids get telekinetic super powers after discovering a strange thing underground. What starts as a bit of fun quickly escalates in catastrophes. The story is easy to follow. It's different then the usual action heroes that use their powers to fight evil. The actors are all quite young and are not bad. Thinking about what they do with their powers makes me realize that I would probably try the same things. But it's all fiction. So all in all it's an entertaining movie to watch.
Le saviez-vous
- AnecdotesDirector Josh Trank made Dane DeHaan, Michael B. Jordan, and Alex Russell live in a house together for fifteen days, in order to create a genuine bond between the three actors.
- GaffesThe movie is set in Seattle but after the guys talk about the new camera, an Opel dealership is visible through the car window. Opel cars are not sold in the USA.
- Citations
Steve Montgomery: Yes, it was the black guy this time.
- Crédits fousThe title doesn't appear on screen until the end.
- Versions alternativesThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making some cuts and visual reductions. When the finished version of the film was submitted for formal classification, cuts had been made in two scenes. Cuts involved the removal of a violent act and subsequent discussion of this, with some bloody focus, reducing focus on bloody injuries, and reducing sight of a character being impaled. With these changes having been made when the film was formally submitted, it was classified at 12A.
- ConnexionsFeatured in Projector: Chronicle (2012)
- Bandes originalesReady to Roll
Written by Joel Beeson, Simon Berckelman & Daniel Williams
Performed by Philadelphia Grand Jury
Courtesy of Boomtown Records
By arrangement with Sugaroo!
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Poder sin límites
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 64 575 175 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 004 098 $US
- 5 févr. 2012
- Montant brut mondial
- 126 636 097 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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