NOTE IMDb
6,7/10
8,3 k
MA NOTE
Une élégante maison close parisienne au début du 20e siècle abrite un huit clos de plaisir, de douleur, d'espoir, de rivalités et surtout d'esclavage.Une élégante maison close parisienne au début du 20e siècle abrite un huit clos de plaisir, de douleur, d'espoir, de rivalités et surtout d'esclavage.Une élégante maison close parisienne au début du 20e siècle abrite un huit clos de plaisir, de douleur, d'espoir, de rivalités et surtout d'esclavage.
- Récompenses
- 6 victoires et 15 nominations au total
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
Histoire
Le saviez-vous
- AnecdotesThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- GaffesA character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- Crédits fousDedication before end credits: "For Charlotte"
- ConnexionsFeatured in Ebert Presents: At the Movies: Épisode #2.23 (2011)
- Bandes originalesPlaisir d'Amour
Written by Jean-Pierre Claris de Florian and Jean-Paul-Égide Martini (as Jean Paul Égide Martini)
Performed by Eloïse Decazes
Piano by Bertrand Bonello
Commentaire à la une
I loved this film, I am surprised to see more than one review damning the film for a lack of plot. There is most definitely a plot it's subtle and thoughtful but the characters all have an arc and, for some, very definite resolutions.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
- cherryredpinup
- 28 janv. 2012
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Détails
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 19 327 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 766 $US
- 27 nov. 2011
- Montant brut mondial
- 1 389 920 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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Lacune principale
By what name was L'Apollonide (Souvenirs de la maison close) (2011) officially released in Canada in French?
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