Kill Bok-soon

"Kill Boksoon" is a captivating Netflix film that explores the life of a contract killer and single mother, Boksoon, played by the phenomenal Jeon Do-yeon. The movie showcases Boksoon as an empowered woman with a 100% success rate in her deadly profession. At the same time, it delves into her personal struggles as she tries to maintain a healthy relationship with her teenage daughter, Jae-young, portrayed by Kim Si-a.

The action sequences in "Kill Boksoon" are intense and visceral, living up to the high standards of top-line Korean action thrillers. As Boksoon continues to excel in her dangerous career, she must also navigate the emotional minefield of her daughter's growing pains. This unique blend of action and emotion adds depth and complexity to the film.

Despite some familiar emotional elements, "Kill Boksoon" manages to create an engaging and entertaining experience for viewers. The film's portrayal of the challenges faced by a single mother, who also happens to be a ruthless killer, offers a fresh take on the action-comedy genre.

If you're a fan of dark action-comedies with a touch of emotional depth, "Kill Boksoon" is a must-watch. With its thrilling fight scenes and realistic exploration of motherhood, this film strikes the perfect balance between exhilarating action and heartwarming emotion.

Not my typical watch. Lorry loads of blood delivered via a plot that only exists to provide an excuse for violence.

Yet this film does transcend those limitations. The characters are well drawn and acted with meaningful relationships. This is one of the key strengths of k drama that makes me watch so much of it.

So, much of the violence is more than mere violence. Otherwise it would grow ever more boring. But here virtually every duel to the death involves some complication between the characters that adds interest.

But the most important (and difficult) relationship is between the female protagonist and her daughter. I found that relationship believable and meaningful. It gave this film a much-needed dimension beyond the gore. It raised this film above watchable to almost recommended.

Awesome fight choreography, visual - special effects and many moments in the score section. Aside that a semi-incomprehensible lady invincible mumbo that is stretched for over two hours.

It is enjoyable and cringey at the same time, nice for listening to Hangul with its dramatic intonations and feast on the nice visually polished production value and yummy Korean cuisine with a lot of penchant to soy products.

• Screenplay/storyline/plots: 6.5
• Development: 8
• Realism: 6.5
• Entertainment: 7
• Acting: 7
• Filming/photography/cinematography: 8
• VFX: 8.5
• Music/score/sound: 7.5
• Depth: 6
• Logic: 2.5
• Flow: 6.5
• Crime/action/thriller: 6.5
• Ending: 6.

I don't understand how people could give this movie a 10/10. The action is great, no doubt. But the storyline is weak, far-fetched and illogical. They trivialized murder. They kill for no reason, yet, take the moral high-ground as and when they please.

Please people, when you write a review, at least be honest. Don't just give it a 10 because i like this actor, or that actor.

Truth be told, this movie is complete and utter nonsense. The fights and choreography were the only things outstanding in this movie.

Watch it if you have the time, or if you're learning Korean. Otherwise, avoid it. It's an action movie void of meaning and substance.

I enjoyed the movie. Very well directed and acted. I found the ratings and reviews of this movie are quite unique. The current rating is in the range 6~7 but there are few who scored 6~7 but one third scored very low and the two third scored very high (including me) and the average is that.

I think some people may criticize the movie for its stereotype, typical or cliche. But I don't get the bad reviews criticizing its improbable story or violence. Hey, this is not a suspense nor a drama. It's a dark black comedy, homage to Tarantino movies. An Asian variation of Kill Bill. Fair ratings should be based on the level of completion of the movie itself, not by the personal preference of special genre.