Joshua Tree, 1951: Un portrait de James Dean

Good movies entertain. Great movies linger in the viewer's mind long after the end credits roll. Joshua Tree, 1951: A Portrait of James Dean does exactly that. It's been days since I viewed this amazing film at the Seattle International Film Festival and I can't get it out of my mind.

To appreciate this film one must cast aside all preconceived notions of who the so-called hyper-cool stud James Dean was - or wasn't. One must surrender to the film's almost dream-like, nonlinear storyline. One also must also not be homophobic to enjoy this unique gem of a film.

Joshua Tree, 1951 is simply beautiful, from the surprising opening scene to the end. James Preston, playing James Dean, gives a raw portrayal of the price Dean paid to become a star. Preston skillfully plays Dean as he was before the world knew him: fresh off the farm, seething with ambition, hungry for knowledge. Dan Glenn masterfully plays The Roommate (rumored to be real-life former Dean roommate Bill Bast), painting a remarkably beautiful portrait of love that could never be in the early 1950s. The audience sympathizes The Roommate as the one who paid the life-long price for loving Dean. Ed Singletery, playing Roger, is a wonderful metaphor for the Hollywood "machine," and Dalilah Rain, playing Violet, is a delight to watch.

The cinematography is sure to attract the attention of award ceremonies and will be studied in film schools for years to come.

Go see this film!

Had this movie been about a fictional Hollywood actor, I think I would have had a better opinion of it. I have no special insight into or biographical knowledge of James Dean, but having seen his movies not long after they were made and watched some more recent shows about him on TV, I had a sense of who he was. He always seemed to me an attractive, erotic, if somewhat difficult to understand, icon of the 1950's. I grew up in the 50's and 60's, and his rebelliousness struck a chord in me. I always felt an ill-defined empathy for what was driving his behavior.

There were occasions when the actor in this movie managed to evoke a feel for Dean, but they were just momentary, static poses. There was really very little about either his appearance or behavior that helped me to connect to the James Dean I think I knew.

In general, when watching a good movie I expect to be drawn into it and to forget that I am watching actors acting. It's a sort of voyeurism. In this movie, I never forgot that I was watching actors act, reading lines written for them by someone else about someone they neither knew particularly well nor cared very very much about.

Basically I was disappointed. Maybe my expectations were too high, but I never really felt I was watching anything to do with James Dean and the heavy black & white moodiness of the presentation seemed more contrived and ponderous than evocative.

I saw the film last night at the Outfest Film Festival in Los Angeles. This is a visually beautiful new film about James Dean, the iconic actor who is still very revered and loved and whose film legacy still continues strong 57 years after his death. This is not the typical biopic though, it gets into details about his life that were not well known until recently. James Preston is excellent playing James Dean expressing his ambition and vulnerability, willing to play the game in Hollywood to get a chance and still keeping the powers that be from ruling or controlling him. He was a rebel in the sense that he wanted to be true to himself and his talent above all else and lived and experienced a great deal and achieved his dream by the age of 24 when he died. The film takes place in the few years before his acting led to the three films he would do eventually that would propel his star and fame and became his legacy. He's in the process here of becoming a real actor and starting to understand who he wants to be as a man. In 1951 Dean was only 20 and he was trying to figure himself out and those around him and to understand what's important to him. Much of the film seems like almost dream like sequences or partial scene memories filmed in beautiful black and white striking images, the cinematography is top notch! I've read biographies on Dean's life and the movie is accurate from the accounts I've read. The director/writer Matthew Mishory, did a very good job making a film about his subject in a way that's unique and hasn't been done in the same way before. The supporting cast is very good as well. I recommend seeing it and I'm looking forward to seeing it again!

This movie is simply horrendous! From start to finish, I had trouble staying focused on what was going on. The dialog, and the story in general was boring and unbelievable. Add that to the fact that the actors were terrible, and you get a real mess. James Preston, while handsome, was no James Dean, by any stretch of the imagination. His hair is too long, he looks nothing like Dean in the face, and his mannerisms are deplorable. And it is not sexy, if that was the intent. The movie features long lustful looks at naked and half naked men and women, but hasn't one ounce of sensual appeal. A waste of 93 minutes. You've been warned. This movie is not recommended by me.

I was born in April of 1956. The real James Dean hadn't been dead for a year yet and so I hadn't seen his movies or his images until my teen years. The real James Dean was OK looking, but James Preston's James Dean is the stuff of dreams and fantasies that stay in your head longer. The softer character portrayal and erotic sensual man on man scenes are nothing shameful to watch and you see the beauty of both the inside of Dean's (and Preston's) spirit and what made Jimmy as himself. The flow of this movie stayed in it's artistic, sensuous style and to me, that was the beauty of it. It was like getting an intimate glimpse into someone's life you didn't know much of before, but now you feel privileged for the knowledge of it if that makes sense. All the actors did a good job, but it was the relationship between Dean and his roommate that I wanted to see and wasn't disappointed. I can watch this film over and over because of it's sensitive, alluring presentation presented so nicely by James Preston.