Avis Metacritic

It is the greatest biblio-climax of any film since "Fahrenheit 451," although Truffaut's prayer was that reading might yet survive calamity and carry the torch of the civilized. Detachment snufffs out that faith; books it warns us, are the first thing to go. [19 March 2012, p.91]

When it stays in the classroom, Detachment is a scrappy testament - to the futility of even trying to reach students who are cut off from the possibilities of knowledge, and to the way that our teachers are slowly being driven nuts.

People will either love Detachment or hate it, and either way it provides powerful testimony to the unrivaled passion and undiminished craft of director Kaye, whose notoriety in the film industry is matched by his near-total invisibility to the general public.

Adrien Brody, delivering his finest performance since "The Pianist," plays the central role of the disaffected Henry Barthes.

For all its untrammeled excesses - and Kaye has proved that he'd sooner torpedo his own career than accept a little constructive trammeling - Detachment is almost forcibly moving, body-slamming its audience into submission.

Scripter Lund, himself an ex-teacher, delivers a story that lacks nuance, and mixes badly with Kaye's impatient edits, Dutch angles and extreme close-ups.

The movie is one big scream, clichéd and hardly credible as an oblique call to civility.

Movies about teachers are flypaper for overblown armchair crusaderism, and this overbearingly cynical attempt gets my vote for worst offender yet.

Endng in risible bathos, Tony Kaye's urban high school melodrama is all about the cute teacher's crises and the girls who love him.

Detachment drives a coffin nail through a noble profession with such ruthless virulence that it makes no point at all.