Toast

The British always seem to have such interesting faces, and because of that their movies seems to have more depth and feeling than American movies. Toast is no exception. This movie contains little dialogue and relies much on visual communication, which could easily have turned it into one of those movies that makes you glance at your watch every twenty minutes. But the casting of such physically unique individuals makes it riveting.

The dynamics of family. I know, I know. Do we really need to go there again? Yes we do, and Toast puts it out there in a raw, you-are-scarred-for-life way that we can all relate to. It hurts to watch the way Nigel Carter, the British food writer on whose biography the movie is based, hurl insults at his dying mother, knowing this behavior will haunt him in the end. It's equally hard to watch the miscommunication between father and son—this could be any home in America where parents and children seem to speaking foreign tongues to each other, tearing the already weakened fabric of parent-child relationships. It's a wonder anyone survives.

But Nigel was a survivor. I liked how he listened to the voice inside him, ignoring society's pressure to fit in. In school he was the only male who chose to take home economics over shop, and he stood at his father's wedding by the cake he'd made so carefully, even though the wedding represented everything that would alienate him even further from his father. Our Nigel did it his way. I half-expected to to hear that Frank Sinatra song at some point during the film.

I loved the reference to toast. "Soft inside the toasted shell, where the butter nestles in…" or something like that. I loved toast when I was growing up, and I think it is the only comfort food that doesn't have a sugar base. My personal favorite was cinnamon toast, but hey, to each his own. I have never met anyone who doesn't like toast, and it was a perfect metaphor.

Which leads us to wonder, is it possible Nigel's mother was that bad a cook? Is it possible that someone could boil cans for dinner and burn them? Go see Toast. Then cook something. Feed those you love with culinary delights you enjoy making and let the sweet and savory fetes roll.

Nice film.

The film is quite good. However, if Nigel is this big of a c*** in real life, I wish him nothing but the most tortuous suffering he deserves. Horrible human.

The film, Toast, is based upon the autobiographical book, Toast: The Story of a Boy's Hunger, written by English food writer, journalist and broadcaster, Nigel Slater. It is a memoir of Slater's early years and his memories of his mother who died when he was just 9 years old.

The book/film is entitled Toast as that was the ONE food his mother was able to successfully cook ... and he tells us that a person will always love the one who prepared slices of the warm, crunchy, buttery goodness to you as a child. The young Nigel must've held true to this mantra even in childhood, as he never accepted or trusted his father's new "cleaning lady", Mrs. Potter (Helena Bonham Carter - Sweeney Todd, The King's Speech, Charlie and the Chocolate Factory), who won her way into his father's heart with her culinary expertise ... much to Nigel's chagrin.

As Nigel was already interested in food (he'd drool over the exotic cheeses at his local grocer or sneak a flashlight into his bed to look at the mouth-watering pictures in the family cookbooks), he eventually becomes highly competitive with Mrs. Potter in hopes of winning-over his always-distant father.

Toast takes place over a span of ten years and so Nigel is played by two different actors. Young Nigel is played by a remarkable Oscar Kennedy who is making his feature film debut (!!!) while the older, teenage Nigel is played by Freddie Highmore (Charlie and the Chocolate Factory, Finding Neverland, The Spiderwick Chronicles). Highmore is a great, young actor; but it is surprising to admit that the younger, less-experienced Kennedy outshines him in this film as Kennedy's Nigel does more of the grieving and Highmore is scripted to do more of the pouting.

Toast isn't as boring as the title makes it sound; nor is it overly compelling as it turns into a most-conventional, lite-biopic. Bonham Carter is always good and her scheming, competitively outrageous behavior here is the butter on this piece of toast. The film is about Nigel Slater (kind of a blank page as he gets older) but he wouldn't have become who he is without the provocation of this film's Kitchen Queen, Mrs. Potter ... nor would the film be what it is without Bonham Carter.

I saw this movie without knowing who Nigel Slater is. The trailer made it out to be a humorous coming-of-age story about a boy with a passion for cooking.

The young Nigel never gives Mrs. Potter a chance - because she works as a house cleaner, is a bit vulgar and lives in public housing, he looks down on her and puts her down in front of his father whenever he can. He wins sympathy points for the emotionally abusive father and the dying mother, but ultimately he himself is not a likable character. And that is the main drawback of the movie. It seems to have been created mainly to vilify the stepmother that Nigel never liked.

Otherwise there is nothing wrong with it. In fact I think Helena Bonham-Carter delivers a great performance as Mrs. Potter.

To be perfectly honest, I wasn't expecting something this good when I tuned in to watch Toast. While it doesn't quite make my favourite dramas of all-time list, it is for me one of the better programmes airing over the Christmas season. Is Toast sentimental? Yes, in a way I suppose it is. But it is also warm, gentle and tender, not to mention evocative and multi-layered. Toast looks wonderful certainly, as the production values and period detail are really quite pleasing. The photography is very skillful, while the scenery and costumes are beautiful. In general, I did like the music. It did occasionally get a tad over-bearing, but in its more subdued moments it was quite charming and quaint, very like the drama itself. The script is always touching, honest and funny, while the story is engaging throughout and the pacing and direction are also spot-on. The acting is perfect across the board. Oscar Kennedy is wonderful as young Nigel Slater, and while Freddie Highmore as his teenage self is good Kennedy was better. Ken Stott is also winning as his father, and Victoria Hamilton is very touching. Helena Bonham Carter also gives one of her better performances of late. All in all, this is a very absorbing and beautifully done drama. 9/10 Bethany Cox