Forces spéciales

I am not going to watch this movie again. Why? Because there was few moments in the movie where it felt real. Although some of the actors like the female reporter did a good job of acting, the surroundings didn't seem to be following. The action part looked like any other with the bad guys falling like flies and the good guys standing exposed to the bullets and nothing hitting them. The bad guys resembled zombies and just walked towards the bullets to die as soon as they could. Whenever any of the good guys were hit, everybody cried and screamed like it was the end of the world and they had a lot of time mourning right in the middle of sustained shootings. But the bad guys didn't care dying and as mentioned fell like flies to the ground. The chase scene also didn't look real. While the heroes had to pass high altitude in extremely cold and snow storm, the bad guys suddenly appeared and surprised them. Unlike the heroes, they had little clothing and no sign of wear and exhaustion. This movie could be a lot better if the action scene were a bit more realistic and the bad guys had more character and looked smarter. Other stuff that I didn't like was the fact that these guys where not found although the military had hundreds of ways of finding them. They didn't search for them and these guys had nothing electronic to send a signal back to base although they had everything else imaginable like infinite number of bullets to shoot during their journey. Sometimes in the movie you could see that they had used ideas from other movies to make it more dramatic. You can of course watch this movie but don't be afraid to get disappointed.

Co-written and directed by Stephane Rybojad, this debut feature is impressive and remarkable considering the sheer logistics involved in having it filmed in Tajikistan passing off as Afghanistan and its tribal borders where the film was primarily set. Rybojad cut his teeth with countless of documentaries, some of which involved the French special forces, so to say that he brings a degree of realism to the film is an understatement, having first hand knowledge about the weapons and tactics, despite having to weave a fictional tale around it that will appeal to a broad audience.

With a host of rifle weaponry, high-tech equipment and decked to the nines by smaller arms to larger ones like the Super Puma choppers (amongst others) and boasting even an aircraft carrier, some may be quick to claim that the film is nothing but propaganda for the French armed forces. But that can be so far from the truth, because what Rybojad had done is to provide a tale about humanity both good and evil, and the dilemma that anyone entrusted with a life and death situation to deal with almost on a constant basis. With just gun battles alone one may be better off with a computer game, but the story here, no matter how standard and cliché at times it may seem, worked without attempting to do more than it's capable of, knowing its limits and sticking very much to its strengths, despite having its final act a little bit clunky and a pivotal scene that turned out to be quite unbelievable in terms of geography, but with narrative films there's always the element of chance and coincidence otherwise nothing would actually happen.

While it's not everyday that we get to see a French action film, and one based on a uniformed group at that (the last being the GIGN in the film The Assault, which is based on a factual, historical incident), and this one in some ways reminded me of the Hollywood film Tears of the Sun by Antoine Fuqua. Both films feature a group of special forces troopers being tasked with an extraction mission, only to come face to face with a numerically superior opposition, having to battle the enemy while protecting their mark, and having the latter female and strong willed and at times at loggerheads with the mission objective, influencing how the troopers will function as a unit and having to constantly review whether they should just follow orders, or go about on a wider humanitarian mission that doesn't betray the conscience.

There's no Bruce Willis here, but Djimon Hounsou takes the charge as the leader of a group of six men in total tasked with a reconnaissance mission at first to uncover the whereabouts of the kidnapped journalist Elsa (Diane Kruger), before having their mission immediately turned to one of extraction. It may seem like an open and shut, routine mission with highly skilled, trained and equipped men balancing the odds of being numerically disadvantage, if not for Michael Cooper and Stephane Rybojad's story throwing a spanner in the works by taking out all their communications equipment very early on, rendering a change in their LZ impossible, and being left to their own devices to escape from Elsa's Taliban captors who are fast closing in on them. The structure here may seem similar to Tears, but it doesn't come with any requisite twists and turns. In fact the enemy may well be the harsh terrain and sub zero temperatures the group has to battle against, and for those pampered by things blowing up in the first half of the film, this portion on may seem like an anti-climax, especially when the story seemed to lose its tight grip on the plot, and made concessions to allow for closure.

The introduction was what set the stage with a glimpse of how tight the Special Forces work, flying in with their choppers on a mission to capture a war criminal, and a number of set action pieces to whet the appetites of the action junkie from the actual rescue of Elsa and the protection of tribal villagers who had shown them hospitality. But ultimately the story never allows you to forget about each of the characters, giving each some very strong identifiers that you'll feel for them especially since Cooper and Rybojad shows no mercy if any were to slip up and be complacent, never in their intention to build supermen or a super team, even if early skirmishes may seem to suggest something like that. It is this avoidance of caricatures that makes you feel for the safety of everyone each time a shot rings out, and as weapons and ammunition become light, fuses a real sense of danger and fear. The villains however are plainly one-dimensional, even for the chief terrorist Zaief (Raz Degan), who has no lack of scenes to show why he's pure evil and is one to be gotten rid of.

Still, Special Forces ranks up there with the many films from around the world about specially trained men and women in uniform being called upon to put their lives at the forefront in the protection and well being of others, and you can either view this as a purely action flick, or a tribute to the spirit of the such groups, with a stark comment as explained by a character, that it's better to go in a blaze of glory, than to live a life of anonymity.

You get what you pay for and - when compared to Black Hawk Down - the budget for this movie would get you an Oyster card for Zone 1-2 for a month. This isn't Hollywood dollars and it shows.

Some of the scenes are a tribute (or plagiarism) to the Ridley Scott masterpiece. There is a decent opening sequence and the acting is reasonable, but you just feel that you're being dragged into B-movie territory despite wanting it to work.

Weirdly, what really lets down the move is the music. Its all low-end production music and has nothing to do with the supposed location, making it harder to believe it was shot on location.

Had there been more zeros on the production bill, this could have been an eight but it'll need to be a low six I'm afraid.

Forces Speciales tells the story of the French Special Forces and their mission, in this instance, to save journalists who have been kidnapped by the Taliban in Afghanistan and taken to the tribal areas of Pakistan. The covert operation develops complications and the sole lure of the movie is to discover whether the mission will succeed or fail; will they live or die.

As one reviewer notes, the movie is nearly a commercial for the French Special Forces, and the plot of the movie, what there is of it, involves a kill-crazed Al Qaeda leader and his nameless and near-faceless band of zombie-like henchmen who relentlessly pursue their victims. Whoever gets in the way of this insane band of thugs, Afghan, Pakistan, foreign soldier or whatever, they seem to crave killing them quickly. And, the supply of these killers seems limitless, offering the viewer ample opportunities to watch them machine-gunned down in large numbers by the heroes, including a few scenes that include an accompanying heavy-metal music soundtrack.

Yes we see the heroism, self-sacrifice and compassion of the gallant French warriors, along with the typical scenes of male-bonding. But much of this movie is standard fair for the genre, and a very one-dimensional look at the problems of this troubled area of the world. If you think that suits your taste, go for it! One last comment, when will we stop seeing overweight, gray-haired men portraying elite commandos? This is a young man's occupation. I'm surprised we didn't see Jean Reno as the commando leader, but that would have been even more difficult to believe.

While a tad overlong and light on character development, SPECIAL FORCES nevertheless delivers a fairly solid entry in the modern warfare genre. The plot is rather simple: a French special forces unit (the movie is French/French-produced) is sent in to rescue a journalist from Afghanistan who has been captured by a Taliban warlord. Right off the bat, you are introduced to the principal characters, but not much is given in the way of character development or making the audience care, aside from some small character moments interspersed throughout the latter half of the film. The performances are adequate, with the best being given by Diane Kruger (as the journalist) and Djimon Hounsou (one of the special forces guys). The actor who portrays the Taliban warlord also does a good job, probably adding some depth to his character by having him be Western-educated and somewhat caught between Western culture and his own culture and beliefs, but not much attention is paid to his character either. It also doesn't help that his demise later in the film is done so haphazardly and unceremoniously. As far as the combat sequences go, they were fine and done in current "en vogue" style of somewhat shaky "cinema verite" realism to give a sense of the chaos of battle. The violence was effective and not gratuitous in any way. However, towards the end the movie drags a little bit as we're shown day after day passing of the core group trying to get away from their pursuers and safely back into Afghanistan (they've been wandering around in the Pakistani desert for most of the movie). Overall, the movie is effective in the combat sequences and showing how the special forces team bond with the people they try to rescue. Over the course of the film, you do grow to care a little bit more about the characters but not because you feel like you really know them, just because you empathize with the sticky situation they're in. The movie aspires to be SAVING PRIVATE RYAN (made by the French, and set during the Afghan war), but it falls short of the mark. Still, it makes for a somewhat entertaining, slightly taxing, viewing experience.