Bully

In a world of competition one less competitor is a victory for the survivor. We know today that it is cooperation that brlngs about development amongst humans and not competition which only brings about degeneration and death. The American society that allows rich men to bully poor men to death is a society of apes, more or less. Actually it's worse than a society of apes. Competition is hailed because, like this film and other occurrences show, it keeps the poor fighting each other for the crumbs from the rich's table and keeps them from cooperating to get rid of the rich bullies. The American way of life is an abomination - get rid of it.

Written by Markus Robinson, Edited by Nicole I. Ashland

Ever since the Weinstein Company has been petitioning the MPAA to assign "Bully" a "PG-13" rating instead of the dreaded "R", there has been controversy surrounding its distribution. There have since been reports that the Weinstein Company plans to release this documentary as "Unrated" to get around the MPAA stranglehold, which may doom it to the dreaded "limited release" realm of no return and rarely seen. So what is the deal? Why was (until quite recently) "Bully" pulling an "R" rating? Does "Bully" advocate bullying? No. Does it use language that your twelve year son/daughter/sister/brother doesn't hear at school every day of his/her life? And (the one that terrifies the MPAA the most) is there any nudity? NOOOOOO. The biggest controversy of this film, and the main idiotic reason that this film pulled an "R" rating for the longest time, is the fact that audiences will actually see middle school and high school kids visibly getting shoved around, punched, and called awful names. And while the images here will be disturbing to parents and teens alike, they need to be seen by a demographic that is actually living through the controversial themes the movie brings up. The awful truth is that 13 million children are bullied every day. So, for the MPAA to have slapped it with an "R" rating is simply irresponsible. "Bully" is a cut and dry example of subject matter superseding the MPAA's fundamentally rigid beliefs of counting the number of F-bombs in a movie.

Now, here is my review of "Bully":

Like a real time therapy session for anybody who has ever been bullied in school, "The Bully Project" or "Bully" as it has been retitled, may not only be responsible for stirring up more pre-release controversy than any documentary in recent history, but also be one of the timeliest documentaries ever released. What director Lee Hirsch tries to do here, is give audiences and inside look at bullying in today's public schools by actually documenting a few victimized teens (ranging in ages from 12 to 16) as they are in the midst of day to day social bullying. The film begins with the story of a boy named Tyler, who killed himself as a direct result of being constantly ridiculed and physically abused from his peers at school. Hirsch films Tyler's parents as they discuss the dire epidemic that is school bullying today, and then we get to see bullying through the eyes of a child in a heartbreaking reality, as Hirsh introduces audiences to Alex, age 12. Alex is an undersized boy who is subjected to constant ridicule and scorn from his peers. And I'm not just talking about older kids at school calling him names. Hirsch follows Alex as he is seen getting his lunch stolen, physically hit in the back of the head, shoved to the ground and in one case stabbed with a pencil on the bus (as the bus driver does nothing). The tragic mental and physical abuse this child goes through will reduce many audience members to tears instantaneously. For others, the emotional damage this young man goes through on screen will be nothing less than anger inducing. If you had forgotten how bad it was being a teenager when you went to school, Alex will serve as a not so subtle reminder of how brutal some kids have it. And what's worse is Hirsch's depiction of how out of touch the adults are with their children, in conjunction with how seemingly unflinching school administrators act when confronted about bullying in their own schools.

Final Thought: Unfortunately at times the subject matter of "Bully" is better than the film itself, even though Hirsch does daring work. What I mean by that is, that for how hard hitting his subject matter was, the filmmaking (or how the film was put together) could have been better if it would have included every aspect of bullying. In many ways this film only scratches the surface. In saying that, the film does more than serve its purpose. This isn't just a movie about the struggles of fitting in. This is an uncensored look into a bullying epidemic that up until a few years ago had been mostly swept under the rug of American society. So, even though it is doubtful that "Bully" will be the most well made documentary I see all year, it will most definitely be the most important; and one not only every child should see, but entire families should see together.

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Bully is a film that needed to be made. I believe at one point in time we were bullied, some of us were bullies, and most of us were been a bystander to bullying. For years, we've seen fictional characters be bullied in many Hollywood productions, that provided audiences with simple, relatable, and moderately effective entertainment. The characters were familiar, the plots were conventional, but we laughed, liked the characters, and wanted them to succeed more often than not. Never have we seen bullying in its rawest form, and capturing that on film is one of the hardest, most emotion-testing things one could do with the art form.

In the documentary, we follow around five people from all across the U.S. who have encountered bullying in some way or shape in their school. In Oklahoma, we meet openly gay Kelby Johnson, a down to earth youth who has been outcast for her sexual orientation. She has a tight bond with her friends, including her girlfriend, but personal feelings of inferiority and the looming thought that she'll never be like everyone else has lead her to try to take her life three times. It is a bit sad her story couldn't have been elaborated more. The subject of gay bullying could've been a documentary on its own.

In Mississippi, teenager Ja'Meya Jackson pulled a loaded gun on a bus full of students, enraged and hurt at the fact that she had been bullied for months and not a single person had taken action. She didn't kill anyone, but her life has changed greatly since the event. In Iowa, we meet Alex Libby, a socially awkward loner, victim to verbal and physical abuse on his school bus for a face resembling a fish. He is a quiet soul, bottling up his rage and hatred for people and coldly tells the camera "sometimes I want to become the bully." The other two children's stories are told through their parents, because they committed suicide for continuing arrogance to the problem. Kirk and Laura Smalley, parents of their late son Ty who took his life at the tender age of eleven, have started an organization called "Stand for the Silent" in hopes that people will speak out for those who aren't. The fifth boy is the deceased Tyler Long, who killed himself at seventeen because of ongoing torment for his weak appearance and uninvolved athletic status.

As a documentary, Bully is a surface-scratcher, going for an expansive view on the issue, rather than a deep, moving one. It manages to pull in a number of different souls who have been victim to harsh, uncalled for treatment, but never seems to explore them to the level of depth that we'd like. We also, never get a look at the other side of the road, from a bully's perspective. Why does one bully? Why does one take pride in hurting other people? And does their homelife really have anything to do with it, or do they just enjoy the pain and torment his victim feels? Bully paints the issue as one with no feasible solution other than to police the grounds carefully and intricately.

Bully has also been garnering a plethora of controversy surrounding the MPAA's decision to stamp the film with an R-rating. Director Lee Hirsch stated by doing that, the film would then be out of reach to children who the movie is directly made for. This is another move by the MPAA, made by completely tuning out the impact a film like this could have, in exchange for sticking to old, worn, outdated policies from an organization far too biased in their decision-making. The film was released for two weeks with an "Unrated" rating, rejecting the MPAA's suggested rating, before the edited cut, the one now in theaters, was released moderately theatrical with a few of f-words subtracted to try and garner more revenue and viewership.

With that being said, the documentary is definitely worthy of recognition and is almost required viewing for not only young children, but parents as well. It gives hope to the unlikely outcasts, which I have always enjoyed seeing, and it provides people with the feeling that things are being done. For one, we are seeing a documentary on the issue and organizations are being created to stop it. Things are getting done, but will the problem be eliminated, is my question. Last year, I watched an ABC Family movie called Cyberbully, about a teen girl who was being harassed and attacked viciously on the web. Throughout the showing, commercials aired stating "stomp the bullying" and "delete the drama," but who really was paying attention? Are bullies going to look at a Television film and thing "what I'm doing is wrong, I should stop?" Most likely no. They will embrace it with a cold shoulder, ignoring its messages and its morals.

I'm optimistic about the response for Bully, but as far as eliminating the degrading act, that would have to mean taking away peoples' feelings of inferiority and superiority to one another. That just can't be done. It's the painful side of the world and human nature. Bully is the first documentary I have had the pleasure of seeing in theaters, and despite noticeable restrictions, it is a brave film with a lot of heart, humanity, and soul. A bold and daring exercise that could change the way documentaries are produced. The MPAA should've debated that before seeking out the rubric for their tired policies.

Starring: Alex Libby, Je'Maya Jackson, Kelby Johnson, Kirk Smalley, Laura Smalley, and Kim Lockwood. Directed by: Lee Hirsch.

If you are a caretaker of children in anyway I recommend this movie to you. I hope this director may consider doing a movie on corporal punishment in public schools in America. You come away from this movie thinking change could be simple but it is anything but. It takes a lot of support (Money) to create a noticeable change. Many of you may come away thinking, "how could that person be so ignorant". Beware, this movie is painful to watch. I wanted to jump out of my seat many times during this movie wanting to stop the insanity. You may want to write your congress as a place to start. I hope that you see it and I hope that you are educated by it.

You'd have to have a heart of stone not to feel for the victims in Bully. Lee Hirsch's documentary follows five families as they struggle with the effects of schoolyard bullying. But while apparently inarguable and straightforward, the film's subtle skewing obscures a number of nagging questions.

To its credit, the film lets its subjects speak for themselves. A broad range of impacts are represented: two of the families are recovering from the suicides of their sons who preferred to take their own lives rather than face another day of torture at school. One girl is facing 46 felony charges after she confronted her tormentors with her mother's handgun. Another girl  (an honor's student and star athlete) has dropped out of school after suffering abuse from both teachers and students when she came out as a lesbian. And the fifth example shows the bullying in progress, a young boy with Asperger's Syndrome who gets picked on practically every moment of his life.

This last example is the most squirm-inducing...and highly impressive film-making. You have to wonder how the film-makers got this footage of the wanton sadism of children. Was the camera hidden? Or were the kids just blithely, flagrantly monstrous, heedless of the consequences of being observed? Sadly, the latter scenario is all too plausible. It's the pervasiveness of such cruelty that chills the blood. The movie depicts not only the overt brutality of schoolmates, but the subtler meanness of parents, siblings, teachers, bus drivers and principals. If anything, the statistics the film-makers give out must low-ball the extent of the problem. Isn't everyone involved at some level?

Which leads to one of my criticisms. The five stories the film examines all take place in the south and mid west, and happened in rural areas and small towns (Sioux City is the biggest population center represented). This might imply that bullying is unique to those regions. But, as we all know, the problem is universal – there is just as much of it (if not more) in the north and in urban areas. (The case of Tyler Clementi springs to mind).

And there are some omissions in the depth of the film's probing. One of the kids (an eleven year old) killed himself with a gun. Another brought a gun to school; had it gone off, she would have been a school shooter, crossing the line from victim to monster. Bullying is a subset of the larger problem of human violence, which extends far beyond the school grounds. Contrary to what the film seems to imply, it will take far more than a "Stop Bullying" campaign to stop bullying  -- it will take a miraculous revolution in every human heart. But the film shines a light on one finite manifestation of the problem, and awakens our sympathy and concern, and that's a start.