Gli sfiorati

"Drifters" demonstrates perfectly why Italian cinema is awful nowadays. It is very sad to see that garbage like this is produced in a country which gave us Antonioni, Fellini, Rosi, Argento etc. The movie begins with three friends having lots of meaningless conversations then one of them disappears for half an hour, and the other - our main hero - is boring as hell. And that is the whole movie, this boring guy has boring conversations with his father, with his other friend and last but not least with Asia Argento who has the most interesting role but her figure is also underdeveloped like the script which should have been put right into the garbage after it was written. Finally we get two more pathetic scenes, one is a sex scene (unbelievably badly filmed, by the way), here the crew even manages to film Ms Giovanelli's butt the most boring way. The other is an even more pathetic journey in the city by car where the main boringguy, his father, his father's new wife and Ms Giovanelli (who looks like she has come from a Playboy photo shooting) sing awfully bad, guess what - an Eros Ramazzotti song.

One can rarely see such an awful script filmed - and filmed in such a boring way. Lots of dialogues try to hide the big nothing which was produced here. This is television soap with some amateurishly shot sex scenes, nothing more. Italian cinema, RIP.

I cannot believe that the reviewers seem to be following the erroneous plot summary. The two siblings in this film are not related at all when they "get together."

They are age of consent offspring of two completely different sets of four parents. At the time of the getting together they are not related whatsoever, and even after their parents marry, they are just STEP kids, no blood relation whatsoever. One is 17 and one is 19 which is full age of consent in Italy.

This a light-hearted, and at best. Average comedy, where the relationship is AWKWARD -- but not anything like incest. For example it would be legal for these two "siblings" to marry in every US state and in every European country as well as Canada or Australia.

You can tell a lot about someone from their handwriting. Mète (Andrea Bosca) knows this because he's a graphologist, a handwriting specialist who is called upon to identify cases of forgery and false wills. He might be an expert in identifying character traits in handwriting, but Mète's own life is not so easily categorised. He's a bit too uptight however to fit into a baffling group of people that his colleague Bruno (Claudio Santamaria) calls 'gli sfiorati', 'drifters' whose personality and writing seems to change from one line to the next.

The idea of the drifter in handwriting is a good metaphor and it helps establish where Gli Sfiorati is going when it seems to be drifting itself. You can see that Mète has issues around the loss of his mother and a sense of abandonment by his father, but it still doesn't really account for him wanting to keep out of the way of his half-sister Belinda (Miriam Giovanelli) who has come to stay in his apartment during the preparations for his father's new wedding. Nor does it explain why he can scarcely summon up any interest in the hottest girl in Rome (Asia Argento), who is crazy about him.

With some episodes involving his estate agent friend Damiano (Michele Biondino) extending the theme, there's a sense that Gli Sfiorati is referring to a drifting generation in a wider sense; a generation without roots and tradition, where money is all that matters and can buy happiness and otherwise inaccessible women. But for how long can you drift on that basis? The matter baffles Bruno, but you get a sense that he and Mète probably think too much, examining the surface handwriting without actually reading what is written for real clues.

It's amusing to consider this as a solution while you wait for Mète to figure out what is wrong with his life, because Matteo Rovere film doesn't offer much in the way of clues, appropriately finding a rhythm that exists outside of any conventional narrative exposition. The solution provided however comes across as a little too neat without really finding any satisfying explanation for gli sfiorati or why Mète might be about to join their number. Maybe it's just Youth, or maybe we all have the potential to be gli sfiorati.

This movie includes a sex scene which is very nice... They must cut the scene from the movie and must make a new movie that is with better story and includes that scene.

Boy, has a crucial basic detail about this film been misunderstood! To be absolutely clear: Méte and Belinda ARE related. They share the same biological father, but have different mothers, so they're half brother and sister. Not step siblings, as some reviewers on here have mistakenly concluded.

Admittedly it's a subtlety easily missed, particularly if you're watching this with subtitles as a non-Italian speaker. But no, contrary to what some reviewers have said, this isn't just Méte's father re-marrying another woman who has a daughter of her own; he's marrying the woman he's been having a long term relationship/affair with. The timeline, roughly, is that Méte's father left Méte's mother when Méte was young, and had a 20 year affair with Virna - the product of that relationship is his 17 year old daughter (and therefore Méte's half-sister), Belinda. This is spelled out in the dinner scene with Méte and Virna (Belinda's mother), where she says that she's loved Méte's father for 20 years, and that Belinda takes after her father. I think the part that confuses people is that Sergio and Virna are getting married, and so people assume it's a "step family", missing the fact that Belinda is Sergio's child as well. It's implied that after the 20 year affair, they're only now getting married because Méte's mother has died.

Anyway, sorry to go into such detail on this point, but so many reviewers on here have got this fundamental aspect wrong that I think the record really does need definitively correcting.

As for the film itself...it's an entertaining comedy drama, very stylishly shot and with an attractive cast. The taboo aspect adds an extra frisson of tension - and is definitely part of the film, despite some people thinking it isn't!