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6,5/10
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Tim Roth et Clive Owen sont les vedettes d'une fiction policière émouvante se déroulant sur plusieurs continents. Sous les révélations musicales stupéfiantes et palpitantes du film brûlent l... Tout lireTim Roth et Clive Owen sont les vedettes d'une fiction policière émouvante se déroulant sur plusieurs continents. Sous les révélations musicales stupéfiantes et palpitantes du film brûlent l'horreur d'une guerre et les âmes perdues disparaissent dans la nuit de l'histoire.Tim Roth et Clive Owen sont les vedettes d'une fiction policière émouvante se déroulant sur plusieurs continents. Sous les révélations musicales stupéfiantes et palpitantes du film brûlent l'horreur d'une guerre et les âmes perdues disparaissent dans la nuit de l'histoire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 11 nominations au total
Áron Rátkay
- Cello Boy
- (as Rátkay Áron)
Annamária Makai
- Piano Girl
- (as Makai Annamária)
Avis à la une
Yes, this is a wonderful and memorable film. The director, Francois Girard, and, I suspect, the same Canadian production company were involved in the 1998 RED VIOLIN. Like that film it takes place over multiple time periods, in this film clearly stated to be 1951, 1986, and the earliest, unidentified time which can be inferred to be sometime between March and September 1939. The scene shifts back and forth a good deal and some critics found this confusing and destructive of continuity but I found no difficulty in following the story line. Memory is not linear and orderly but rather fragmented and out of sequence, particularly when dealing with highly charged emotionally traumatic experiences. This is an exceptionally intelligent screenplay where not everything has to be spelled out. It's true that a key plot point mystery is fairly predictable. Yet the story builds to a wrenching climax in a way you don't see every day in the movies.
Tim Roth plays well against type as a quiet, introspective Brit. The score composer, Howard Shore, was involved in composing the impressive music in the Lord of the Rings and does an award-deserving job here. I rate the film at 3.5/4 stars. Strongly recommended for everybody, especially any serious music student as well as anyone of Jewish background, particularly of GenX through to Millennials.
This story is so effective and so emotional, that it sends chills right down my spine. I feel so connected with the story and the characters, that I feel their pain and their anguish. It is a wonderful film.
The latest movie from the director who gave us the wonderful "The Red Violin".A film about Family, friendship, music and the holocaust. Good performances from all the cast, a good plot and an okay script. This film definitely pulls at the heartstrings.
There are some great aspects to this film. The scenes of childhood & the actors in the midst of WW2 are well depicted. Safe relatively in England, far safer than Poland.
The time shifting sequences flipping from one era to another made things stilted & confusing & annoying more than interesting.
Excellent sets in Poland esp Treblinka & in Hampstead where the main character encounters a survivor of Treblinka & then learns about his own family.
Worth watching but this film could have been outstanding.
Exploring the aspect of the holocaust on those who had managed to leave or not but survive makes a great basis for exploring humanity & the challenges of going on after loss.
The story meanders a lot which gets in the way of building a sense of connection to the adults; the earlier scenes when the key characters are still boys manages to build that connection.
The time shifting sequences flipping from one era to another made things stilted & confusing & annoying more than interesting.
Excellent sets in Poland esp Treblinka & in Hampstead where the main character encounters a survivor of Treblinka & then learns about his own family.
Worth watching but this film could have been outstanding.
Exploring the aspect of the holocaust on those who had managed to leave or not but survive makes a great basis for exploring humanity & the challenges of going on after loss.
The story meanders a lot which gets in the way of building a sense of connection to the adults; the earlier scenes when the key characters are still boys manages to build that connection.
"The Song of Names" is a film with Clive Owen and Tim Roth elegantly directed by Francois Girard. It tells the story of two young boys who develop a friendship over a shared love of music. Young Polish violin prodigy Dovidl Rapoport comes to live with the family of Martin Simmonds in the days preceding the German bombings of London, England during WWII.
The story continues showing different periods of Dovidl and Martin's lives from adolescence to mature adulthood. With the excellent acting, screenplay by Jeffrey Caine and Girard's conscientious direction, the film is a gift to the viewing public!
The story continues showing different periods of Dovidl and Martin's lives from adolescence to mature adulthood. With the excellent acting, screenplay by Jeffrey Caine and Girard's conscientious direction, the film is a gift to the viewing public!
Le saviez-vous
- AnecdotesSaul Rubinek (Mr. Feinman) is the son of Holocaust survivors and was born in a refugee camp in Germany.
- GaffesThe Yellow Cab used in the film is 1991-1996 Chevrolet Caprice. This sequence of film took place in the first half of 1980s.
- ConnexionsFeatured in 2020 Canadian Screen Awards for Cinematic Arts (2020)
- Bandes originalesPartita for Violin No. 2, Chaconne (Clarinet Arrangement)
Written by Johann Sebastian Bach
Performed by Eszter Lugosi
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- How long is The Song of Names?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Le prodige inconnu
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 077 584 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 452 $US
- 29 déc. 2019
- Montant brut mondial
- 1 141 187 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Rapport de forme
- 2.39:1
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