The Revenant

Finally saw this movie (yes 4 years late) and I understand why Leonardo won the Oscar, along with the many academy awards the movie and director won. It is a cinematic masterpiece. The cinematography is amazing, the whole cast (Tom Hardy is great here) is great. The costumes and weapons used (early 1800s) look so damn good. The story is very simple and not complicated. It is about revenge and surviving in the cold and icy wilderness of 1823. The action scenes are brutal and gritty, like they should be for that time period. Officially in my top 10 movies of all time. If you've never seen this film, do yourself a favor and rent it or buy it. It definitely deserves to be in your collection. Some people might not like all the spiritual stuff or reading subtitles (lots of Native American language here) but it is needed since there a lot of interaction with Native American tribes here. FINAL REVIEW 10/10

Take the direction of Alejandro González Iñárritu, combine it with the stunning cinematography of Emmanuel Lubezki and toss in Leonardo DiCaprio and Tom Hardy for their acting charms and what do you get? An extraordinary and masterful film.

Fresh off of 'Birdman,' Iñárritu moved straight on to 'The Revenant,' a western-epic inspired by the true-life experiences of frontiersman Hugh Glass in the winter-struck landscape of 1820s America. The film gained some notoriety in mid-2015 for its production problems and has thus been regarded one of the most challenging film shoots in the history of cinema. Rightfully so. The film opens with the soothing sound of running water, thrusting the audience into an almost meditative state, and then it strikes, an action-packed sequence ensues with a near single sweeping take. Now this is a spoiler-free review, so I'll leave the pleasure of viewing that scene to you.

This film heavily evokes reactions from the audience and does so well, whether it's staring at the screen in awe or gasping at the visceral violence, if you face this film with the right attitude and expectations, it will be a thrill ride like no other. Lubezki has proved that he is one of the most fantastic cinematographers of modern cinema, and the extensive use of natural lighting over artificial supports that statement even further, the film is beyond stunning. Supporting this is the score from the relatively unknown composers, believe me, when the sudden orchestral boom strikes your eardrums, it's mesmerising.

The makeup, the direction, the editing, the visual aesthetics, and of course the performances from a hopefully soon-to-be Oscar winning DiCaprio, 'The Revenant' is a visual treat for those who appreciate cinema and for those who wish to just get absorbed by the immense landscapes and poetic justice Iñárritu has given it. This is, for me, a modern masterpiece.

The Revenant (2015), Alejandro G. Iñárritu's sixth film, is one of the most visually stunning statements ever put to film in cinema history.

With a simple plot of chaos ensuing, and a father's quest for revenge, there is not much to the story, albeit I thought it had some emotionally engaging moments. Rather, it is The Revenant's technical merits that makes it truly unique.

Naturally, DiCaprio's performance is in a class of its own, and what the entire crew endured is impressive, shooting the film only in natural lighting and thus extending production considerably. Rather, it is Iñárritu's expert vision for cinematography and ability to translate this vision to his director of photography which is the driving force in making The Revenant a special piece of cinema. The way in which Iñárritu takes the viewer on an intricate journey through America's nature is breathtakingly beautiful and brutal - this is truly a place a survival, chaos and solitude. The film's depiction of this is not for the faint-hearted with its gruesome violence.

Highly recommended for its cinematic value.

The natural landscape and some of the scenes are overwhelming and spectacular! The camera-work is so immersive, you believe are a part of Hugh Glass' journey through the wilderness and back to civilization. Also with great performances not only by DiCaprio, but also Hardy, as the unsympathetic fellow fur trapper leaving Glass behind.

Story-wise, it is a bit thin for a 156 min picture. Glass' quest for vengeance is sometimes lost as he utters few words about his drive and is being more or less, chased himself. The story arc of the Indians quest for their daughter felt a bit out of place and strange. We also get to see the fur trappers p.o.v. that left Glass behind and the Captain way ahead of them. Which in my opinion takes a little bit of the magic of Glass' total perilous journey.

All my stars goes to the beauty, production value and performances alone! Regardless, this is one of those overlong movies one like, but would not sit out for another viewing!

In a cold and bitter land the pelts are gathered, in these times and in this place it's quite a hazard, as the indigenous attack, many find arrows front and back, as they seek to find a daughter who's been taken. An escape leads to a boat and then a hike, where Hugh Glass becomes the victim of a strike, from a rather angry bear, who pokes, prods, rips, shears and tears, leaves him motionless and looking quite deathlike.

And so begins a tale of revenge and retribution, of persecution and those with an incredible constitution, in conditions as bleak as any opposing restitution. Great performances all round, especially the two adversaries, from a great director who can spin a yarn, through cinematography that really captures your imagination, and leaves you grateful for the home comforts you have today.