Tilt

I saw this product (i can't dignify it to name this a movie) with a big delay,almost decade after, and it is frustrating to find that it look exactly like all other Bulgarian BS that happened lately. as a norm period movies should look even better after ten more years, it means, if they shoot 1989-1991 period in 2010, there will be some imperfection depicting the previous epoch, so, when you get the seen after ten more years, the 90's should look little bit more real, supposing we add this 10 years on the account of historicity. So...I don't find relevant to talk about this thing here, just wanted to intervene on something else. much more abstract. This almost structural deadlock this feature that almost in every Bulgarian cinematic attempt that intent to be taken as a movie we got this constant female characters to be involved in dancing. It as a symptom for the immature stage of the idea in our art. Because we are not able to deal with cinematic movement in the plot we put some body in this simplifying motion, lacking every tension in the narrative to be aufgehoben on the level of the bodily expression, that instead to be involved in some dynamics accomplished through usual cinematic features-genre (action, film noir, suspense), movement of the camera, etc , the lack of such consciousness appears on this strange depiction of the female characters, to be made dancers.I will not mention here every Bulgarian "films'from last few years where we got female dancing, but this feature is almost omnipresent.

I didn't expect much and that's why I'm neither disappointed ,neither fascinated. We all know that the situation in 1989 was not pink. We all know a lot of stories, a lot of movies have been made about the so called"transition".And yet again the same story.I'm tired of watching the same story again and again. The forbidden love and the s****y communistic rules. The actors are new, they are fresh and may be they made me like the movie a little bit more that the others. So as a final: Not bad movie , could've been much better, but ... we can't change it now . It is not total crap , it is not an Oscar winning movie.

TILT is not surprisingly the Bulgarian entry for the Oscars in 2012. The film is beautifully shot, the story intriguing depicting the changes in Bulgaria in the period 1989-1991 in a fresh, non-political manner, with outstanding acting performances.

As a European production the film has the distinctive characteristics of independent films, however, it is not annoyingly artsy. Moreover, the visual style is distinctively creative, which a novelty for Bulgarian cinema.

What I found especially noteworthy is the humor with all the serious issues of the story are presented, not diminishing their significance, moreover highlighting them that makes the film also very entertaining and pleasant to watch.

The main premise is a love story that that however does not make TILT suitable only for younger audiences. The years the film is set to depict are important for Bulgarian history and familiar to a number of generations.

Overall, I recommend TILT to various audiences that enjoy quality filmmaking.

TILT is a really well-told story of the unpleasant and rough Bulgarian reality after the fall of communism. It's violent and romantic, it's brutal, but honest, it's painful to the ones that once shared the characters' story and are now reminded about it, but I believe it helps them reevaluate this part of their lives and gives them strength anew to tackle their current problems.

Apart from the meaning and the message, this is one of the most professionally shot and edited movies from Bulgaria. The actors were very good - young, beautiful, sexy and very talented. The director has also done a great job, the cinematography is simply beautiful.

It has controversial and interesting characters and a good story. Maybe harder to understand for people that have never directly come in touch with communism, but keeping your attention till the end. I felt fresh after I walked out of the theater. Definitely one of the movies that the current Bulgarian generation will play to their offspring.

Although many Bulgarian directors choose the fateful events of the end of 1989, and the subsequent transition to municipal democracy as background to their films, TILT is definitely not clichéd or melodramatic.

The story encompasses the fall of the Communist behemoth in Bulgaria and its metamorphosis in the early 1990s into the mafia that will corrupt a good part of the Bulgarian population in various ways.

My primary criticism in Bulgarian films used to be cinematography. TILT is, however, beautifully shot and the color grading accentuates the mood of the film.

The music/score was also superbly used, giving TILT a fresh breath of air. The storytelling was decent.

My only criticism of the film is the excessive use of profanity--after a while it felt forced.

10/10