El Narco

I assure you that this movie's legacy will still be talked about in decades to come. Certainly, the sole fact that this movie came to be speaks wonders of how great cinema can be made in Mexico, together with its box-office companion, "Hidalgo".

There is a little something for everyone: emotional dilemmas, intellectual reflection, and scenes so well composed that they're worthy of being shown in film schools. For the general public, the tasteful black comedy, the strong symbolic images, as well as the numerous occasions it gives for yelling "burn!!" (or "pedradas", in Spanish) will be the most memorable.

The ideas behind the making of this movie are definitely genius, but it still should be taken with a grain of salt. It is a very simplified view of the lower levels of the narco industry, as it only portrays the case of how a small rural town, with typical small-town values and small-town conservatism, is affected. The movie has been warmly received by the Mexican public, who after only seeing the consequences of this battle against narco forces, have no idea of what this narco business really is about, and crave any type of inside scoop they can get their hands on.

This movie presents what feels like great insight in an easily digestible way.

This is a picture of Mexico's reality: drugs, violence, corruption and zero opportunities to people. Estrada is a no-fear director that shows what are happening in my country, he told about corruption in police corps, army, politicians inclusive with president Calderon y former's presidents, the church (catholic) has a important role in the film. Damian Alcazar is a warranty, Joaquin Cosio, Gomez Cruz, Maria Rojo, Salvador Sanchez all of them great actors that make a brilliant movie. The story is about Benny Garcia (Alcazar) a deported Mexican who found his town worst than ever, without job and no money he was introduced to mob group by his best friend Cochiloco (Cosio). Love and violence, loyalty and human feelings is mixed in this picture. Congratulations to Estrada for his courage to say the things like are in a country like Mexico.

This movie shows the reality of corruption, church and drug traffic but don't make it sound like everyone in Mexico is a slave to this. What the director did was focus on some drug trafficker and what he moves up his cartel's ladder but Mexico is just like all of the countries in the world, there are opportunities for everyone who really looks for them and the people in general are not dehumanized they are scared by what they see in the news and what they see in papers which is only the bad news. In all the time I've been here I have only heard s h i t in the news and what people say they heard. Sure the economic crisis hurt the people but that's everywhere not just in Mexico. This is a good movie but don't be a victim and say it's a sad reality, instead do something about it, demand the government what you want because in the end the people have the power to do anything.

This makes movies like Scarface look second rate. It's well made and high quality. The subject matter is impressively dealt with, though there are no surprises for those that know the subject.

The characters have real warmth, even though the events are presented in cold, brutal fashion.

Most movies about the drug wars have a small Latino element. They assume the person watching has never heard of Mexico, they have clichéd characters and information overload so the movie-goer is 'educated'.

The story packs in quite a lot, but in a relaxed style.

It's probably one of the most believable gangster movies ever made. The characters are well developed. They never apologise for what they're doing, but they're aware of what they're doing.

Worth watching before if you're about to snort cocaine. Just to see where your money goes.

Estrada's "El infierno" is a must see movie. Estrada has come back again in force from La "Ley de Herodes" (Herod's Law). In that movie, Estrada made a well depicted view of Mexican society in the late 1990s and we couldn't get worse back then. How wrong we were: It has. The satire portrayed in El Infierno shows how we are really at the gates of hell in a civil war that nobody wants to see or acknowledge. The movie has spectacular shots of the San Luis Potosi Desert that serve as a framework to develop all the memorable characters in the film, like Damian Alcázar Benny that transforms itself from a naive character to a ruthless hit man; or Joaquín Cosío (Cochiloco) both salvage and family man. Even with the pessimistic mood and end message of the film, it is commendable that has been partially financed by public funds and that is having a well-deserved attendance in commercial theaters. Highly recommended.