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Polisse

  • 2011
  • Tous publics
  • 2h 7min
NOTE IMDb
7,3/10
16 k
MA NOTE
Polisse (2011)
A journalist covering police assigned to a juvenile division enters an affair with one of her subjects.
Lire trailer2:23
2 Videos
45 photos
CriminalitéDrame

Une journaliste couvrant le travail des policiers de la brigade des mineurs entame une liaison avec un de ses sujets.Une journaliste couvrant le travail des policiers de la brigade des mineurs entame une liaison avec un de ses sujets.Une journaliste couvrant le travail des policiers de la brigade des mineurs entame une liaison avec un de ses sujets.

  • Réalisation
    • Maïwenn
  • Scénario
    • Maïwenn
    • Emmanuelle Bercot
  • Casting principal
    • Karin Viard
    • JoeyStarr
    • Marina Foïs
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    16 k
    MA NOTE
    • Réalisation
      • Maïwenn
    • Scénario
      • Maïwenn
      • Emmanuelle Bercot
    • Casting principal
      • Karin Viard
      • JoeyStarr
      • Marina Foïs
    • 38avis d'utilisateurs
    • 167avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires et 22 nominations au total

    Vidéos2

    U.S. Version
    Trailer 2:23
    U.S. Version
    Polisse
    Clip 1:59
    Polisse
    Polisse
    Clip 1:59
    Polisse

    Photos45

    Voir l'affiche
    Voir l'affiche
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    + 39
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    Rôles principaux81

    Modifier
    Karin Viard
    Karin Viard
    • Nadine
    JoeyStarr
    JoeyStarr
    • Fred
    • (as Joeystarr)
    Marina Foïs
    Marina Foïs
    • Iris
    Nicolas Duvauchelle
    Nicolas Duvauchelle
    • Mathieu
    Maïwenn
    Maïwenn
    • Melissa
    Riccardo Scamarcio
    Riccardo Scamarcio
    • Francesco
    Karole Rocher
    Karole Rocher
    • Chrys
    Emmanuelle Bercot
    Emmanuelle Bercot
    • Sue Ellen
    Frédéric Pierrot
    Frédéric Pierrot
    • Baloo
    • (as Frederic Pierrot)
    Arnaud Henriet
    • Bamako
    Naidra Ayadi
    • Nora
    Jérémie Elkaïm
    Jérémie Elkaïm
    • Gabriel
    Wladimir Yordanoff
    Wladimir Yordanoff
    • Beauchard
    Laurent Bateau
    Laurent Bateau
    • Hervé, le mari de Nadine
    Carole Franck
    Carole Franck
    • Céline
    Marcial Di Fonzo Bo
    • Le prof de gym
    Anne Suarez
    Anne Suarez
    • Alice
    Sandrine Kiberlain
    Sandrine Kiberlain
    • Mme de la Faublaise
    • Réalisation
      • Maïwenn
    • Scénario
      • Maïwenn
      • Emmanuelle Bercot
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs38

    7,316K
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    10

    Avis à la une

    9Franco-23

    Interesting, realistic, very good film

    I had no idea that this film had many nominations at last year's César awards (the french Oscars). I started to see it on cable and immediately got interested in the subject and the way they handle it. It's straight forward but subtle at the same time. It has a good moving pace, there's always something going on. The array of characters is very rich and even though there's no time to get more deeply into their private worlds, you get to understand that they are mere human beings doing their best at their job, which is trying to protect all "minors" from abusive situations. I specially liked the realism of the characters, you end up caring for most of them and wishing them well in their actions.
    8lastliberal-853-253708

    It sticks in my throat. It tears me up.

    The average time that someone can work in child protection is two years. Some last longer, or there would not be supervisors, but it is a rough business, as this film depicts.

    What should grab you is that they move from case to case without any continuity. This is the real world of child protection. You deal with a druggie mother today, a pederast grandfather tomorrow, and neglected or abused children the next day.

    Some may find the language off-putting, but that is the way it is. You are under such stress during work, that you have to relieve it somehow after you get off. It may be crude, but it is effective.

    I can also relate to those who lose it occasionally. You can put your heart and soul into this job, and get frustrated easily by parents and the bureaucracy.

    The film may have been actors, but it has a documentary feel as they portray the action as it really happens.
    8vcuty

    i liked it!

    now that is a good film..too much talk in the dialog, which is famous in the french cinema and drama in general ,but this time it was well used i was not bothered by it,it's stayed real,and dealing with a true realistic problem without exaggeration, presenting it as is- i felt like as if its a reality drama ,that a hidden camera was shooting a real life events not drama,that is success,the film is deep and subtle and its emotional too,acting is very well carried out... even by the minors who were interviewed and the children,i must emphasis on" Maïwenn's" acting ,it was very calm yet deep and superb."Joey starr" was good too in some moments though he was exaggerating in anger in others but over all good acting i say if you have a chance to go watch this film, please do it s worth it really.
    7OJT

    Raw truth, but Difficult to watch and comprehend

    Polisse is a documentary style feature film, which follows French police working with child molestation and abuse. We're follow them in a film without a plot, only everyday life and troubles, and through dinners and bar escapades. The cases and the language is really rough stuff, and this is obviously not for everyone. If you're easily offended, keep away.

    We're given no explanation, just follow what happens as a fly on the wall. So is the director here, Maiwenn, which uses a small tourist camera, taking pictures all the time. Strange, and looking quite unprofessional, but then she is originally an actor. We're looking at actors, but this is all based upon real life, we're told, at least.

    We see some horrific cases of them unveiling child abuse of different kinds, and when they talk in their spare time, the language is very graphic. Maybe this is a work hazard, still I find it strange that these grown ups talk low life language, using all kinds of sexual words when they seem to have a normal conversation. It might be right, but maybe this feels too much for an ordinary viewer. At least I thought so, and I'm not easily offended.

    Two more things irritate. First of all Maiwenn, photographing everywhere with her old camera. She looks lame doing this, and ruins the impression of this as a serious movie. Sue's like a misfit, or bimbo in this film. She's acting, and I don't understand her mission in this. But being writer and director, she obviously needed a role as actor as well. With better professional help, the film would have been way better. Still there's lots of stuff which will hit you hard here.

    The police acting like this in their spare time makes us also questioning their motives as well as their credibility and them being real professionals, though we really down to earth understand they are well qualified personnel. But from time to other you really wonder...

    Interesting, and nice try, but still the film has some troubles impossible to disregard.

    The second main problem is we never follow out the interesting things which we see. It's all small fragments. We don't get to know people. Instead we get longer pieces of non-important dancing at night clubs and ridiculous discussions. Still this is interesting, and worth to watch. Just expect to be annoyed, insulted, chocked, bored and disgusted every other minute.
    8cblittle

    Great, gritty, documentary feel

    What an excellent film!

    Full of good dialogue that feels real and down to earth it was not surprising to hear Maiwenn say (at the Sydney Film Festival Q&A) she had spent time with the real CPU. The reality of the emotions and the truthfulness of the situations this team faced was evident and really made the difference to this film.

    What stops the review getting full marks is the films tendency to let some of the less interesting scenes play for too long. Oddly it's also the love story she included to make the film seem less bleak and Maiwenn's own character that become unnecessary and make the movie overburdened and run a little too long.

    The cast is absolutely fantastic and engaging. Their relationships heartfelt and natural; you would think they had been playing this together for years.

    This is a movie of the tougher, grimy side of a city. It presents the human behaviours we shudder to believe exist. And yet, handled so superbly, you will not feel wrung out or overwhelmed. It's a terrific movie that will have you talking for a long time.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Maïwenn's first idea for the title was "Police", but another film already had this name: none other than famous French director Maurice Pialat's film in 1985. Her next idea was, "Vous êtes de la police?", but it too was already a film title. One day, as her young child was learning to write, he misspelled "Police", and she saw in front of her eyes the perfect title considering the subject of her movie, with a child's writing: "Polisse".
    • Connexions
      Featured in Ebert Presents: At the Movies: Épisode #1.18 (2011)
    • Bandes originales
      L'Île aux Enfants
      Music by Roger Pouly

      Lyrics by Christophe Izard

      Performed by Anne Germain

      (p) & (c) 1974 Editions de Alouettes (catalogue Technisonor)

      Avec l'aimable autorisation de Sony ATV

    Meilleurs choix

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    FAQ19

    • How long is Polisse?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 octobre 2011 (France)
    • Pays d’origine
      • France
    • Sites officiels
      • Official site (France)
      • Official site (Hungary)
    • Langues
      • Français
      • Italien
      • Roumain
      • Arabe
    • Aussi connu sous le nom de
      • Cánh Sát Pháp
    • Lieux de tournage
      • Boulevard du Palais, Paris 1, Paris, France(scene at the café)
    • Sociétés de production
      • Trésor Films
      • Arte France Cinéma
      • Mars Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 211 440 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 568 $US
      • 20 mai 2012
    • Montant brut mondial
      • 20 601 245 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 7min(127 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 1.85 : 1

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