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Laurence Anyways

  • 2012
  • Tous publics
  • 2h 48min
NOTE IMDb
7,6/10
23 k
MA NOTE
Laurence Anyways (2012)
Regarder Bande-annonce [OV]
Lire trailer1:42
3 Videos
99+ photos
Drame psychologiqueLe passage à l'âge adulteDrameRomance

Un drame qui retrace dix ans de la relation entre une transsexuelle passée du sexe masculin au sexe féminin et sa petite amie.Un drame qui retrace dix ans de la relation entre une transsexuelle passée du sexe masculin au sexe féminin et sa petite amie.Un drame qui retrace dix ans de la relation entre une transsexuelle passée du sexe masculin au sexe féminin et sa petite amie.

  • Réalisation
    • Xavier Dolan
  • Scénario
    • Xavier Dolan
  • Casting principal
    • Melvil Poupaud
    • Emmanuel Schwartz
    • Suzanne Clément
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    23 k
    MA NOTE
    • Réalisation
      • Xavier Dolan
    • Scénario
      • Xavier Dolan
    • Casting principal
      • Melvil Poupaud
      • Emmanuel Schwartz
      • Suzanne Clément
    • 36avis d'utilisateurs
    • 150avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 29 victoires et 48 nominations au total

    Vidéos3

    Bande-annonce [OV]
    Trailer 1:42
    Bande-annonce [OV]
    Theatrical Version
    Trailer 3:15
    Theatrical Version
    Theatrical Version
    Trailer 3:15
    Theatrical Version
    "Cafe"
    Clip 1:57
    "Cafe"

    Photos132

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 126
    Voir l'affiche

    Rôles principaux44

    Modifier
    Melvil Poupaud
    Melvil Poupaud
    • Laurence Alia
    Emmanuel Schwartz
    Emmanuel Schwartz
    • Baby Rose
    Suzanne Clément
    Suzanne Clément
    • Fred Bellair
    Nathalie Baye
    Nathalie Baye
    • Julienne Alia
    Monia Chokri
    Monia Chokri
    • Stéfanie Bellair
    Susan Almgren
    • Journaliste
    • (as Susie Almgren)
    Yves Jacques
    Yves Jacques
    • Michel Lafortune
    Sophie Faucher
    Sophie Faucher
    • Andrée Bellair
    Magalie Lépine Blondeau
    Magalie Lépine Blondeau
    • Charlotte
    • (as Magalie Lépine-Blondeau)
    Catherine Bégin
    Catherine Bégin
    • Mamy Rose
    Jacques Lavallée
    Jacques Lavallée
    • Dada Rose
    Perrette Souplex
    Perrette Souplex
    • Tatie Rose
    Patricia Tulasne
    Patricia Tulasne
    • Shookie Rose
    David Savard
    David Savard
    • Albert
    Monique Spaziani
    Monique Spaziani
    • Francine
    Denise Filiatrault
    Denise Filiatrault
    • Gérante de la crêperie
    Violette Chauveau
    Violette Chauveau
    • Élise Voïlinsky
    Mylène Jampanoï
    Mylène Jampanoï
    • Fanny
    • Réalisation
      • Xavier Dolan
    • Scénario
      • Xavier Dolan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    7,622.8K
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    10

    Avis à la une

    jm10701

    Dazzling and disturbing, hard to watch but astonishingly original

    This is a strong, disconcerting, highly unconventional movie that is not easy to review, or to watch. Although it is the story of a transgender experience and how it affects existing relationships, it is much more than that.

    The movie is so strong and so complex--and so long--that I'm reluctant to say much more about it, partly because I don't know much else to say about it now. I'll need to watch it at least one more time before I'm ready even to think about doing that. I can say, though, that anyone expecting a love story about attractive and sympathetic characters will be severely disappointed and probably angry.

    Anyone expecting a positive account of what it's like to change gender identity will probably be disappointed too. Anyone who needs the orderly development of a story and the relatable characters that are essential in Hollywood movies will be furious after having sat through these nearly three hours of VERY unconventional and challenging movie-making.

    Finally, anyone who enjoys picking a movie apart and saying what he or she would do to make it better--eliminate peripheral characters, cut an hour off the movie's length, etc--will have a field day with this one. Unfortunately for them (and for anyone who takes what they say seriously), they will have denied themselves most of what this remarkable movie offers them.

    The only way to receive what a movie (or any other work of art) offers is to accept it AS IT IS, on its own terms, WITHOUT trying to analyze it or change it to fit some outside notion ("outside" meaning in YOUR mind, as opposed to the author's) of what it OUGHT to be.

    Instead of trying to make this (or any other) movie "better", either make your own movie or let go of your compulsion to control what happens to you as you watch this one. If you don't like the experience, that's fine, but if you really believe you could have done it better, you're a fool. You're impressing (and cheating) nobody but yourself and anybody else who takes you seriously.

    But anyone who wants to see the latest work of an extraordinarily gifted and original young artist (Xavier Dolan, who is not yet 25 years old), whose genius is exploding into the world with such power and such speed that even he probably can't explain everything he does--and is willing to let go, to give up control of the experience and see what DOLAN is showing you instead of what you want to see--will be changed by this astonishing movie.
    9chtkhs

    Fresh movie

    This is one of the most impressed movies that I've ever seen. This movie is about a couple, Laurence and Fred, who love each other and have been together for long time. One day, Laurence opens his heart to her that he wants to be woman. Fred confuses and thinks about their future. Then, Fred decides she becomes Laurence's best friend and she teaches him how to make up, but they are troubled by prejudices of the society. Also, the mood of this movie and camera-work are fresh. Many colors are used and music invites us into story, so we can't be bored in spite of complex story. The director of this movie, Xavier Dolan, became my favorite one after I watched this movie, and this is the most favorite one of his movies. Therefore, I want everyone to see this. I recommend very much, but you will be tired a little because you are dragged very much.
    7sol-

    Gender is shallow

    Coming out as a transsexual proves challenging for a high school teacher in this French Canadian drama directed by Xavier Dolan and starring Melvil Poupaud. He undergoes predictable trouble at work (though curiously from his colleagues - not his pupils who respect his courage) and ends up losing his job. His parents also expectedly reject him and he has trouble dining in public without someone making some comment about his looks. Not so expected though is Poupaud's long term girlfriend's decision to stick with him throughout his ordeal, and Suzanne Clément is superb as the young lady in question who, despite all doubts, claims to still need his "forearms". Set over a ten year period, the couple's relationship is tested at several points but their connection is absolutely undeniable and there is a potent scene in which they encounter another trans couple who claim that "gender is shallow" and it is "the person" who matters. Truer relationship advice may have never been said, but it is to the film's credit that it is does everything to challenge this, highlighting how difficult is for one to achieve happiness in a world full of societal expectations and heavily drilled norms. At nearly three hours long, the film runs a little long and is never quite as intense at it could be. The extra runtime allows Dolan to experiment with some neat stylistically touches though as things fall on the actors in slow motion to the tune of serene music. This in turn gives the film a dreamlike quality - rather fitting for a film about a human being realising his/her dreams beyond gender stereotyping.
    9everydaaay

    Xavier Dolan, Anyways!

    Fist of all, I should tell ya that I never been excited to watch a movie for a really long time; you know that excitement when you watch the trailer over 10 times in a row. yeah, I got excited this much to watch Laurence Anyways. and as a Xavier Dolan's huge fan that makes me know for sure that this movie is gonna be a pure art. and I don't even really care that much about directors. but DAMN! Xavier Dolan is the perfect man. No, I really mean it. he's gorgeous and talented in so many ways. Although all of the films he directs are about homosexuality, but what the heck! sometimes I hesitate to recommend any of his films to people I know cause I fear they might be narrow minded about all of the homosexuality stuff. Personally, I wouldn't mind watching a Xavier Dolan's film everyday and I'd still enjoy it as if it was the first time I watch it. I killed my mother, heartbeats, and now laurence anyways.

    Laurence Anyways is almost 3hrs long. I thought I'd be bored. but somehow, something kept me watching. maybe it's wanting to know how the story ends. or maybe it's the great soundtrack, or the scenes that feed your soul visually. I mean really, why bother going to a photo gallery or a concert or whatsoever when you can simply watch Laurence Anyways or any film of Dolan's, and you'll find everything you love combined together beautifully. maybe I'm just exaggerating but that's because I'm this amazed.

    At first, I thought Laurence and his girlfriend weren't' good looking enough, but anyone who watches this film will absolutely fall in love with every single character in the film. and somehow you'll find them extremely beautiful because you just feel their passion and stuff.

    When I posted on twitter that I'm so excited to watch it. my friend replied saying, "it's a bold movie." well, I don't know how dirty films like the hangover are okay to watch and a masterpiece like this is "bold"! One thing I noticed about Xavier's Dolan films, is that he tries not to show us nude scenes, cause it ain't pretty. nobody wants to see butts or whatsoever, well, maybe perverts want to, but that's not the point. that is to say, even sex scenes are somehow beautiful and amazing, like the sex scene in 'I killed my mother' with all the painting and the sad sex desperate sex scenes in 'heartbeats'. you can clearly understand what Dolan is implying. In Laurence Anyways, Dolan portrays the relationship between Laurence and his girlfriend as a happy couple who are madly in love with each other, before they gradually collapse. What I'm truing to say here is that Dolan never fails at impressing his audience.

    The soundtrack was painfully amazing, as always. the film stats with a song by 'fever ray' which made me realize that Dolan is a fan of this band. yeah? you remember the scene in the woods in 'heartbeats'? No? Okay. I swear if I had to steal one thing from Xavie Dolan it'd be his ipod or iphone or whatsoever. the man has an amazing taste in music.

    When I done watching this film, I realized that 3 hours weren't enough. I wouldn't mind if it was 10 hours long or a series with a thousand seasons. it's just pure perfection. you know when you watch a perfect film that is so perfect to the extent that you wouldn't mind if it ends after only 5 minutes or in the middle of it because it's so perfect, and whatever the end is it'd still be great and perfect. yeah, Laurence Anyways is one of those films. and I'm still happy and impressed with the ending scene. the song was oh-my-god amazing. it's like it came into my soul and said hi and settled there. I can never get bored watching the ending scene; so simple yet perfect.

    And before I forget, I love the almost 5 seconds Xavier appeared in the party scene. yeah keep it up babes.

    In short, Laurence Anyways is 3 hours long, BUT, it's 3 hours of love, joy, regrets, tears, emotions, passion, and XAVIER DOLAN'S PERFECTION. Go watch it! and if you watch it and hate it then I'll hate you back.

    Thank you
    7matheasagdahl

    Fails utterly in its trans representation, but...

    As a trans woman. Seeing this film made me feel very conflicted. I had high hopes for a film that took trans characters seriously and portrayed them delicately. Sadly, it did anything but.

    The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.

    Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.

    This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.

    ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.

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    Centres d’intérêt connexes

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Elsie Fisher in Dernière Année (2018)
    Le passage à l'âge adulte
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The man who shows the apartment to Laurence is played by Xavier Dolan's father, Manuel Tadros, just like he did in Dolan's first movie.
    • Citations

      Julienne Alia: You changed your sex. I changed my address.

    • Connexions
      Featured in Xavier Dolan: à l'impossible je suis tenu (2016)
    • Bandes originales
      Bette Davis Eyes
      Written by Donna Weiss and Jackie DeShannon

      Performed by Kim Carnes

    Meilleurs choix

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    Se connecter

    FAQ18

    • How long is Laurence Anyways?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 juillet 2012 (France)
    • Pays d’origine
      • Canada
      • France
    • Sites officiels
      • Official site (Canada)
      • Official site (Spain)
    • Langues
      • Français
      • Anglais
      • Latin
    • Aussi connu sous le nom de
      • І все ж Лоранс
    • Lieux de tournage
      • 2600 Rue Ontario, Montréal, Québec, Canada(opening scene: Laurence walking in the street)
    • Sociétés de production
      • Lyla Films
      • MK2 Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 399 784 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 48min(168 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.33 : 1

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