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Isenhart et les âmes perdues

Titre original : Isenhart - Die Jagd nach dem Seelenfänger
  • Téléfilm
  • 2011
  • 2h 5min
NOTE IMDb
5,0/10
517
MA NOTE
Isenhart et les âmes perdues (2011)
AventureFantaisieThriller

Ajouter une intrigue dans votre langueThe young Isenhart grows at the castle guards to Laurin. Together with his friend Konrad he receives all the privileges of nobility. But it happens a cruel murder: Anna Isenhart's great love... Tout lireThe young Isenhart grows at the castle guards to Laurin. Together with his friend Konrad he receives all the privileges of nobility. But it happens a cruel murder: Anna Isenhart's great love is brutally murdered - in her breast a gaping hole in her heart is missing. Isenhart vows... Tout lireThe young Isenhart grows at the castle guards to Laurin. Together with his friend Konrad he receives all the privileges of nobility. But it happens a cruel murder: Anna Isenhart's great love is brutally murdered - in her breast a gaping hole in her heart is missing. Isenhart vows to bring the murderer to the track. When he witnesses a murder further, having the same p... Tout lire

  • Réalisation
    • Hansjörg Thurn
  • Scénario
    • Holger Karsten Schmidt
  • Casting principal
    • Bert Tischendorf
    • Michael Steinocher
    • Emilia Schüle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,0/10
    517
    MA NOTE
    • Réalisation
      • Hansjörg Thurn
    • Scénario
      • Holger Karsten Schmidt
    • Casting principal
      • Bert Tischendorf
      • Michael Steinocher
      • Emilia Schüle
    • 5avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos1

    Voir l'affiche

    Rôles principaux26

    Modifier
    Bert Tischendorf
    Bert Tischendorf
    • Isenhart
    Michael Steinocher
    • Konrad von Laurin
    Emilia Schüle
    Emilia Schüle
    • Sophia von Laurin
    Sebastian Ströbel
    • Henning von der Braake
    Klaus J. Behrendt
    Klaus J. Behrendt
    • Sydal von Friedberg
    Patrick Mölleken
    Patrick Mölleken
    • Isenhart - jung
    Xenia Assenza
    Xenia Assenza
    • Anna von Laurin
    • (as Xenia Georgia Assenza)
    Jeanette Biedermann
    Jeanette Biedermann
    • Sonja
    Nastja Breckner
    Martin Feifel
    Martin Feifel
    • Sigimund von Laurin
    Torsten Hammann
    • Michael von Bremen
    Erhart Hartmann
    • Erhard, Diener von Ascisberg
    • (as Erhard Hartmann)
    Johannes Krisch
    • Walther von Ascisberg
    Gotthard Lange
    Gotthard Lange
    • Hieronymus
    Dennis Mojen
    Dennis Mojen
    • Konrad von Laurin - jung
    Anton Noori
    • Kaufmann von Toledo
    Hary Prinz
    Hary Prinz
    • Medicus Günther von Martensen
    Piro Rempel
    • Bote
    • Réalisation
      • Hansjörg Thurn
    • Scénario
      • Holger Karsten Schmidt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5

    5,0517
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    Avis à la une

    Kirpianuscus

    decent

    a decent mix of fairy tale and Medieval references. not great but nice. using the knight and his desire of revenge, the science and the magic in smart manner for a comfortable coherence of story. the low budget is its virtue and its weakness source. its virtue because gives the chance to the story to be the most important part. a sin because the acting is only pretty, the dialogues - better by other films from same genre and a drop of realism could save many not the most inspired details. but it is a pretty film. not original but reasonable in the way to send its message. and this is a good thing. in same measure, the androgen aspect of the lead actor could be a virtue for the atmosphere.so, a decent work.
    5Haleyun

    Atmospheric Environment Compartmentalizing A Complex Topic.

    "The real world can only be understood by rejecting God as an explanation. Anyone who answers a question by invoking God's will just doesn't know. The way to knowledge is paved by curiosity and inquiry, not by faith and dogma. Inquiry means movement, faith means stagnation, for faith is content with ignorance."
    • 'The Non-Existence of God' by Sydal von Friedberg


    "Presenting two extremes as the only two options in a choice is a logical fallacy called a false dilemma. This fallacy misrepresents the issue and excludes any nuance, which just isn't reflective of the way the world works." - Dr. Fran Turek

    A tale that unintentionally touches on how the powerful dictated religion, science, and law among the masses, limiting the People's exposure to learn for themselves, what this film has going for it is the historical setting, the somber mood with macabre dealings, and the hint of magical romance. If the same tale were told as a modern story, I think it would alienate and fail, flat out. The anti-faith message starts to get heavy but the actions and dialogue of the skeptics become monstrous and zealous, faithless religious fervor unto itself. The skeptics, even our protagonist, have been conveniently given future eyes, where they have lofty ideas about the advancement of science while everybody else, especially those of faith, are damnedly ignorant.

    An interesting tale considering it's German connection. A tale of scientific exploration causing a travesty by murdering innocents to examine their anatomy and their souls. A twisted perception of that which we don't know in God and eternity and the soul. I think the writers wanted to show how faith caused ignorance and death, and science could get you murdered because faith wouldn't let it flourish. This doesn't age well considering the recent abuse of science for politics and pandemics, or as appropriate as ever, the elitist mind set that some deserve knowledge at the expense of most. It's almost like the writers don't remember a tragic World War and it's travesties.

    When you look at historical elitist communities, royalties at times, they would decree their laws in the name of God or in the name of their own lineage or in the name of country. This is why many preferred for the masses to not know how to read, or at least not know the language that the Bible was written in. What was also common though, was a man of faith being a man of science. Science was not forbidden to people of faith but education was forbidden for the lowly ones, lest they become smart enough to topple their rulers. This mentality still exists today, where science and faith are pitted against each other to exert control but both are very complimentary of each other for a sincere seeker.

    According to this tale, you die by faith, ignorantly, but are murdered for science. And it's faith's fault that science cannot flourish, since science cannot force itself on some to educate others.
    7shide_85

    A tale with an original plot line.

    Recommended (be wary slightly slowpaced & relatively low budget)

    I exspected a fantasy and got a history/action (possibly slightly sci-fi to it as well).

    It's a good watch, it is slow at times, but the story is given time to evolve as it should. The effects are not all there even though costume possibly pulled off an incredible feat (depending on budget). However it still isn't fully enough as some helmets does not suit it's bearer and some extras does not fill the shoes as well as they should. Gore and grit is pretty much there, which is a big plus. The cast is alright, the lead (pretty unknown to me) is alright but does not excell - however does not remove realism from it either which is mostly down to the dialogue (which is well written). The acting overall could be a little better but isn't below average for similar movies, rather slightly above.

    Pro's • Script • Dialogue (up and down but mostly solid) • Original plot line (or at least have the feeling thereof) • Costume & scenery • Director (which probably made ends meet)

    Con's • Budget (?) - doesn't reach all the way • Some elements are slightly improved upon by modern norms/rationale

    End notes: This isn't Braveheart, on the other hand it does not have a white van it in either. I liked it, it shows that you can do quite big historical movies with a relatively small budget. -It's quite well crafted for similar movies and delivers on originality.
    Vincentiu

    good intentions

    complicated theme, delicate subject, great ambitions. a film who has its precise public despite the desire to seems more than a not very inspired exercise to explore forbidden subject. because the ambition to be more than a film with Middle Age scenes, few cultural/historical references falls in the search to mix Walter Scott with Umberto Eco. the way is interesting but risky if the desire remains to seem be a profound movie without the chance to really be. but, ignoring this detail, it is a beautiful film about knights, heroic facts and justice. sure, not remarkable but that is not a sin.to discover a mixture between history and fairy tale is always useful after a difficult work day. in this case, the things are easy - young men, beautiful girls, the ambiguous evil and fight scenes. all in nice package.

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    Détails

    Modifier
    • Date de sortie
      • 3 octobre 2011 (Allemagne)
    • Pays d’origine
      • Allemagne
      • Autriche
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • Isenhart: The Hunt Is on for Your Soul
    • Lieux de tournage
      • Hongrie
    • Sociétés de production
      • Ninety-Minute Film
      • Dor Film Produktionsgesellschaft
      • Pro7Sat1 Produktion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 5min(125 min)
    • Couleur
      • Color

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