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7,6/10
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MA NOTE
El Benny est expulsé des États-Unis et rentre chez lui dans un Mexique dévasté par la guerre contre la drogue. Il commence à gravir les échelons, trouvant une vie prospère pleine d'argent, d... Tout lireEl Benny est expulsé des États-Unis et rentre chez lui dans un Mexique dévasté par la guerre contre la drogue. Il commence à gravir les échelons, trouvant une vie prospère pleine d'argent, de femmes, de violence et de plaisir.El Benny est expulsé des États-Unis et rentre chez lui dans un Mexique dévasté par la guerre contre la drogue. Il commence à gravir les échelons, trouvant une vie prospère pleine d'argent, de femmes, de violence et de plaisir.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 28 victoires et 6 nominations au total
Avis à la une
This is by far one of the most intense, realistic and utterly depressing portrait of Mexican reality nowadays. Given the fact that this film was released as part of the Mexican Independence Bicentennial, it is a slap in the face of the society, the government and the organised crime. Its tag line says it all: "Nothing to celebrate".
With much of irony, black comedy, and criticism, it disses everybody and everything: from the corrupted government institutions of a failed state, to the hypocrisy of a rotten Catholic church, to a de-humanised and selfish society. This film accurately reflects the current situation in Mexico. And it does with such mastery and accuracy, it shocks the viewer.
Best Mexican film this year by a wide margin. And one of the bests of all time.
With much of irony, black comedy, and criticism, it disses everybody and everything: from the corrupted government institutions of a failed state, to the hypocrisy of a rotten Catholic church, to a de-humanised and selfish society. This film accurately reflects the current situation in Mexico. And it does with such mastery and accuracy, it shocks the viewer.
Best Mexican film this year by a wide margin. And one of the bests of all time.
This makes movies like Scarface look second rate. It's well made and high quality. The subject matter is impressively dealt with, though there are no surprises for those that know the subject.
The characters have real warmth, even though the events are presented in cold, brutal fashion.
Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.
The story packs in quite a lot, but in a relaxed style.
It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.
Worth watching before if you're about to snort cocaine. Just to see where your money goes.
The characters have real warmth, even though the events are presented in cold, brutal fashion.
Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.
The story packs in quite a lot, but in a relaxed style.
It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.
Worth watching before if you're about to snort cocaine. Just to see where your money goes.
Many of my acquaintances did not watch this film accusing it of trying to "justify" the path of a narco or of being "another film of violence", something that at this moment perhaps they are already tired of watching.
But I didn't see any of this: In "El infierno" I saw a film with a very careful rhythm (Luis Estrada has improved) that enters a world of violence that is the daily reality of many Mexicans. Like others, I started the film laughing, I ended up almost shivering. Humor, which can be criticized by telling such a story, is an effective way of making the world in which Luis Estrada introduces us bearable, exposing with simplicity and realism situations that are more complex than they can sound and where everyone plays their part.
Luis Estrada, hand in hand with Damian Alcázar presents us with a third film that we didn't think possible in Mexico, where things are called by their name and make us think about what we have got or can get at.
But I didn't see any of this: In "El infierno" I saw a film with a very careful rhythm (Luis Estrada has improved) that enters a world of violence that is the daily reality of many Mexicans. Like others, I started the film laughing, I ended up almost shivering. Humor, which can be criticized by telling such a story, is an effective way of making the world in which Luis Estrada introduces us bearable, exposing with simplicity and realism situations that are more complex than they can sound and where everyone plays their part.
Luis Estrada, hand in hand with Damian Alcázar presents us with a third film that we didn't think possible in Mexico, where things are called by their name and make us think about what we have got or can get at.
This movie shows the reality of corruption, church and drug traffic but don't make it sound like everyone in Mexico is a slave to this. What the director did was focus on some drug trafficker and what he moves up his cartel's ladder but Mexico is just like all of the countries in the world, there are opportunities for everyone who really looks for them and the people in general are not dehumanized they are scared by what they see in the news and what they see in papers which is only the bad news. In all the time I've been here I have only heard s h i t in the news and what people say they heard. Sure the economic crisis hurt the people but that's everywhere not just in Mexico. This is a good movie but don't be a victim and say it's a sad reality, instead do something about it, demand the government what you want because in the end the people have the power to do anything.
This is a picture of Mexico's reality: drugs, violence, corruption and zero opportunities to people. Estrada is a no-fear director that shows what are happening in my country, he told about corruption in police corps, army, politicians inclusive with president Calderon y former's presidents, the church (catholic) has a important role in the film. Damian Alcazar is a warranty, Joaquin Cosio, Gomez Cruz, Maria Rojo, Salvador Sanchez all of them great actors that make a brilliant movie. The story is about Benny Garcia (Alcazar) a deported Mexican who found his town worst than ever, without job and no money he was introduced to mob group by his best friend Cochiloco (Cosio). Love and violence, loyalty and human feelings is mixed in this picture. Congratulations to Estrada for his courage to say the things like are in a country like Mexico.
Le saviez-vous
- AnecdotesThis film and "Un mundo maravilloso (2006)" are the films in the series that received less censorship during their projection in Mexico. This could be because the other two, "La ley de Herodes (1999)" and "La dictadura perfecta (2014)," were released when the most powerful and controversial political party of the country, PRI, known in Mexico for its intolerance to criticism, was ruling the country.
- GaffesThe close-up of the grenade tossed under the pickup truck reveals a big hole at the bottom of the grenade, which indicates it is a dummy grenade, usual Army surplus store stock and commonly used for training.
- ConnexionsFollowed by La dictadura perfecta (2014)
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Détails
Box-office
- Montant brut mondial
- 6 703 873 $US
- Durée
- 2h 29min(149 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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