Alors qu'il est de service dans une salle d'écoute, un agent fédéral écoute la cible se faire attaquer par un groupe de tueurs. Sans brûler le fil, il doit protéger l'enquête et la vie de la... Tout lireAlors qu'il est de service dans une salle d'écoute, un agent fédéral écoute la cible se faire attaquer par un groupe de tueurs. Sans brûler le fil, il doit protéger l'enquête et la vie de la cible depuis une pièce située à 80 km de là.Alors qu'il est de service dans une salle d'écoute, un agent fédéral écoute la cible se faire attaquer par un groupe de tueurs. Sans brûler le fil, il doit protéger l'enquête et la vie de la cible depuis une pièce située à 80 km de là.
- Réalisation
- Scénario
- Casting principal
- Will
- (non crédité)
- Detective J. Martinez
- (non crédité)
- Bar Patron
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- Sheriff Deputy
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Avis à la une
But regarding all his movies since 2019/20 it is important to recognize the following: Earlier in 2022 Willis announced to end his acting career after he and his family made public that he suffers from aphasia, which is a brain disorder that can affect a person's ability to speak, listen, read and write. Obviously, this heavily affects his ability to act, remember lines and interact with other actors. This was probably also the reason why he didn't have much screentime in his last big movie, Glass, after the first act.
This puts things into a totally different perspective.
As far as I know Willis is financially secured, he didn't need to do it for the money. He kept starring in movies because he just LOVED making them, being on set and being part of the collaborative effort to create a movie.
It is easy to dismiss Willis' latest efforts as bad movies, they mostly are, but considering his condition offers a different perspective. "Wire Room" will most likely be one of his last movies, his very last movie will probably be "Paradise City" (currently in post-production) in which he worked alongside John Travolta one last time.
Instead of focusing on his last movies, we should celebrate and honor Bruce Willis for all his great work and the impact he had on the whole movie industry in over 40 years.
Thank you for all the amazing cinematic experiences you have given us over the last decades, Mr. Willis. I wish you and your family all the best.
Disclaimer: I am not a native english speaker, so I apologize for any grammar mistakes.
This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.
The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.
Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.
Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).
What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.
Sadly, only worth viewing for Dillion and Willis.
Le saviez-vous
- AnecdotesThis movie was shot in just 7 days.
- GaffesIn the safe opening scene, Kevin Dillon's pistol alternates between the slide being forward and the slide being locked back- hence, empty.
- Citations
Eddie Flynn: You're gonna help me get out of here alive. And then I'm gonna pull a Keyser Soze, ride into the sunset.
- ConnexionsReferences Usual Suspects (1995)
Meilleurs choix
- How long is Wire Room?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sala de comunicaciones
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 36min(96 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1