Die in a Gunfight

It's a boring B-class movie with an annoying narrator and a cliche plot. I watched for 30 minutes and then skipped to the end, which was predictable.

Alexandra is still beautiful though. So, if you want to watch it for her, go ahead. But you're better off watching True Detective, if you know what I mean.

Within the first 10 minutes, this movie establishes a few things: The main character is unbearably and pointlessly annoying. The narrator sounds like your stoner friend in college. Every character in the film, no matter how irrelevant, needs to be introduced with a Guy Ritchie rip-off freeze frame. The sound editing is laughably amateur. The script is so full of cringe it hurts. The only thing impressive about this film is how badly it fails after trying so hard. I'm sure a large portion of viewers watched because of Alexandra Daddario, but even if you're her biggest fan, this is one performance you'll want to skip.

Looks to be a modern take on Romeo and Juliet? With a typical "hello fellow teens" cool guy main character that is essentially what a 15 year old would imagine a 27 year old bad boy to be. He smokes cigarettes and gets his ass beat for fun woah bro he doesn't even give a crap! Ok... Every time I thought a scene would actually flip into an action sequence with some actual fighting, guns, etc, It didn't. It was pretty much just a corny edgy drama the first 45 minutes or so with an unoriginal story.

They should have included a booklet about the movie and bonus lsd tabs in the physical case. That could have been a good Special Edition!

It was a fun story, but all the overshooting attempts at flair and pizzazz, got stale and annoying real quick. It felt more cartoonish than a romantic thriller. I don't mind commentary in a film, but there were too many attempts at humor that failed, as it did with some of the dialogue. The entire "loves to fight and lose" concept was infantile and unnecessary. Diego Boneta's character was really annoying in most of the film. I think the novice filmmakers - especially the two writers, couldn't pick a theme and stick with it. Had the cartoons been absent, and the story's tone more serious - throughout, it may have been more enjoyable. The pacing felt slow with the many long dragged out scenes, that were more filler than substance, that the 92 min runtime felt much longer. Nevertheless, the casting and performances were good for the most part, especially Travis Fimmel, and the cinematography and score probably the best features.