Die in a Gunfight

Diego Boneta gives the worst performance in a film in many a long year.

They should have included a booklet about the movie and bonus lsd tabs in the physical case. That could have been a good Special Edition!

This movie tries hard to be a mix of a Tarantino / Guy Richie / Wes Anderson type of vibe.

It fails dismally. Lazy & unimaginative writing, uninteresting characters, poor acting, inconsistent plot.

Overall, you'll have to force yourself to see it through to the end. Don't bother.

It was a fun story, but all the overshooting attempts at flair and pizzazz, got stale and annoying real quick. It felt more cartoonish than a romantic thriller. I don't mind commentary in a film, but there were too many attempts at humor that failed, as it did with some of the dialogue. The entire "loves to fight and lose" concept was infantile and unnecessary. Diego Boneta's character was really annoying in most of the film. I think the novice filmmakers - especially the two writers, couldn't pick a theme and stick with it. Had the cartoons been absent, and the story's tone more serious - throughout, it may have been more enjoyable. The pacing felt slow with the many long dragged out scenes, that were more filler than substance, that the 92 min runtime felt much longer. Nevertheless, the casting and performances were good for the most part, especially Travis Fimmel, and the cinematography and score probably the best features.

Some movies are cool. Some movies are quirky. The biggest problem with this movie is that it tries too hard to be both of those things. The story is a modern day Romeo and Juliet, not done nearly as well as Baz Luhrmann's amazing rendition. The attempt to frame shots and scenes in a way that shares the hipness with the audience just falls flat here. Alexandra Daddario is always good and this one is no exception; however, her performance is not enough to save this one. There are some fun scenes. The movie is disappointing but not the worst. I think the failure is not in the script and performances, but in the Direction and Cinematography.