Norwegian Dream

'Norwegian Dream' touches lots of topical issues that could have developed much further and potentially controversial - immigrant workers and exploitation of them, homophobia in Poland, an adopted black son who performs in drag, seemingly open but in fact rather hypocritical attitude of Norwegians in regard of the above issues... It could have been especially a great opportunity to tell the story from the Polish immigrant worker's point of view (as opposed to in British or German pop culture where Polish plumber/painter/farm hand/cleaner/etc are treated as a footnote or a background). When Poland is deemed soon surpass UK and Germany's economic indicators and yet its politics on its regressive path (of rising homophobia and xenophobia, for example), the film could have been a timely comment and a self-reflection... But unfortunately none of it really develops beyond a mere predictable dramatic device, while the drama itself (namely Roberto's emotional struggle and romance) also fails to go truly deep and touching. There's nothing out of place or offensive. Actings are adequate, cinematography, editing, production value all delivers... It's all very watchable... but it lacks a punch, a surprise, a grip.

It's a pity that I would be remembering this film more as what it could have been than what it is.

The movie "The Norwegian Dream" follows Robert, a young Polish immigrant who takes a job at a fish factory in Norway to help pay off his mother's debts. This movie reminds me of the 1981 Brazilian cinematic masterpiece "They Don't Wear Black Tie". Although the characters' situations differ, both movies explore similar themes of acceptance, internal conflict, loyalty, and the choices we make in life.

Director Leiv Igor Devold portrays a harsh, sexist, racist, and hostile environment at a fish processing factory, where immigrants endure long hours of grueling work to support their families back home. It is within this environment that Robert also confronts challenges related to his sexual identity. This is where Hubert Milkowski's performance as Robert truly shines. He builds a Robert, who sees himself literally as the island, trapped by all the conflicts and struggles with no way to escape, forced to make difficult choices - whether good or bad. We witness the transformation of the naive, insecure young Robert into a strong, self-assured man.

Without a doubt, one of the standout films of 2024, deserving of attention for its depth in themes and the powerful performances of its cast.

I could watch Hubert Milkowski in just about anything and he doesn't disappoint here! This story explores an immigrant's experiences in a bleak and dreary setting in Norway gutting and slicing fish all day long. He's the sole bread winner in his home, a troubled relationship with his mother, and his burgeoning sexual awakening for a black queer man. While both actors did a great job, Hubert's facial features and forlorn looks truly brought something "extra" to this film. I'm truly happy to see this new wave to gay storytelling across racial, ethnic, cultural and socio-economic lines. This film is worth a watch.

First off Hubert Milkowski is a first rate actor, and hopefully Poland is proud to have him. In this excellent film he plays a young man Robert who has decided to leave Poland after a traumatic attack of gay bashing. The scene where he relates this to his lover, a young black man is deeply moving. Robert is working and badly paid for it in a fish processing plant. His lover is the owner's son. No spoilers but he goes through many compromises, both in his relationship with his lover and the work force around him. The passionate scenes are well shot, but do not fall into the too easy gay film trope of showing totally explicit sexuality. Erotic they are, intercut with Robert totally dressed in a daydream lying happily in the countryside his body relaxed looking fulfilled. This is in contrast to his tense and closeted self among the factory workers and even at the beginning with his future lover. In my opinion Polish film has come a long way since Polanski's ' Knife in the Water ' and Wajda. It deals with homophobia and racism, and this in itself is brave coming out of a Lodz trained director. It is expertly directed, with perfectly cast actors and it has its ambiguities which is not a negative thing. It is as complex as life itself. A deserved ten.

Coming out stories have become a staple of LGBTQ+ cinema over the years, and, through the years, these offerings have increasingly come to distinguish themselves by incorporating greater and more specific details about the circumstances under which these tales unfold. Adding such context has significantly helped these films establish themselves as stories that go beyond being works of fundamentally basic gay-themed cinema. However, by including these additional narrative elements, it's become incumbent on the creators of these pictures to seek to harmoniously integrate these supplemental aspects into their stories to make them more complete offerings. Such appears to have been the intent behind director Leiv Igor Devold's third feature outing, the story of a closeted laborer (Hubert Milkowski) who leaves his native Poland to take a job in Norway, hoping that he'll find a more tolerant way of life compared to the bigoted attitudes prevalent in his homeland. Upon arrival, however, he finds adjustment difficult, partly because he's unaccustomed to his newfound freedom and partly because of other challenges faced by immigrant workers, such as the bald-faced disrespect often inflicted on them, issues related to the difficulty involved in union organizing and seeking ways to balance his life in Norway with that of relatives back in Poland. All of these story threads have merit, too, but this release struggles to find an effective degree of integration, prompting the narrative to frequently wander as if lost in the Scandinavian woods. That's unfortunate, given that all the makings of an engaging story are present here, but they never quite gel into a cohesive whole, leaving viewers wondering exactly what the filmmaker and script writers were ultimately going for. Granted, the film shines a bright light on the widely held illusion of a "Norwegian dream," one that sadly seems to mirror its equally illusory American counterpart, but, that consideration aside, this tale ultimately raises more questions than it answers, leaving viewers as unsatisfied as its disillusioned protagonist. Indeed, staying put might not be the wisest decision for someone in need of making a change, but then an alleged panacea might not be the answer either. As ambitious as it might be to try to convey that notion cinematically, some things just don't work out in the end, as this film illustrates.